Behold Finders Keepers, a British record label, 40 years in the making, introducing fans of psychedelic, jazz, folk, funk, avant-garde and whacked-out movie musak to a lost world of undiscovered vinyl artifacts from the annals of alternative pop history.

Catering to record collectors and DJ-producers alike with a huge emphasis on sample friendly soundscapes, rocksteady back-beats and primitive electronic experimentalism. Discerning purveyors of the bizarre and abnormal should expect the Japanese choreography records, space-age Turkish protest songs, Czechoslovakian vampire soundtracks, Welsh rare-beats, bubblegum folk, drugsploitation operatics, banned British crime thrillers and celebrity Gallic Martini adverts... presented on CD, 7" and traditional black plastic discs in authentic packaging.

Following in the very same footsteps as the mind boggling "Music To Watch	Girls Cry" and "Songs In The Key Of Death" mix CDs for Fat City Records and the original 5-star rated Finders Keepers compilation LP in 2001, Manc-based vinyl-vulture, recording artist and record producer Andy Votel enlists the skills of fellow B-Music DJ and Rare Disc Detective Doug Shipton to form a team of psychedelic librarians and cosmic-pop-quiz-elitists to run their new Twisted Nerve distant sister-label, leaving no progressive pebble unturned or record collection un-rifled.

Future compilations and re-issues will feature collaborative curators such as David Holmes, Cherrystones and Bob Stanley and further contributions from mystery A- / B+ pop-celebrity fanatics of outsider music and ultra-rare bakelite discs. Finders Keepers is an 'accidental world music label' with a punk aesthetic and DJ friendly ethos which allows the desperate listener to sit back while we deliver schizoid cultural channel-hopping compilations and rocking-horse-shit & hen's-teeth re-releases to the comfort of your psych-starved living room...

Pre-order here: https://utahsaints.lnk.to/US24SC
UTAH SAINTS (Ministry Of Sound) (ffrr)(London Records)

Utah Saints have been making music, dj’ing and playing gigs around the globe since the birth of House music.

The world renowned duo have released 9 Top 40 UK hits, 4 of which hit the Top 10, and sold over 2 million records worldwide (equivalent to 800m+ streams).
Precariously walking the tightrope between genres and also between the underground and the mainstream, Utah Saints roots are in electronic dance music, having met in a club in Leeds at the beginning of the rave movement in the UK and establishing themselves as pioneers of sampling in dance music.
Alongside this success, they set up and promoted award winning and legendary club nights The Gallery and SugarBeatClub and have recorded and presented shows for BBC Radio 1, Kiss and Ministry of Sound. 
Utah Saints are still very much at the top of their game and are out dj’ing regularly each month as well as curating festival stages and putting on an eclectic range of nights. They have played alongside everyone from DJ Zinc to Justice, Zane Lowe to A-Trak, Friendly Fires to Boys Noize and U2 to Public Enemy. They have djed at over 3000 events, from underground clubs to festival mainstages.

When the pioneering DJs aren’t playing at clubs and festivals in various parts of the world, they can be found in the studio working hard on their own material and production as well as remixing other artists as varied as Bring Me The Horizon and Girls Aloud.  As well as running a successful record label, the duo have now added film scores, soundtracks, video game music and production music to their ever-expanding portfolio and are planning to release new music as Utah Saints.
Recent accolades include being listed in Rolling Stone in 2022 as one of the 200 Greatest Dance Songs of All Time with Something Good. 

The remix, Something Good 08, having been the10th most streamed track of 2008 has recently been awarded Gold status in the UK.

"Utah Saints - Legends in the game " - Zane Lowe - Apple Music 
“Two of the most clued up DJs I have ever met” iDJ magazine
“The first true Stadium House band” – The KLF
"These guys invented rave" - Annie Mac BBC Radio 1
“Dance legends” - NME

For Dj Bookings/Remixes  contact - Admin@PunkClubBeats.com

Official SoundCloud account for Blue Note Records
www.bluenote.com

Klassik und Jazz erfreuen sich immer größerer Beliebtheit. UNIVERSAL MUSIC Stars wie etwa Anna Netrebko oder Till Brönner unterstreichen diesen Trend und sind beste Beispiele für den Erfolg des umfassenden Engagements auf diesem Gebiet. 

Neben der intensiven Arbeit sowohl mit jungen Talenten als auch mit etablierten Künstlern entwickelt UNIVERSAL MUSIC CLASSICS & JAZZ als Marktführer in den jeweiligen Genres kontinuierlich neue, innovative Marketing- und Promotion-Strategien, um alternative und zeitgemäße Zugänge zur facettenreichen und spannenden Welt von Klassik und Jazz anzubieten. Die Unit baut hierfür nicht nur junge Künstlerinnen und Künstler auf und begleitet sorgfältig und verantwortungsvoll ihre musikalische Entwicklung, sondern sorgt vor allem auch kontinuierlich für die Erschließung und Pflege neuer Zielgruppen. Mit grenzüberschreitenden Projekten wie der „Yellow Lounge“, die Klassik an ungewöhnlichen Orten präsentiert, oder auch dem „Verve Club“, der die ganze Vielfalt des Jazz präsentiert, leistet UNIVERSAL MUSIC CLASSICS & JAZZ hier und auf manch anderem Gebiet seit langem wertvolle Pionierarbeit. Diese und weitere Aktivitäten bringen die unendliche Vielfalt der Genres einem stetig wachsenden Publikum näher, das musikalische Entdeckungen als Bereicherung seines Lebens zu schätzen weiß.

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

𝗗𝘂𝗯 & 𝗥𝗲𝗴𝗴𝗮𝗲 𝗠𝘂𝘀𝗶𝗰 𝘀𝗶𝗻𝗰𝗲 𝟮𝟬𝟬𝟰

The discography of Weeding Dub grows with his new sixth album on December, 2nd 2022
on his own label Wise & Dubwise Recordings: « Where We Come From ». 

	Weeding Dub declares his come back with « Where We Come From » and as ever he is  surrounded by talented singers and musicians: Solo Banton, Vivian Jones, Marina P, Little R, Ras Divarius, Skatta and Oulda.

ALL THE LINKS
https://linktr.ee/weedingdub
CONTACT
weedingdub@gmail.com

Giwi Johnson is following