Symphony No. 2 Third Movement

Piano Concerto No. 1 First Movement

Piano Concerto No. 1 Second Movement

A five motif fugato. The five motifs are repeated a total of 463 times throughout the song, using both stretto and inversion at times. Motifs in order of first appearence:
0:00 - The first four notes represent the first motif. Appears 100 times.
0:03 - Two quarter notes and one half note (always on the same pitch)followed by four descending thirty-second notes. Appears 152 times.
0:11 - Four ascending eight notes followed by four sixteenth notes and a half note. Appears 103 times.
0:22 - Two quarter notes, the first one higher, followed by a half note and descending sixteenth notes. Appears 46 times.
1:10 - 3/4 of a half note, then a sixteenth note, and quickly after another half note, followed by descending sixteenth notes. Appears 62 times. 
The five motifs are combined in the fugal coda at 9:41.

Piano Concerto No. 1 Third Movement / Fugato Finale

16 variations on an original theme. Variations in order:
0:00 - Main Theme
0:36 - Variation 1
1:15 - Variation 2
1:51 - Variation 3
2:27 - Variation 4 (Fugue)
3:12 - Variation 5
4:24 - Variation 6 (Inspired by Schubert's Piano Trio in E-flat major, 2nd mvt.)
5:16 - Variation 7
5:52 - Variation 8 (Chromatic scale - smallest step possible between notes)
6:16 - Variation 9 (Inspired by Mozart's 41st Symphony)
8:03 - Variation 10
9:16 - Variation 11
10:06 - Variation 12 (Inspired by Chopin's Op. 10 No. 1)
11:03 - Variation 13 (Mirror - the main theme is played normally and inverted simultaneously)
11:39 - Variation 14
12:25 - Variation 15
13:48 - Variation 16

16 variations in C major for piano

Composed in three days. This piece was inspired by the Hungarian Rhapsodies. The friska starts at 7:26.

Rhapsody in C-sharp minor

Etude No. 1

Etude No. 2

Etude No. 3

Etude No. 4 - Dedicated to Jafar

Rhapsody No. 2 in G major

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Symphony No. 2 Third Movement

GJSymphony