Free Download Bootleg. Original von YASHA.

Yasha - Dämon (S2BE & Andre Kern Bootleg) FREE DOWNLOAD

VERTØNT Raves

Nicane @KERNFUSION 22.07.2022

#140BPM #HardTechno #Melodic #Wecken #Aufwachen #VielSpaß

Awaken (Original Mix)

Come Closer Triptychon Lukes 24/02/23

Revolta - Hard Knocks Vol.1

www.instagram.com/philippkozub/
m.facebook.com/philippkozub/

Philipp Kozub - Hard, Harder, Hardtechno

Dj Maharis Janik´s Geburtstag´s SchepperBash

das Wunderland-Syndrom

The Bells · Jeff Mills T.A.M.F. remix

Schranz and Its Connection to Jeff Mills’ “The Bells”

Connection to Jeff Mills’ “The Bells”: Jeff Mills’ The Bells (1997, Purpose Maker, PM-002) isn’t pure Schranz but heavily influenced its development. Its raw, hypnotic loop and pounding 4/4 kick resonated with the harder, minimal techno sound that Schranz built upon. Here’s how it ties in:
* Influence on Schranz Producers: Mills’ use of repetitive, functional loops in The Bells inspired Schranz’s stripped-down aesthetic. Its 140 BPM tempo and relentless drive aligned with Schranz’s ethos, making it a proto-Schranz track for DJs like Liebing or Boris S.
* Club Play: The Bells was a staple in late ’90s hard techno sets, bridging Detroit techno’s soul with Schranz’s aggression. Its iconic bell riff added a melodic hook that Schranz often avoided but still absorbed as a reference for tension-building.
* Remixes and Legacy: Later Schranz DJs (e.g., Eric Sneo, DJ Amok) remixed or drew from The Bells’ energy. For example, the 2006 10th Anniversary The Bells 12” (PM-020) had a louder, Schranz-friendly master that fit harder sets.

Original Pressing Context: As mentioned earlier, The Bells appeared on the Kat Moda EP (1997, Purpose Maker, PM-002, 12” vinyl). Its raw production—gritty kicks, unpolished mastering—mirrors Schranz’s unrefined edge. Schranz DJs likely gravitated to originals or early represses for their analog warmth, though the track’s quieter mix (compared to 2000s Schranz cuts) required DJs to crank the gain.

Where to Find Schranz-Inspired The Bells:
* Original 1997 Vinyl: Hunt on Discogs/Reverb for PM-002 ($20–$50). Check matrix: PM 002-A/B (RE I) NSC.
* Streaming: The 1997 version (on Spotify/Beatport) retains the raw vibe Schranz fans love.
* Modern Schranz Comps: Look for The Bells in hard techno mixes or CLR/Tresor compilations. Check X posts or SoundCloud for recent Schranz sets featuring it.

Schranz Today (Oct 2025): Schranz remains a niche but vibrant scene. Recent X posts highlight new releases on labels like Schranz Total or Hard Drive, with DJs like Fernanda Martins and Luciid pushing 150+ BPM bangers. The Bells still gets play in retro sets or as a remixed bootleg in Schranz raves.
Want me to dig into a specific Schranz artist, label, or a The Bells remix in this style? Or maybe check X for recent Schranz chatter? Let me know! 🔔

Deep Dive: Schranz – The Hard Techno Beast 🦖
Since you’re doubling down on Schranz, let’s go full throttle. This is the raw, pounding heart of German hard techno—no fluff, just facts, history, essentials, and where to score it today (Oct 16, 2025). The Bells connection? It’s the proto-Schranz blueprint—hypnotic loops + brutal kick = Schranz DNA. Ready? Gas it up!

Schranz 101: What the Hell Is It?
* Born: Late 1990s, Frankfurt/Germany. Evolved from Jeff Mills/Rene Pawlowitz-style minimal techno into a weaponized sound.
* Tempo: 140–160+ BPM (faster = harder life).
* Sound: Distorted 909 kicks that hurt, razor-sharp hi-hats, zero melody (unless it’s a stab), industrial noise loops. Think: a jackhammer in a warehouse.
* Name Origin: Chris Liebing (2001) called it “Schranz” to mock haters saying hard techno was just “schrammel” (grating noise). DJs flipped it into pride.
* Ethos: Anti-EDM, sweat-soaked, 6AM warehouse raves. No peaks—just relentless drive.

Schranz vs. Regular Techno:
Feature	Schranz	Standard Techno
BPM	145–160	120–140
Kick	Distorted, punchy AF	Clean, groovy
Melodies	Minimal/none	Hooks & synth

Vibe	Dark, aggressive	Hypnotic, soulful
Clubs	Berghain, Tresor	Fabric, Output
Timeline: Schranz Evolution
Year	Milestone	Key Track/Artist
1997	The Bells drops (Mills). Proto-Schranz loop energy.	Jeff Mills – The Bells
1999	Frankfurt explosion. Liebing coins term.	Chris Liebing – American Madness


SCHRANZ ON! 🦖🔔 Drop the needle—let’s destroy some speakers.

Recording 16-10-25, 11.19.55 am

HATE exclusive premiere.
Full streaming of the EP soon on our HATE YouTube channel.

Support the label, buy it here:
https://thethirdroom.bandcamp.com/music
https://linktr.ee/TheThirdRoom

Where music resists becoming personal confession, it creates its own narrative - abstract, precise, and unbound by outside noise. 

Artist: Peryl 
Title: Vibraform EP
Label: The Third Room
Catalogue: T3R017
Format: Vinyl 12”
Genre: Electronic
Style: #Techno
Release date: November 11, 2025

Artwork by Daniel Bornmann,
Lennard Makosch (Studio XYZ)

Mastering by Ahmet Sisman 
(The Third Room Studios)

Tracklist:
A1: Square Race
A2: Vacuum
B1: 555
B2: 555 (Rødhåd Remix)

Follow #Peryl here:
https://soundcloud.com/peryl_music
https://www.instagram.com/peryl_
https://www.facebook.com/peryl.music

Follow #TheThirdRoom here:
https://soundcloud.com/thethirdroom_t3r
https://www.instagram.com/the_third_room_t3r/
https://www.facebook.com/the3rdroom/
https://linktr.ee/TheThirdRoom

Vibraform by Berlin-based hardware and live artist Peryl provides an analytical yet deeply instinctive view on music. It reflects the duality between flow and restraint, between self-exploration and the healthy act of setting limits. At its core lies a certain nonchalance - a refusal to act on voices and trends while maintaining full commitment to sound itself.

Meticulous sound design, unpredictable, morphing basslines and an intentional timeless aesthetic offer a rare window into Peryl’s creative state of mind. Even as he tries to sidestep personal narratives, emotions inevitably surface in the music, subtly shaping its character. The result is not a confessional piece of work, but an abstraction that remains universal rather than private, while still carrying a trace of personal truth. Four tracks that are striking a rare balance between novelty, grace and aggressive functionality, including a remix by Rødhåd, offer to find purpose in the act of believing that sooner or later art reveals a logic of its own.


___
DISCLAIMER: All tracks are uploaded in a low quality for promotional purposes only and with buy links to respect label and artists.

CONTACT EMAIL: hatemusic1@gmail.com

Follow us on INSTAGRAM and FACEBOOK for releases previews and news:
https://www.instagram.com/hate_collective
https://www.facebook.com/hatecollective/

Follow us on SOUNDCLOUD for exclusive podcast series:
https://soundcloud.com/hate_music

Gladyshev & Terribble Smile - Asmodai (Original Mix)[Cut]

Gladyshev