So amazing, love the cassette tape feel. Like a hidden tape with songs you forgotten years ago

rock in a dying civilization

Event Of Your Leaving was recorded by Raum (Jefre Cantu-Ledesma and Liz Harris) in 2011 and 2012. Their first collaborative LP, the record is a loose set of memories, dreams, and images interpreting the work of visual artist Vija Celmins for piano, guitar, keyboard, voice, and tapes. The three-panel, fold-out cover is an offset and letterpress print of a drawing by Harris. Artwork printed at Stumptown Printers in Portland, Oregon and LP mastered at Dubplates in Berlin by Rashad Becker. Edition of 500.

Release Date: November 15, 2013

http://glasscommahouse.org/project/w-grouper-jefre-cantu-ledesma/

Side A (33 RPM)
In Stellar Orbit (13:01)
Blood Moon (5:58)

Side B (33 RPM)
Event of Your Leaving (3:35)
In Held Company (8:58)
Blood Loss (6:47)

Raum: Blood Moon

Sitting on the Moon

Summer's End

From Room for the Moon Live
Listen / Buy: lnk.to/rvngnl121

band:
Kate Shilonosova —vocals
Evgeny Gorbunov — Bass
Alexey Evlanov — Drums
Evgenii Piankov — Keys
Andrey Bessonov — Clarinet
Viktor Glazunov — Percussion, marimba
Fedya Denisov — Guitar
Sergei Khramtcevich — Saxophone
Grigory Parovichnikov — Sound engineer

Mixed by Kate Shilonosova
Recorded by Grigory Parovichnikov

Room for the Moon Live

Telefon (Live)

Listen / Buy

From Tender / Wading 
Listen / Buy: https://lnk.to/rvngnl122
Available September 26, 2025 

Follow M. Sage 
INSTAGRAM: https://www.instagram.com/matthewjsage/

Follow RVNG Intl.
INSTAGRAM: https://www.instagram.com/rvngintl/
TIKTOK: https://www.tiktok.com/@rvngintl
X / TWITTER: https://twitter.com/rvngintl
YOUTUBE: https://www.youtube.com/user/RVNGintl

©2025 RVNG Intl. // https://www.rvng.com

Tender / Wading

Tender of Land

From A Danger to Ourselves
Listen / Buy: https://lnk.to/rvngnl118

It is in the act of surrendering oneself to falling that the total, the sublime, enters?

Follow Lucrecia Dalt
INSTAGRAM: https://www.instagram.com/lucreciadalt/

Follow Camille Mandoki
INSTAGRAM: https://www.instagram.com/camillemandoki/

Follow RVNG Intl.
INSTAGRAM: https://www.instagram.com/rvngintl/
TIKTOK: https://www.tiktok.com/@rvngintl
X / TWITTER: https://twitter.com/rvngintl
YOUTUBE: https://www.youtube.com/user/RVNGintl

Lyrics

¿dónde caes, si caes?
¿donde sueltas tu existir aguado?
¿cuándo es que ves tu cuerpo frío e inerte, y tu suerte?
¿es ahí, ¿sí?, donde entra lo total, lo sublime?

Lucrecia

me vas a arrojar
a tu pesadilla
tan espectacular
un trono de fina
carrocería forjado a medida

quién va a mirar
ese suelo oscuro
un gran lienzo azufre se verá
ah y no va a importarle
y lo entierra profundo

Camille

no estaba en tu plan
que el cuerpo fuera
un eco de tu gritar
de helarse dentro y fuera
todo se reduce a tu silueta mi vendetta
dime, ¿dónde estarás?
sigue y grita desde donde estés amor
que nos siga hirviendo la sangre 
una exhibición atroz 
dime, ¿dónde estarás?

me vas a arrojar
a tu pesadilla
tan espectacular
un trono de fina
carrocería
forjado a medida

Credits

Music: Lucrecia Dalt and Alex Lazaro
Vocals: Lucrecia Dalt and Camille Mandoki
Music mix: David Sylvian
Music master: Heba Kadry

Special thanks: David, Cam, Lucy, Matt, Cyrus, Raul, Tony, Alex, Jonah, Lee, Sage, Ana, Evelyn

©2025 RVNG Intl. // https://www.rvng.com

A Danger to Ourselves

caes (feat. Camille Mandoki)

Tender of Land (Patrick's Version)

In 1978, at the University of London, the Physicist David T. Kemp made an unusual discovery. Kemp noticed that faint sounds, known as Otoacoustic emissions (OAEs), revealed the existence of the cochlear amplifier, a mechanism responsible for sound sensitivity and frequency resolution. This discovery proved that the ear is an active rather than passive organ. 

Following this discovery the experimental music world embraced these findings by incorporating them into sound works. Maryanne Amacher was a notable early pioneer of this technique resulting in large scale sound works, the likes of which audiences had never encountered prior. Since these early explorations the use of OAEs has spread more widely in the experimental music landscape, notably by Editions Mego artists Florian Hecker and Marcus Schmickler.

“I believe the kick of techno can be an agent to shapeshift sounds and infiltrate settings” - Jung An Tagen 

Stefan Juster aka Jung An Tagen is known for conceptual works and has a large back catalogue of intriguing ideas and sounds. Revenge of the Speaker People is another adventurous release, one which takes the Otoacoustic discoveries of David T. Kemp and applies them to a techno framework. OAEs are fragile and can collapse quickly when combined with other elements. Jung An Tagen’s success in combining OAEs with beats is therefore quite an achievement, without precedent. 

The first CD comprises the  results of Juster’s experiments, resulting in some of the strangest techno committed to digital since the initial burst of the Mego label. A series of head spinning, ear tickling extreme electronic miniatures bleed in a continuous form. This adventurous and playful music would likely have many a raver run to the bathroom. There is a tangible subversive delight in mixing in such sounds to what is ostensibly ‘club music’.

Because the record had this clear divide of beat + otoacoustics the idea came to see how the material would lend itself to a series of remixes. The second CD has remix contributions from a selection of artists from the Editions Mego stable alongside Juster’s own ETAT imprint along with DJ Nervoso from the Príncipe crew. The results are a headspinning variety of Otoacoustic mayhem as the likes of Evol, Thomas Brinkmann, Ellen Phan, Nik Colk Void and others fold these initial bizarre sounds into even more twisted shapes. Revenge of the Speaker People is a daring, playful and audacious release. One that will baffle your ears, neighbours and dancefloor clients.

Revenge of the Speaker People

Revenge of the Speaker People [Collage] (EMEGO321)

Venera - Asteroxylon
Label: PAN
Cat.No.: PAN 153S2
Release Date: 21 August 2025
Purchase: pan.lnk.to/Asteroxylon

Venera shares ‘Asteroxylon’, the second single of the upcoming album ‘Exinfinite’ out via PAN on September 12th, 2025.

Having defined a multi-dimensional sonic universe on their acclaimed eponymous debut album, composer/filmmaker Chris Hunt and Korn’s James “Munky” Shaffer abandon the familiar and drift towards a kingdom of recursion on EXINFINITE, staring down a tangled mass of mirrored wormholes that hum with eldritch ambiguity. They launch squelchy, decelerated techno into occult noise reflecting pools on the slithering ‘Asteroxylon’.

Recorded in Downtown Los Angeles, CA and Atlanta, GA
Mixed by Chris Pawlusek in London, UK
Mastered by Matt Colton at Metropolis, London, UK
Art by EFFIXX with Samanta García

Venera - Asteroxylon (PAN 153S2)

Widely regarded as one of the most uncompromising works in experimental noise, Kevin Drumm’s Sheer Hellish Miasma is once again available on vinyl. First released on CD in 2002 on the original Mego label, the album remains a landmark in extreme electronic sound and is an essential and ferocious document of Drumm at his most inventive.

The history of Drumm’s Sheer Hellish Miasma is one of resilience to the twists of underground trends that have come and gone since its initial release. Using guitar, tape manipulation, microphones, pedals, analog synthesizers, and subtle computer processing, Sheer Hellish Miasma is an overwhelming experience: a sonic onslaught of storming feedback, fractured textures and  an unrelenting energy. At once brutal and meticulously composed, the album offers a singular vision at the outermost edges of sound art.

For seasoned noise veterans, Sheer Hellish Miasma offers a bracing soundscape filled with exquisitely abrasive textures and more than enough hidden detail to warrant repeated listening – a distinct voice in the increasingly same-sounding world of abstract electronic noise. For everyone else, Drumm’s journey through the noisy underworld is likely to inspire fear or, in an optimistic case, fearful admiration. 

Drumm’s Sheer Hellish Miasma is an abstract noise classic with this 2LP reissue being an artefact of eternal power.

Sheer Hellish Miasma

Cloudy

Kevin Drumm 'Cloudy' (EMEGO053)

Venera - Exinfinite
Label: PAN
Cat.No.: PAN 153
Release Date: 12 September 2025
Purchase: pan.lnk.to/Exinfinite

Having defined a multi-dimensional sonic universe on their acclaimed eponymous debut album, composer/filmmaker Chris Hunt and Korn's James "Munky" Shaffer abandon the familiar and drift towards a kingdom of recursion on EXINFINITE, staring down a tangled mass of mirrored wormholes that hum with eldritch ambiguity. VENERA's sophomore full length is darker, heavier and more percussive than its predecessor, but there's something more intimate wired into its circuitry that's harder to define - something mystical, mysterious and melancholy. Songs materialize from the void only to be dissolved by acidic synths or pierced by Hunt's whetted beats, while Shaffer's dense, tortured riffs are offset by euphoric, time-dilated vocals from FKA twigs, Dis Fig and Chelsea Wolfe. Following their encounter with vastness, VENERA have peered inward, ruminating on the limits of existence and excavating their most deeply buried emotions.

VENERA emerged in 2022 when Hunt and Shaffer veered into their own musical territory after recording with Albanian artist Xhoana X. Improvising together and experimenting with cinematic, sci-fi-inspired sound design, the duo realized the collaboration had potential, so they began developing and evolving the sound further, bringing in assistance from former Mars Volta drummer Deantoni Parks, Queens of the Stone Age's Alain Johannes, post-punk duo VOWWS and LA noise rock legends HEALTH. And after their debut album appeared on Mike Patton's Ipecac imprint in 2023, VENERA kept deconstructing and rebuilding their approach to songwriting, swapping out ambient Eno-esque atmospheres for blown-
out beats and dense textures, and figuring out how to extend the narrative they'd opened up without retreading old ground.

On 'Tear', the duo's new direction can be heard clearly as Shaffer's primal guitar noises are reformed into eerie widescreen expositions that Hunt punctuates with pneumatic kick and snare cycles. Broken up by airlock hisses and luminous synths, the track proposes a backdrop that VENERA continuously transmute, reforging the concept as the album develops. Cult singer-songwriter Wolfe adds a gothic American flavor to the crepuscular 'All Midnights', crooning powerfully over VENERA's vacuum packed rhythms and gaseous synths, and Berlin-based noisemaker Dis Fig follows work with The Body and The Bug on 'End Uncovered' lending breathy, emotionally layered tones to Shaffer and Hunt's tape-damaged industrial pops and whirrs. They launch squelchy, decelerated techno into occult noise reflecting pools on the slithering 'Asteroxylon', and Hunt replies to Shaffer's reverberating plucks with foghorn groans on the ominous, pensive 'uuu773'.

'EXINFINITE' perpetually builds momentum until it hits 'Caroline', an intense collaboration with FKA twigs that isolates her most unearthly tones. Initially curling her words around ominous electrical distortions and mangled, ghostly voices, twigs launches into a charged operatic cry that Shaffer and Hunt meet with skittering cybernetic beats and dense walls of guitar noise. It's this track that fully cracks open VENERA's concept, merging the synthetic with the natural and prompting dysphoria, loss of self and infinite regress. So the blood-curdling noise and sinister ambiance of 'Decreation' acts like a dissociated coda. In the 'EXINFINITE', destruction and death are not overcome, they're intensified until they metamorphose completely.


Venera - meridians

Taken from the band's forthcoming album Waiting For Something To Happen out  4th February on Bella Union and 12th February on Slumberland in the US.

Available to pre-order:

Veronicafalls.com (with exclusive tshirt + badge) http://veronicafalls.bigcartel.com/
Rough Trade (with exclusive covers CD) http://www.roughtrade.com/site/shop_detail.lasso?search_type=sku&sku=357501
http://www.roughtrade.com/site/shop_detail.lasso?search_type=sku&sku=357502
Record Store (signed LPs) http://www.recordstore.co.uk/recordstore/recordstore/Waiting-For-Something-To-Happen-Signed/11MDI0000000?back=search.html%3Fterm%3Dveronica%2Bfalls 
Slumberland http://www.slumberlandrecords.com/catalog/show/245 
Amazon http://www.amazon.co.uk/Waiting-For-Something-To-Happen/dp/B00A7F1836/ref=sr_1_2?ie=UTF8&qid=1354035054&sr=8-2 




Buried Alive

Paranoia

Demon Dance

Pythons

Surfer Blood - Gravity

Tarot Classics (Deluxe)

Miranda

Rien de grand ne s'est jamais fait sans passion ni enthousiasme.

Glass, house is a project-based curatorial initiative that explores notions of transparency and reflectivity in contemporary art practice and presentation. Working collaboratively with artists and others in the creation of unique artifacts and experiences, our investigations vary in size, shape, form, and function from project to project.

Raum: Blood Moon

Glass, house

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