Welcome to Digital Mind, a label specialising in alternative psychedelic dance music including Techno, Minimal, Psygressive, Psystep, Psy dub and glitchy beats!.
 
 If you have anything you would like to send us to listen to for future release, please use our dropbox here or alternatively, email us at <a href="mailto:DigitalMindRecords@gmail.com" rel="nofollow" target="_blank">DigitalMindRecords@gmail.com</a>

Bookings (WW): sari@neptunemusic.net
Bookings (NA/SA): natalie@auroratalent.agency
Promos: promos@mira-official.de

Upcoming Gigs: http://mira-official-tourdates.de/

Mira is that rare kind of DJ whose music can immediately transport you into her world - a midnight circus in Berlin, where time loses all definition and anything becomes possible. 

Born in East Germany to a renowned photographer and a classical musician, she began DJing in 1996 and quickly rose to prominence as part of the growing underground techno scene around Leipzig and Halle/Saale. Her dedication to her craft and natural talent swiftly paid off with a series of rapid successes, leading her to substantially shape the electronic music scene of Eastern Germany from that point on. 

In 2006, Mira moved to Berlin, Europe’s capital of electronic music, where she found her musical home at the legendary Bar25. Situated on the banks of the river Spree with parties that lasted into the middle of the week, Bar25 was the true embodiment of Berlin’s club scene in the 2000s. In the company of notable artists such as Nu, Acid Pauli, Feathered Sun and Christopher Schwarzwälder, a musical language was being formed that looked past the minimal trends of the time towards a more nuanced, organic musical language. 

It was from this here that Mira rose to fame throughout Europe and the world, as she suddenly became a defining representative of a distinctive sound that was going global. Deep and soulful whilst always maintaining a continuous, sensual groove, Mira’s sprawling, hypnotic sets became the soundtrack for many an endless night at Bar25, Kater Holzig and now, Kater Blau. 

The centrepiece of Mira’s residencies at these clubs has been her yearly birthday event ‘Katzen Tanzen auf’m Tisch’, which runs for three days straight every December. Curated by Mira from a selection of old friends and new faces, the series has hosted a multitude of  then-unknown artists who have now gone on to tour the globe. In 2020, Mira’s birthday series came in the form of a compilation for the first time, showcasing the spirit of her events over 43 original tracks. Also a year-round booker at Kater Blau and curator for the Kater-affiliated label Kiosk I.D., Mira’s fingerprints are all over the sound of the club.

In the studio, Mira often collaborates with her partner-in-crime Christopher Schwarzwälder, and the two of them have released a host of chart-topping singles. This partnership has since carried on to dancefloors globally, where their legendary back-to-back sets make for a perfect musical dialogue between the two artists, who share a deep understanding and love of sound.

Mira has been at the height of her game for the past twenty years, continuously shaping the sounds around her, and never ceasing to push inspiring new artists. As happy playing in a small underground club in East Germany in the 90s as she is playing to thousands of festival-goers at Burning Man - Mira is one of those artists of whom you can truly say that she’s doing it for the love of the music. 

Every time a new track by some undiscovered producer falls into her lap is a new moment to fall in love again with her craft, and spread that love with the tens of thousands who hear her play.

Derived from the Latin “Ultimae Terrae,” meaning “the furthest places,” the name Ultimae reflects a profound theme of exploration. This concept is at the heart of Ultimae Records, an ambient music record label and publisher dedicated to transporting listeners to the outer edges of experience through sound and offering a space for introspection and discovery within the vastness of the mind and beyond.

In 1999, Vincent Villuis and Sandrine Gryson, also known as AES Dana and Mahiane, united over a shared passion for the immersive world of electronic music. This collaboration led to the birth of the label. Initially envisioned as a musical portal, Ultimae’s mission was to explore and disseminate the diverse expressions of Ambient music far and wide through the production of records and the establishment of an online shop.

Over the years, Ultimae has expanded beyond its original scope, evolving into a multifaceted company with sound design, post-production, and mastering studios based in Lyon, France, along with professional services in publishing, music licensing, and synchronization.

Bruno Miguel Isidro was born in Portugal and at the early age of 14 he started developing his passion and building his knowledge of electronic music such as techno, drum &amp; bass, chill out, ambient, and mainly psytrance.On April 2009 Bruno started working on his brand new project MODULE VIRUS is a combination of full on, dark psychedelic trance and is as groovy and expressive as Bruno himself. The artist defines his music as being "dark and grovie at the same time", "driving with some powerful bass lines", "very melodic with some crazy percussion.On Janury 2010 Bruno after sucess on is first project he decided to start working on his brand new project Dirty Job.
Surely you will see this guy playing around London and beyond. Dirty Job is spreading. Be aware to be there..

For Bookings: virus_69@live.com


Killawatt & Particular are the solo Psychedelic Trance projects of Byron Sampson from Cape Town, South Africa. 

I always find myself writing two different styles of psy trance so decided to split it with two different names. Originally I've always being Killawatt but now I have a newer one called Particular. I really enjoy the groovy night time psychedelic full on and the dark forest early morning vibes. So now I can distinguish between the two: D

Killawatt:

This is my darker sometimes higher tempo ranging from 148 – 160 bpm. Glitchy, atmospheric and occasionally hi tech or Forest sounding project aimed for the earlier hours of the morning.  This is a project I am very excited to experiment with where I have no boundaries and anything goes. No formula, just messing around to see what new things I can come about with synthesis. Twisted FX sounds, Crunchy leads, big atmospheres and lower bass lines with a slightly groovy feel. 
 
Particular: 

This is my “lighter” project which tempo ranges from 145 – 148 bpm.  To me I would call it a day time project however most would say it’s more for the night time psychedelic  full on vibe. Driving leads, grainy FX, glitch percussion FX lines and groovier bass lines with higher energy compared to Killawatt. I’m super stoked to have this one going and will have lots of tunes posted eventually :D

Also check out my duo project Higherwattska which I do with Highstyle (Looney Moon Rec)
https://soundcloud.com/higherwattska



Seti is Belgium born Fedro Marques.

Seti’s early influences were his fathers huge vinyl collection of 60s psychedelia. In the early 90s ,DAT tapes full of Goa trance were flying into Seti’s atmosphere. In 1998, he landed in his 1st gig  and event (Boom after party) sending everyone to outer space with an amazing performance.

After a long period in other galaxies, Seti AKA Dj Fedro landed onto the London Underground scene in 2006.

The Seti Psytrance project started in 2007 followed by a collaboration with Centauro to create Seeds of Play.

Over the past few years Seti has entranced party goers in Portugal, Lithuania, Holland, Denmark, UK, Cyprus and Slovakia to name a few.

Seti is currently training in sound recording and music technology for the music industry on the world's leading SSL G recording console.

For booking please contact http://www.facebook.com/SetiSantana

DJ | PRODUCER |SOUND DESIGNER | REMIXER |
Moshic Aka Argonout
MoshicDaSilva
Moshic is a globally renowned electronic music artist best known for his deep, dark, melodic, and emotional approach to progressive house. With a career spanning over two decades and more than 500 original releases, he continues to receive strong support from industry legends like Pete Tong, John Digweed, Solomun, Nicole Moudaber, Dubfire (Deep Dish), Sasha, Hernán Cattáneo, and many more. His latest tracks were recently featured by the mighty John Digweed on Bedrock Records, and he also received a special Remix from his close friend and fellow Israeli luminary Guy J, highlighting Moshic’s enduring influence and respect within the scene.
Born into a family of musicians, Moshic was surrounded by creativity from an early age. However, his musical path was deeply shaped by his time serving as a medic in the Israeli National Service at age 18—an experience that brought him face-to-face with the fragility of life and instilled in him a sense of emotional depth that would later permeate his music.
After his service, he dedicated himself entirely to electronic music—specifically progressive house, which was still under-recognized in Israel. Despite early pushback for his “dark” style, a bold move to New York City became a turning point. The city’s vibrant underground scene allowed him to fully express his vision and connect with global artists.
Moshic began releasing music under the alias Argonout, with early singles signed to the legendary Dutch label Cyber Records. One of Moshic’s first releases under his own name was the track “Nightstalker,” which quickly became an underground anthem and gained widespread recognition, featured in top compilations and praised by DJ Magazine. In a major milestone, the entire Argonout project catalog was later purchased by Armin van Buuren’s label, Armada Music, confirming its importance in progressive music history.
Building on that momentum, Moshic released the landmark compilation "Distorted Patterns," which featured top Middle Eastern talent and showcased his curatorial skills. His Essential Mix for BBC Radio 1, invited and hosted by Pete Tong, became legendary—marking him as the first Israeli artist ever featured on the show. Tong praised him as “the best Israeli thing since falafel.”
Moshic’s sound is instantly recognizable—dark, melodic, hypnotic, cinematic, and infused with subtle Middle Eastern textures. Avoiding commercial trends and easy samples, his productions are built from the ground up with emotional precision and an uncompromising vision.
With his independent label Contrast Records, Moshic provides a home for his distinct sound and a platform for rising artists who share his love for deep, boundary-pushing progressive house.
He has toured extensively around the world, released on top labels, and has been recognized three times in the DJ Mag Top 100 DJs. In 2003, he won two MTV Israel Awards: Best Underground Release and Best Producer.
From Tel Aviv to Tokyo, Buenos Aires to Berlin, Moshic’s sound continues to move dancefloors, inspire producers, and remind the world that authenticity and depth will always stand the test of time.

http://wildthingsrecords.bandcamp.com/
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"More third-nipple than third-eye"&#13;
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"yeah, not quite forest, not quite night time, not quite london...certainly having it…..brilliant"&#13;
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"you have a smart quirky and well-produced shit which fits good for middle age casual hippies"&#13;
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"no bullshit dancing psy-music"&#13;
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"This guy sucks!"&#13;
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"This is fucking sick! Actually quite foresty"&#13;
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"This has got to do with forest psy as much it has to do with Bavarian yodeling"&#13;
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Fagin's Reject is London born Phil Getty.&#13;
Phil comes from a psychedelic rock and metal background and was first exposed to Goatrance in 1992 at London based Goa parties, and quickly began to collect the limited vinyl it was released on. Soon after, he made his way to Goa and has been attending parties and festivals all over the world ever since.&#13;
After returning from India in 1994 he became a member of Lost Sector, an early Techno-Acid group made up of Bill Robin from Warp Technique/Bill & Ben, and Benny Ill from Horsepower Productions/Tempa, which had several releases on Fishtank Records.&#13;
Originally a bassist and funk DJ, Phil started producing Psytrance around 2003 out of a need to express musical ideas. It was only after attaining a music technology qualification in 2008 that making music became more serious to him, and so Fagin's Reject was born.&#13;
Since 2013 he has played all over the world, and has become a regular at the biggest Psytrance festivals where he continues to push his original, funky, dark style, while representing the mighty Wildthings Records.
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For live bookings or tracks for compilations, please contact,&#13;
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http://www.facebook.com/pages/Fagins-Reject/141165769332246&#13;
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http://www.ektoplazm.com/free-music/fagins-reject-degenerate&#13;
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Happy face.

Glenn_Logic is following