Giovanni Limongelli, also known as LIMO, is a veteran of Italian underground scene active since late Nineties in between Italy and Europe. Since his youth, he has been moved from various facets of electronic, ambient and techno music. He absorbed its pureness, discovering and facing the club experience, inciting himself to expand his studio and record collection, spontaneously becoming one of the main flags representing his nation within the electronic music branch.

Initially he begins djing along Emilia Romagna coast together with Sandro Russo and Kriss, estabilishing Undercut project, while at a later stage he went back to his motherland Brindisi. Limo is a solid performer with high familiarity in playing vinyls and using analog gears: his productions, dj sets and live performances transmit passion and attention to the user physical and sonorus engagement. Limo’s artistic attitude, translate into insistent grooves and caressing textures and led him to collaborate with relevant figures of the scene like Mike Dehnert, Alan Fitzpatrick, Patrick Skoog, Arnaud Le Texier, and also proposing his sound in cities like London, Berlin, Paris, Copenaghen, Amsterdam, Barcellona and many more.

The main project we can identify Limongelli with is the event series and electronic music label Transition LAB, started in 2008 when Apulia, Limo’s region, didn’t experience such underground nights yet: the project layed the foundations with the intent of being the main pole for house and techno culture, conveyed in parties and a vinyl label. Blawan, The Analogue Cops, Deadbeat, Agaric, Markus Suckut, Roman Lindau, Truncate, Inland and other excellent producers could collaborate with Transition LAB, nowadays a certainty in terms of music quality and event atmosphere. Apart from Transition LAB, Limo main musical activities include a new label ‘Coffee Pot’ founded in 2013 together with Guido Nemola plus performing constantly within Fachwerk Records european showcases, which features dates around Europe.

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Stephen Quirke has held residencies in Ireland, Scotland and America. He has run club nights and played with people like Booka Shade, M.A.N.D.Y, Gilles Peterson, Sian, Sevensol and Freeform Five.
His first regular gigs were 12 hours long, every weekend in Cork, Ireland. That party was called Afternoon Tea and ran from 1pm to 1am each Sunday.

He's come a long way since then, he worked his way through college DJing for agencies in the United Kingdom, while holding down a residency at one of the biggest clubs in Ireland.

He now lives in Portland, Oregon where he started playing one off warehouse parties and hosted a show on a pirate radio station, before moving his show to Proton Radio. Five years later he still has that show (every first Monday of the month at 7pm ET) as well as a Saturday night slot on Portlands KPSU FM.

The Eclectro show was proud to host the first DJ mix from Schatrax in over ten years! Previous guests on the show include Will Saul, John Daly, Brendan Moeller, Efdemin, Crowdpleaser, Roland Appel, Soultourist, Quarion, Fish Go Deep, El Txef A, Mano Le Tough, Stefan Goldmann, Joakim, Ewan Pearson, Phonique, Justus Koehncke, Jussi Pekka, Chymera, Corrugated Tunnel, Miss Jools, Remtue, Italoboyz... (to name a few)

Eclectro Radio Show
http://www.protonradio.com/show.php?showid=349

Positive Education (KSPU)
http://kpsu.org/programs/positive_education

From the early 90's to the present, Selway has built a high-quality catalog of productions, both on his own and as a collaborator in various artist and label projects. This has included his contributions to early Deep Dish productions, success as part of the seminal New York hard techno duo Disintegrator, his electro productions and partnership with BPMF for their Serotonin label, and his most successful of collaborations as part of Smith and Selway, along with numerous remixes over the years.  Selway is also a resident artist, instructor and cirriculum desinger for 343 Labs music production school in NYC.

This Style was based DJ Циклушечка
and assumes 11 minutes 11 seconds 
approximately Glitch Brush expression.

Аптека records=) Ящик Crew

I make music, play piano and spin records

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