People of planet Earth,

That was about it. This was my last promomix that I made public. There are much more great Gloomer/Gloomy tracks, but you have to find them yourself. Most of you people are on the right track now. They will be Enlightened.  The rest of you... yeah, you will find out for yourself.

Just do as Gloomy told you to do. It's really necessary!

Have a happy listen, see you soon in my mailbox. Gloomy can help you with almost anything, except  with money ;-)

TRACKLIST:

01.Gondolier (vs Yuroun) - (New Age) - 86 bpm (00-00 - 06:37)
02. Criticize (New Beat/Acid) - 114 bpm (06.38 - 13:12)
03. New Protocols (Dark Techno) - 128 bpm (13:14 - 18:09)
04. Bestial Flatulation (Dark Neurotic Dance) - 128 bpm (18:10 - 22.30)
05. Last Call ft.Nanu & Scotteguff (Dark Neurotic Dance) - 130 bpm (22:31 - 26:05)
06. The Phlegm (Dark Neurotic Dance) - 130 bpm (26:06 - 30:35)
07. Zombie (Dark Neurotic Dance) - 130 bpm (30:36 - 36:26)
08. Back To The Ages ft. MetalEd (Dark Dance/Acid with Metal Vocals) - 130 bpm (36:27 - 42:26)
09. Boot Licker (How To Loot Brazil) (Dark Neurotic Dance) - 130 bpm (42:27 - 46:42)
10. Gouter La Reste De La Carte ft. RetardedSick (Dark Neurotic Dance/Dubstep) - 140 bpm (46:43 - 49:18)
11. Shapeshifting To Waltz vs Jake Berran (Electronic Waltz) - 153 bpm (49:19 - 54:24)
12. Staycations ft. Cole The VII (Dark Dubstep) - 170 bpm (54:25 - 57:55)

Messages From One part XII

Messages From One Part XII

"As if the madness exceeds one's own absorption capacity" m@

“Gloomy takes people on a journey, from the dark into the light.
Those enlightened can and do journey into the dark, but do so from an enlightened perspective. The dark manipulates and distorts reality for the innocent, unsuspecting and naive. Whatever we learn and however we learn it, that is how we needed to learn it. We could not learn it any other way.” M@

"Dark Dance or dance floor food for those who are not averse to a club with dirty tiles, broken lamps, trance, black walls and electronica with a punk attitude such as KLF." Source: Limbomania Guide 2007. 

Here is  a list  of free promomixes. Make sure you read the titles well and spread The Message far:

https://messagefromone.blog/2023/08/28/gloomys-free-promomixes/
You can download all of his tracks in high quality on: https://gloomer2000.bandcamp.com/music

Do you want DJ Gloomy to play your best tracks on Radio Bullet? Send me a pm.

Vizay is a progressive producer and dj from Stockholm. At an early age he found a love for melodic and uplifting trance which led to his first release in 2007. 

He's normally moving freely within genres such as minimal, house, techno and trance when playing live, with a heavy focus on creating an emotional and progressive journey of beautiful melodies and solid beats.

Hanging out in the cloud forests of the Sierra Juárez mountains in Oaxaca, I’m tapping into the sounds of the universe like a mushroom-drunk nahual, reaching into the heart of nature to grasp at the mysteries of existence.

You’ll hear influences from deep time and across as many cultures as I can get my hands on. I get obsessed, man. Seriously, everything else melts away around me. I can spend days absorbed in an idea, like that stone statue guy—but with a stone guitar instead.

My approach to music? About as unpredictable as my ability to remember where I last saw my passport (pretty crucial when you live abroad all the time, right?). My unique way of processing the world often leads to an avant-garde approach to life. And yeah, maybe there’s been a mushroom-induced revelation or two along the way, but who’s counting? I don’t need a million-dollar studio—just a good instrument, a decent interface, a computer, and some monitors that hopefully survive my absent-minded chaos.

I’m a multi-instrumentalist who loves complexity, especially when it sneaks up on you through unexpected rhythms or harmonies from the far corners of the globe. From Carnatic ragas to garage rock grooves—why not just mix every cool sound and see what happens? Maybe I’ll start with a harmonic progression from Bach’s Goldberg Variations and slap it into a Hindustani 7/4 thaal (that’s rhythm, if you’re wondering). It’s a bit technical but, trust me, as cool as—well, let’s just say it’s the kind of vibe that might inspire a dream-like hallucination about nailing the perfect groove. (Music available for film, TV, and media licensing.)

Yeah, I am a Ph.D. trained evolutionary biologist, and... that sounds impressive until you find out I bailed on it the second I landed a good job. I was bored out of my mind. People look at me like a guy who won the lottery and then spent it all on the greatest collection of rare video games (I mean, I’m not that bad, right?). But switching from science back to music wasn’t just quitting—it was finally tuning into something deeper. Music and science might seem like distant cousins, but to me, they’re intertwined—both ways to unlock the secrets of the universe.

Now, I live in Capulálpam De Méndez, a mystical town in the Oaxacan mountains. The ancient Zapotec culture runs deep here, and creativity flows as freely as the mezcal at the fiestas (and trust me, there are plenty of fiestas).

Art is for everyone, and I’m always pushing to create something that connects—whether it’s a complex harmonic structure or just the right amount of groove to make you forget your troubles (or your keys, in my case).

So if you’re into music that teeters on the edge of chaos but mostly lands right where it needs to be—well, welcome. Just don’t expect me to remember how I got here, or where I left my bag. Seriously, my passport might’ve been in there… Was it the tuk-tuk? (sounds like a joke right... Err.. its not....)


--------------
Relajándome en los bosques nublados de la Sierra Juárez en Oaxaca, estoy sintonizando los sonidos del universo como un nahual borracho de hongos, llegando al corazón de la naturaleza para intentar comprender los misterios de la existencia.

Escucharás influencias de tiempos profundos y de tantas culturas como pueda explorar. Me obsesiono, hermano. En serio, todo lo demás desaparece a mi alrededor. Puedo pasar días absorbido en una idea, como ese tipo de las estatuas de piedra—pero con una guitarra de piedra en su lugar.

¿Mi enfoque hacia la música? Tan impredecible como mi habilidad para recordar dónde dejé mi pasaporte (bastante crucial cuando vives en el extranjero todo el tiempo, ¿verdad?). Mi forma única de procesar el mundo a menudo me lleva a un enfoque vanguardista de la vida. Y sí, tal vez haya habido una o dos revelaciones inducidas por hongos en el camino, pero ¿quién está contando? No necesito un estudio de millones de dólares—solo un buen instrumento, una interfaz decente, una computadora y unos monitores que, con suerte, sobrevivan a mi caos despistado.

Soy un multiinstrumentista que ama la complejidad, especialmente cuando te sorprende con ritmos o armonías inesperadas de los rincones más lejanos del mundo. Desde ragas carnáticas hasta los grooves del garage rock—¿por qué no mezclar todos los sonidos geniales y ver qué pasa? Quizás empiece con una progresión armónica de las Variaciones Goldberg de Bach y la meta en un thaal hindú de 7/4 (es decir, un ritmo, por si te lo preguntas). Es un poco técnico, pero créeme, es tan genial como—bueno, digamos que es del tipo de vibras que podrían inspirar una alucinación soñadora sobre encontrar el groove perfecto. (Música disponible para licenciamiento en cine, TV y medios.)

Sí, tengo un doctorado en biología evolutiva, y eso suena impresionante hasta que descubres que lo dejé en cuanto conseguí un buen trabajo. Estaba aburrido como una ostra. La gente me mira como a un tipo que ganó la lotería y luego lo gastó todo en Beanie Babies (no soy tan malo, ¿verdad?). Pero pasar de la ciencia de nuevo a la música no fue simplemente abandonar—fue finalmente sintonizar con algo más profundo. La música y la ciencia pueden parecer primos lejanos, pero para mí, están entrelazados—ambas son formas de desentrañar los secretos del universo.

Ahora vivo en Capulálpam De Méndez, un pueblo místico en las montañas de Oaxaca. La antigua cultura zapoteca corre profundo aquí, y la creatividad fluye tan libremente como el mezcal en las fiestas (y créeme, hay muchas fiestas).

El arte es para todos, y siempre busco crear algo que conecte—ya sea una estructura armónica compleja o solo la cantidad justa de groove para hacerte olvidar tus problemas (o tus llaves, en mi caso).

Así que si te gusta la música que oscila en el borde del caos pero que la mayoría de las veces aterriza justo donde debe estar—bienvenido. Solo no esperes que recuerde cómo llegué aquí, o dónde dejé mi bolsa. En serio, creo que mi pasaporte estaba allí... ¿Fue en el tuk-tuk? (suena como una broma, pero... ehh, no lo es...).

Messages From One Part XII

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