whoa - really like the blend of hectic beat / looping vocals with the extremely laid-back delivery of the main vocals.

i love when we get to hear your voice, even just teasing us from deep within the mix. this is therapy.

Drown the world-swallowing, & dying happily at peace, in your sound.

nice abstract stuff, i really dig the beat underneath the noises

For the small composition, I mainly used the Shruthi with Polivoks filter. Furthermore, 303 machines and SIDs were used specifically for the Arps. And there are a lot of hang-ups due to the use of the Tape Replicator and the Specular Tempus delay algos. Besides, the Speakjet and SPO256 are singing along again. And above all, they don't have a plan (limited by the ancient technique).

TTS decoded Lyrics:

"!Brain!"
"Sind wir nicht bereit? Es ist nicht so weit."
"Ich hab kein Plan."

"Macht nix. Nicht mehr weit."
"Es - ist - jetzt so weit!"

Kein Plan

Onism

Aphanite

Besuchstag (день посещения) - Christine Benz

One Moment Please

If There Is Something... w/ Cindytalk - Radio Buena Vida 24.03.24

Oxbiox

Braulio Lam is an artist and photographer from the border region of San Diego/Tijuana. His journey into music began at the age of 12 when he first picked up a guitar, before he progressed to formal music education from 2009 to 2012. 
Braulio’s debut album ‘Soundtrack For Vision’ was released on Static Discos in 2016 and in 2024 he released ‘Claroscuro’ with Dragon’s Eye Recordings. He has also released with labels such as Seven Villas Voyage, AvantRoots Records, the sublabel Akasha (Éter Editions) and Facade Electronics.

Drawing from a diverse array of influences spanning reggae, jazz, electronic, avant-garde, ambient, folk, world music, rock, afrobeat, and soundtracks, Braulio's compositions are informed as a reflection of his eclectic tastes in music. His creative process is as dynamic as his music, often changing methods and environments such as the time of day when producing music, in a quest to encounter different results. Whether crafting solo in his studio, fueled by morning coffee or late-night inspiration, or collaborating remotely with artists like FAX, Braulio's commitment to musical innovation remains unwavering.

In this album entitled ‘Redscale’, Braulio sketched a concept based around photography after settling on one of his own images as the cover artwork. The chosen photo was shot using Lomograpny Redscale at 50 ISO and each track has a title relating back to this particular shoot. 
For the music, Braulio aimed to use a small set-up of electric guitars and pedals, an OP-1, a field recorder and a mixer. He restricted the number effects and post-editing to a minimum, so that the resulting sounds stand true and intimate. In spite of the minimalism there is a variety across these 8 tracks; some pieces are deep and linear, others include environmental field recordings, and then there are sun-bleached ambient passages too. Each track was recorded at a different time of day and mood and reflecting back, Braulio describes the process as being like therapy.

wlr162 Braulio Lam - Redscale

Scape One – Transfer Function Mix

Playlist:
JOHN WRIGHT – DISSOLVE LEFT, NO RIGHT (FT. TORPID SCORPION)
TIM ANGRAVE – PRESSURE
BJIKA – REFLEX
DATASSETTE – PERMAFROST
LUKE ABBOTT – HELLO TAZELAAR
OLIVER HUNTEMANN – TASMANIAN TIGER
RYAN DAVIS – BELUGA
NHAR – SWELL VOICES
JAY RIORDAN – CONKERS
SCAPE ONE – WAYS TO FUNCTION
MAX COOPER – ENVELOPED (RYAN DAVIS REMIX)
JOBE – SERENDIPIDY
PIER WILL – Z72
PROTO - SPACE OUT
XY0815 – KARL HEINZ GUNTHER
SOUND SYNTHESIS – YOU LEFT ME
SCAPE ONE – EVENT TRANSFER
STAN MAGENDANZ – ALGO TRALTZ
ZENBYTES – FLOATING IN THE MEMORY
ANALOC – FOUR TWO ONE
CORALINE ADA EHMKE – FOUR COLOURS
RPLKTR – I WASN'T DEAD WHEN THEY FOUND ME
GREVUSANJI – ANIMA UNBOUND

Disaster Society

Transfer Function

From the album Enigmatic Melancholy.

Bandcamp: https://atlantearecords.bandcamp.com/album/enigmatic-melancholy

Stream: https://open.spotify.com/album/1j9MaE2XpwrQ0W5WSJhM2b?si=nYsv2ipgQ5m1q4IC-r1C1g

Music by @gardamusicofficial
Mastered by Andrea Porcu
Cover artwork by Anthony Asher-Yates

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