Supply Sidewalk

This is not the best track for starting a new page because it dont characterizes my kind of music very well. It is made to capture the feelings i get by modern architecture or common architecture in general. I think that architecture bounds the structure of the brain too.
and common architecture should be decentralized and not mirror any hirarchies. The labyrinth of architecture you live in is controlling your mind somehow...
architecture should be like neural networks instead...

Sci-Fi

noxpox - Somehow Cold Modern Architecture

Disquiet Junto Project 0573: Float Mode
The Assignment: Add material atop a pre-existing beat to form a complete track.

I liked https://soundcloud.com/tendigits/disquiet0572-rythm-kit by Tendigits and because it seemed to be made completely "by machine" I wanted to add only things without machines/automation. 
So I improvised around five additional tracks of sounds (and tried to leave room for some variation on the original drum track by Tendigits while doing it). In this week I also had field recorded the sound of icicles that I had knocked off the corrugated roof above the bicycle stand in the inner courtyard of my flat (my wife recorded, I knocked of the icicles – they can be seen on the track cover) and somehow felt they would fit as a mysterious element (hence the title) and because there was something like ice rain I heard in the original track (maybe its just me…). Finally I felt something was missing and added a live sung/spoken session of some kind of acoustic nagging to the track, which I edited with a lot of fx and manually painted parameter curves. 
It now feels like a hit.


There is a video on instagram https://www.instagram.com/p/Cmem4hepeBb/

More on this 573rd weekly Disquiet Junto project — Float Mode (The Assignment: Add material atop a pre-existing beat to form a complete track) — at: https://disquiet.com/0573/

Project discussion takes place on https://llllllll.co/t/disquiet-junto-project-0573-float-mode/60250

Instagram video here

Icicle Hunt (by Krakenkraft & Tendigits) [disquiet0573]

Very fast chopped up Roland TD-6 beat followed by very low menacing pulsating sub-bass.

Crash Landing: 200 MPH

Stravati 2. Late night Session at the center.

Material recorded over several months in numerous locations. All radio wave and/or glitches and malfunctions of recievers and software. Part one of 5 composed today.

Radio Polytope 1

Semantica Del Volo - Naviarhaiku495

Michael Mooser 
This is in response to the wonderful naviarhaiku series from Naviar Records in the UK. this is challenge 511, I did the first 52 the first year and occassionally through the years to show my support of collaboration. Starting to be back into it now and enjoying it. Hope you do as well, it is emoting what the haiku says, I hope.

in dark autumn nights dew and the new bamboo shoots reaching out to moon        naviarhaiku 511

For the Disquiet Junto Project 0620: Beat Accrual Accrual: https://disquiet.com/0620/
The Assignment: Turn someone’s slow-build beat into a finished track.
I accrued more rhythm onto the infectiously groovy @x i i i x x i  track https://soundcloud.com/xiiixxi/disquiet-junto-beat-accrual-disquiet0619
Looped sections of that track, then played the e-drums live along with it using 808 sounds. Quickly picked out segments that sounded like they may work and felt lucky when they did. Did some effected vocal sounds for texture.

More on this 620th weekly Disquiet Junto project, Beat Accrual Accrual (The Assignment: Turn someone’s slow-build beat into a finished track), at: https://disquiet.com/0620/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0620-beat-accrual-accrual/

Live Beat Accrual with x i i i x x i -  [disquiet0620]

Early Dawn’s Pale Light was inspired by the haiku by John Hinks

Early dawn’s pale light:
A gentle start to the day
Two seagulls gliding

John Hinks, aka FlownBlue, is a prolific and talented composer. Aside from his solo project, John is also involved in multiple projects: ‘Windfall Light‘ (with Jim Tetlow), ‘Abstract Blue‘ (with Kevin Buckland), ‘Light Fragments‘ (with Steve Escott), Szukanie (with Michał Wojciechowski), and Meadowlight (with Emma Reed).

Early Dawn’s Pale Light was written for Clarinet, Bass Clarinet, Horn, Trombone, Cymbals, Gong, Vibraphone, Violin, Viola, Cello and String Bass.

Early Dawn’s Pale Light

GLSmyth

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