The Storm

I keep looking back – for that one thing – that used to make me smile – non-existent – if only for a while – I could find that smile again
Keep Pumping through the files in my Vortex – realized that smile – was a reflex – was anything worthwhile - or was my time spent here in vain.
Chorus
If you’re looking for me - I’ll be gone and - sorry that I didn’t give good warning but I was in a rush to get out of this place– don’t think ill ever see another morning – baby dry eyes and live on my love I’m gone – you’re gonna make it through this storm……..
When there just aint nobody calling – not listening – nor even paying attention – what’s the fucking point – Why do we hold on
There’s no need to catch me while I’m falling – it’s already written in his story – aint no turning back – I must be moving on……
Chorus
If you’re looking for me - I’ll be gone and - sorry that I didn’t give good warning but I was in a rush to get out of this place– don’t think ill ever see another morning – baby dry your eyes and live on my love I’m gone – you’re gonna make it through this storm……..
Though I’m no longer here babe I see you – I’ve never loved you more so I freed you – I'm right here by your side – You’re going to make it through this storm
Chorus
If you’re looking for me - I’ll be gone and - sorry that I didn’t give good warning but I was in a rush to get out of this place– don’t think ill ever see another morning –  Baby dry your eyes and live on my love I’m gone – you’re gonna make it through this storm……..

Eric Festa's Album

The Storm

Désir Des Autres/Intermède

I FLY 
Music, words and production : Bruno Chassaigne 
Guitar, vocal, keyboards & machines : Loony De Bussy 
Art cover : Nataly NGM

I Fly

Here the sister tracks: https://soundcloud.com/michele-ansani/this-is-them-last-version and https://soundcloud.com/michele-ansani/is-this-you. I must point out that there is no reference to the famous TV series of the same title. The inspiration again obviously came from the short Julio Cortazar story, 'Axolotl'. (here: https://ambystoma.uky.edu/teachers_materials/axolitbook/AxolotlByJulioCortazar.html ).
Cover pictur from Pietro Corrao.

------

Composed by Michele Ansani (2022).
Posted on SoundCloud: 2024, June 16.

This is us *

Trance feat. Ryder
Vocals and Lyrics:
Ryderofficial:
https://www.looperman.com/acapellas/detail/22300/trance-travis-scott-type-vocal-160bpm-trap-acapella
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering

Trance feat. Ryder - Paploviante

Axel sent me a tune he had and said " can you do anything with this ? " So I contacted Charlotte and the 3 of us created this super alternative Country song , we do hope you like it ! Well after this one everything is nearly completed but nothing actually is , if you see what I mean , 2 songs with Axel , one with Charlotte , and one with Dave Cooper , who is sunning himself on a Med cruise at this moment in time , lucky bugger ! I might do a couple of remixes just to keep things going , don't know yet , please stay tuned !

Together Again

Constructed with Soundpaint's Alto Flute, Spitfire Audio's Crystal Bowls, Chamber Strings Essentials and BBCSO.

Image by Rakicevic Nenad from pexels.com

More Than Just Any Day

Produced and programmed by Julian Maramieri
Arranged and mixed by Andreas Meinert and Julian Maramieri
Vocals by Julian Maramieri
Written by Julian Maramieri
Recorded at Oalanka Studios in 2017
Dedicated to; Stephan Novak "Amnesia"
Released by Sequenz Frequenz Records

Mystery

Ibiza!

Nostromo - Ibiza!

Lyrics
Well, your folk rocks
Pristine
Just over the channel
Brightoned two sheen

Salt Fire looped by the hour
Teachers of tuned tone harmonious flower
Guitars for me cornered still
Their voicings will tend to your will
New musical pathways the pill
Everytime, ears getting that fill

Salt Fire go hear their higher
Salt Fire Lo-fi classical attire
Salt Fire Go hear their higher
Acoustic crumbs of grandeur
Harmonies. The biggest aliens have landed...

So come, let's all fly away in a song
We do it cause we are it
This is where we belong
Good tempered bones
Some tension tones
Utopian homes
Fly away in Salt Fire song
Good bye dystopian drones
We're aligned 
Our staves are long

This song is about the artist Salt Fire across the pond in Brighton. Superb music worth a permanent rabbit hole & I think worth more ears...

Check out Salt Fire on #SoundCloud
https://on.soundcloud.com/MVWEVjwQKrcNBTCGA

Ok so track filled. Added Celtic Harp, Classical Guitar and strings via Keyboard 

Theres a nice point here. So I used the phone recording, imported to the daw and it became the base and click track for the song. It's a nice way of locking in your human time but still filling over it and getting a full tune with more instrumentation. For those ideas your not at the studio and plugged up... 

Android I end up with an m4a - convert to wav for free online (usually fixes bitrate issues) - import to daw audio track - turn off tempo and click track - Your jam just became the click track. Playing to this only then allows you to lock into your feel again as opposed to recreating the whole thing to a click track from scratch...



On the human time... I was chatting with my best friend Anto the other day. He's a fabulous photographer. He shoots only film and uses an eye piece view finder still. He says it feels more instinctual to him. I feel similarly recording things on the spot in random places... You're playing to your instincts which can be spiritually way more creative I think then sitting down and doing it by sums. Both have their merits but starting more regularly in the former more natural way may offer more instinctual goodies. The method part of the process can always iron out and perfect the unusual things you find instinctually in hindsight when further along the process and it's all getting stitched.


To give the phone recording sufficient presence I add reverb 80%20%/compressor for acoustic guitar/EQed for Vocal/Light Stereo Spread for LF & HF. Then I double tracked it each panned slightly either side. The difference is actually a pretty cool example of cleaning something up for use. Recording wasn't changed aside from the dynamics

Salt Fire (Session #2)

This is now the extended and collaborative version with Roberto B  (@2roberto2), under the title of  "Transience (Extended Collaborative Version)", combining creatively my recent track, "Transience (Piano)", https://soundcloud.com/alexander-mihailov-96713983/transience-piano, in my work-in-progress album "Again" (2025), with his recent track "Suspense 6", https://soundcloud.com/2roberto2/suspence-6, that appeared on SC on 30 January 2025. My piano track was composed spontaneously in GarageBand iOS in the evening of 28 January 2025. There is also a version for synths, https://soundcloud.com/alexander-mihailov-96713983/transience-synths, as well as a version for strings, https://soundcloud.com/alexander-mihailov-96713983/transience-strings. "Transience (Extended Collaborative Version)" was arranged and mixed in Logic Pro by Alex M on 11 February 2025 and released on SoundCloud in the late evening (in Europe) of 13 March 2025.

The artwork cover for the album and all tracks in it uses a painting by Roberto B titled "Horloge - Le Temps" of 20 November 2024 annotated by Alex M in Mac OS Preview on 21 February 2025 - in coordination and agreement with Roberto B.

Duration: 7:10 minutes

Désir Des Autres/Intermède

Ingetrapt