gnarrang it's a music thang

cool/vibe/epic/smooth/creative/intense

DnB J

DnB J - Gmin 135bpm

Jungle track with only three elements (Drums / Bass / Piano).  This was meant to be an experiment to see how few elements I could use to fill out a track.

Trio Jungle

Trio Jungle - Dmin 160bpm

Jungle track that really wishes it was a breakcore track.  I tried to capture a bit of that old school Toonami anime flavor and present it in a wild transforming piece.

Gnarled Icon

Gnarled Icon - Bbmin 168bpm

it is all futility

instagram: @static.grl  
part of the static collective
https://grl.digital

stupid fucking ideas written from early 2024 to late 2024
i don't want to hold on to this shit and i was never really gonna complete any of these so here. my next releases under this moniker will be new, fresh material, not something that's been left to fester for months while i've ventured into alternate endeavors.

special thanks:
delores
alexis
'reimu'
oliver
lane
bleep

saibernetix (incomplete)

Minimal/IDM track with a focus on a melancholy chord progression and intermingled supporting elements.  The track pushes a mood of introspection but still carries a driven beat like railroad tracks for thought.  I wanted this track to reflect and individual's troubles, but also, more broadly, humanity's as a whole.  I have worked on this one on and off for quite some time and it led to some interesting drawn-out arrangement decisions, but I found when trying to trim it down it lost a bit of the magic that I love about it, so here we are. 

For What Do We Trouble Ourself - Amin 85.5bpm

Industrial Techno track with a focus on a maniacal lead and an overpowering bassline built to destroy it. This track cold but pushes listeners forward with a hard groove that progresses into chaos. This is yet another rescue project from the back catalog, and when I rediscovered it, I decided it needed to be pushed to my absolute limit. Next week I'll be sure to bring you something fresh from the top of the workflow.

P.S. Might be a stretch calling this Industrial Techno.  I put it in one of those genre detecting websites and that's what it gave me.  Frankly, I'm not sure what to call it.

She's Not the One - Amin 128bpm

Classique.wav

This single comes from a three-track session I composed and produced in the early days of 2024. I decided it's time for this particular track to see the light of day!

The inspiration behind it came from low-poly PS2 atmospheric drum and bass/jungle mixes I was deeply immersed in on YouTube during that period.

The production is built around warm, minimal synth melodies that I felt would blend naturally with the atmospheric DnB aesthetic. I aimed for a bassline that’s gentle yet present—subtle, but grounding.

The final touch to the track's sound came from Raul B, a DJ and producer from Rijeka, who handled the mastering and elevated the sonic depth to a new level.

solar static

i had this one my page a few months ago but i deleted it cus i thought it was asslol, but after hearing it again, i wanted to add it bck. it used to be called "bots" , at the time i didnt know what to call it

stay calm and depersonalize

Samples
Lapalux: running to evaporate 
Hiver: DreamMachine
https://soundcloud.com/lapalux/running-to-evaporate
https://soundcloud.com/circolocorecords/hiver-dreamachine-edit

I won't lose somebody like you

A scrapy little house track with a focus on over saturation and quirky grooves.   This track rides a balance between upbeat and moody to make listener bob with the crumbling beat and swing with the wonky chords.  This track is an idea I have been kicking around for some time, where the saturation is almost greater than the elements themselves which makes for an interesting (albeit kinda harsh) sound.  It's another short one, but rest assured I have some full-length tracks in the works.  

Scrap Chow - Amin 120bpm

Gnarrang is an artist/producer/musician intent on redefining genres.  Production philosophy revolves around elevating simple ideas with high contrast compositions and unorthodox arrangements.  Everything from artwork, sound design, mixing and mastering are handled in house (with plans for animation and video editing in the works).

I strive to bring something truly eclectic to my listeners.  So thanks for listening!

That all sounded pretty pretentious, but I don't take myself too seriously.  Feel free to send me a message and say hi!