le recueil "Sources du Vent" de Pierre Reverdy est pour moi un des sommets de la poésie française contemporaine. On y trouve un équilibre insoupçonné entre le sensible et l'intelligible, le saisissable et l'insaisissable, le dicible et l'indicible, bref l'essence même de la poésie. Chaque rime est en soi une idée esthétique, comme dans "Lueurs des crépuscules", qui doit bien être le troisième ou quatrième poème pour lequel j'ai tenté une mise en musique.
PAROLES
LUEURS DES CREPUSCULES

Les vagues du matin à l’assaut des lucarnes
Le soleil écumant s’éclabousse au milieu
Le parterre est rempli de fleurs gonflées de larmes
Un bruit dans les allées inquiète le passant
 Tout s’arrête un moment
 Tout brille dans les branches
Et le spectacle change au moindre mouvement
Sur une vieille toile des lambeaux de mémoire 
Ont changé l’illusion mouvante de la nuit
Et rehaussant toujours l’or de ses accessoires
Le rêve suspendu trop haut déjà flétri
Au plafond s’attardait un doux son de guitare
Avec des mots précis et incompréhensibles
Le piège des yeux clairs et des cœurs trop sensibles
Où tous les signes bleus du jour sont restés pris
Heureusement guettant aux plis de la portière
Un air plus dur s’est mis à dissiper l’oubli
Le temps de s’en aller plus loin
 Mais toujours dans la même ville
Et sur le chemin qui descend
Les ombres de mauvaise mine
Des soirs où il fait mauvais temps
 Quand vers le fond du ciel la nuit froide décline
Quand les nuages bas volent sans discipline

 Pierre Reverdy
___________________________________________________________________
LYRICS
GLIMMER OF TWILIGHT

The morning waves attack the skylights
The foaming sun splashes in the middle
The bed is filled with flowers swollen with tears
A noise in the alleys worries the passer-by
 Everything stops for a while
 Everything shines in the branches
And the show changes at the slightest movement
On an old canvas, shreds of memory 
Have changed the moving illusion of the night
And always enhancing the gold of his accessories
The dream suspended too high, already withered
On the ceiling lingered a soft guitar sound
With precise and incomprehensible words
The trap of clear eyes and overly sensitive hearts
Where all the blue signs of the day remained caught
Fortunately watching for the folds of the door
A harsher air began to dispel the oblivion
Time to go further
 But still in the same city
And on the path down
Shadows of ill-looking
Evenings when the weather is bad
 When towards the bottom of the sky the cold night declines
When low clouds fly without discipline

 Pierre Reverdy

lueurs des crépuscules

Interlude #7

"De bomen beletten mij het bos te zien. De bomen moeten wijken en verdwijnen. Maar voor de abstrakte kunstenaar komt een dag waarop ook het bos moet wijken en verdwijnen omdat zijn jagend hart op God staat gericht. God schiep de bomen, die wij schoon vinden. Maar die schone bomen hebben in ons een hunker, ik zou zeggen een honger naar schoonheid en leven opgewekt, die door een sterfelijk lichaam (uw benen zijn als bomen) niet meer kan worden verzadigd. Daar rijst en verrijst de onsterfelijke, onbederfelijke ziel naar de eeuwig wellende bron van alle Zijn in schoonheid."  - Victor Servranckx



Used samples:

Title: Slow fan.wav
Author: Griphen
Link: freesound.org/people/Griphen/sounds/366360/

Beyond the pane

IDM track with a focus on bit crush distortion and airy elements emerging from it.  This track is moody and meant to push out waves of melancholy while carrying just enough groove to guide the listener.  When the parts started coming together, the bit crushed elements sounded so desolate that I couldn't resist finding some soulful sounds to create a heavy mood.  Honestly, I felt like I could have taken this one a lot further - so maybe in the future I'll turn this into a proper full length track.

Moving On - Ebmin 175bpm

Dedicated to my friend Carl "The Beautiful  Dark", a real poet and singer/songwriter here on soundcloud.
May the force be with you ...

Laurie (the spirit))

https://soundcloud.com/andrew-age
very light remix of https://soundcloud.com/andrew-age/here-comes-resosync?si=320a7e9167fb46d9a40be8e960409f33&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing



& here comes ´´ResosynC´´    andrew age - shortened and tiny echo

Canada

Joyfull ... Just a Beautiful Day Pt 2

October 3, 2025, my track “Nelver - Call Me Up” was released on Celsius Recordings as part of the release “VA - Orange Blues EP”.

✅ YouTube: https://youtu.be/hw3X7w7Q5BQ
✅ All resources: https://band.link/callmeup

Follow Nelver:

https://spoti.fi/2ThGKDT
https://t.me/nelvermusic
https://www.instagram.com/nelvermusic
https://www.facebook.com/nelverdnb
https://soundcloud.com/nelver
https://soundcloud.com/proudeagle_radioshow
https://www.mixcloud.com/Nelver
https://apple.co/2W4jXwu
https://twitter.com/Nelvermusic
https://vk.com/nelver
https://band.link/nelver

#nelvermusic #nelver #dnb #liquidfunk #celsius #celsiusrecordings #electronicmusic

Stream / Buy

Nelver - Call Me Up

You smell that? That’s the smell of burnt rubber, cold rain, and broken promises. Welcome to the Mean Streets kid. 

You ever hear jungle breaks echoing through an empty parking garage at 3 a.m.? That’s what this is for. Mean Streets is built for late-night runs and lost causes. It's a drum and bass tribute to the golden age of the PlayStation, back when everything felt faster, dirtier, realer. Back when we were still counting polygons kid. 

Think Wipeout 2097, Ridge Racer, Need for Speed. This is the sound of busted-up jungle drum and bass straight from a memory card left in the rain.

Yeah, there's liquid DnB in here, even some future garage, the kind that creeps in when the streets are empty and the rain won’t stop and you can't get those damned memories outta your head. But don’t get it twisted kid, the heart of this record is that early-2000s jungle mayhem. The stuff that came out of blown speakers and off bootleg discs. That sound that made you drive too fast and care too little.

So here’s your induction, rookie. The Mean Streets don’t care who you are. But if you’re gonna race out here, you better have the right soundtrack. And now, you do.

This one's for fan's of low-poly dreams, 160 BPM mistakes, and the kind of nights you don't come back grom the same. If you like early jungle, Source Direct, LTJ Bukem and PS1-era Drum & Bass you're gonna like this. 

Finish Line

this started as something more ambient, idk what happened 

insufferable

Gnarrang is an artist/producer/musician intent on redefining genres.  Production philosophy revolves around elevating simple ideas with high contrast compositions and unorthodox arrangements.  Everything from artwork, sound design, mixing and mastering are handled in house (with plans for animation and video editing in the works).

I strive to bring something truly eclectic to my listeners.  So thanks for listening!

That all sounded pretty pretentious, but I don't take myself too seriously.  Feel free to send me a message and say hi!

Moving On - Ebmin 175bpm

gnarrang