Jätame  minejad meelde ja lehvitame neile Kuul. /Grieving a friend is easier when imagined them to be on the Moon we can see every evening. Lyrics, melody, performing: Aili Avi (22.12.2025)

Mu Kuu

Capo 2
G/C/G/C

1. Me (G) lendame Kuuni ja (F) tagasi, 
kuid (C) sind ma talle ei (G) annaks.
Pole (G) vahet, kas ilmsi või (F) unesi, 
tahan (C) ise sind särama (G) panna.

2. Me (G) jooksime puuni ja (F) tagasi, 
nii (C) tormates kadus me (G) aeg.
Ja (G) tundus siis kõik kui (F) magasin, 
viis (C) sinu mult tähe(G)laev.

Chorus: (G) Kuu võtab valu ja (C) embab sind
ja (G) kaugel kõik tundub (C) hea.
(G) Lasen sul olla ja (Em) vaatan sind, 
(C) öösel selgineb (G) pea.
G/C

3. Me (G) mõtleme Kuuni ja (F) tagasi, 
oled (C) liiga kaugel, mu (G) vend.
Ei (G) unusta sind, elan (F) edasi,
kuni (C) minulgi ees seisab (G) lend.

4. Me (G) jooksime puuni ja (F) tagasi, 
nii (C) tormates kadus me (G) aeg.
Ja (G) tundus siis kõik kui (F) magasin, 
viis (C) sinu mult tähe(G)laev.

Chorus: (G) Kuu võtab valu ja (C) embab sind
ja (G) kaugel kõik tundub (C) hea.
(G) Lasen sul olla ja (Em) vaatan sind, 
(C) öösel selgineb (G) pea.

Bridge:
Hoiad (C) meeles, mu (G) Kuu, 
et (C) meil oleks jalad (G) maas.
Taeva(G)teedel, sõber (Em)  truu,
oled (C)  seal, ma (G) lehvitan.

Chorus/2x: 
 (G) Kuu võtab valu ja (C) embab sind
ja (G) kaugel kõik tundub (C) hea.
(G) Lasen sul olla ja (Em) vaatan sind, 
(C) öösel selgineb (G) pea.

End: 
(G) Lasen sul olla ja (Em) vaatan sind,
(C) öösel selgineb (G) pea.

Mu Kuu/ My Moon

This is my response to the second assignment for Tidal Club. The assignment essentially asks us to look for samples of speech and slice/cut them up in a way that makes it all interesting. In this attempt, I ended up trying out a non-rhythmic approach, trying to use the prepared samples as spliced tape. While doing this, I realized that by layering different samples at different speeds (at different volumes), that clear "sample cut" feeling is blurred out, making it seem like I am avoiding the assignment altogether.  




The assignment is as follows:

Once you have your sound source, you'll need to edit it into a coherent loop. You need to somehow edit it so that it starts on a 'down beat' and lasts a certain number of beats (usually a power of 2, e.g. 4, 8, or 16 beats). In audacity you can hold down shift and press space to play a selection on loop, which is a good way of testing if something is looping properly by ear.. I'll do a live stream soon to demonstrate this process.

Alternatively you could manually cut the sounds into short percussive parts for arranging with the n patterns and mininotation, if you prefer - that might be more work.

Then start slicing, splicing, chopping and striating until you come up with something weird/interesting. Try juxtaposing / mixing that with a less messed-up version. You could then either record a few repetitions of a single pattern, or if you fancy it and have some time, try to flesh it out into a whole track. Have fun with it!

Things to think about

How speech changes when you start treating it as sound
The relationship between speech perception and movement (check out the McGurk effect 5)
How does slicing longer sounds feel compared to sequencing individual sounds?

Cycle0: Challenge 2 (Slicing Speech)

Chlorine

Concert for the Wrong Person (16th Track)

The Blue Morphosis Album Project now streaming on Soundcloud, now expanding our crafts with creations of Tales, Poems, Ambient Vibrations & Experimental Jazz... 

Well done to Fastus https://soundcloud.com/fastus for creating the lovely music and https://soundcloud.com/celticpearl for the beautiful poem,

We'll be considering to press / distribute this album through tape or Vinyl if people show there love & interested, and digital downloads will be available soon, Enjoy Folks!

Other Sites you might like...
▶@greenfingersrec
▶ https://www.instagram.com/greenrecordings/
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Download

Fastus- Erebus (Ft. Celtic Pearl)

CHANGES | black sabbath | COVER

Vernon interviews John Zippert, former Director of Program Operations for the Federation of Southern Cooperatives/Land Assistance Fund. Vernon and John discuss his career with the Federation, the interconnectedness of the cooperative and political movements, and the importance of the two runoff elections for the U.S. Senate in Georgia. 

John Zippert served as the Director of Program Operations for the Federation of Southern Cooperatives/Land Assistance Fund at their Rural Training and Research Center in Epes, Alabama, for 49 years from 1971-2018. He retired in December 2018, but continues to volunteer and serve as Program Director Emeritus for the Federation. Zippert has also worked with the Federation on the development of affordable housing for low-income people in Alabama, including development, loan packaging and construction of over 250 units of single-family housing, self-help housing and four rural multi-family projects with 126 units.
 
John has over 50 years’ experience in community organizing, cooperative and credit union development, community based economic development and rural development in distressed communities. He serves on the boards of many national, regional, state, and local organizations to support rural development activities. 

Zippert has a BA degree in history from the City College of New York; and has participated in numerous training sessions and courses to enhance his skills in rural development.  He and his wife Carol are co-publishers of the Greene County Democrat, the weekly newspaper distributed in their home rural community. The Zipperts were inducted into the National Cooperative Hall of Fame in 2017.

Everything Co-op

John Zippert discusses the National importance of the upcoming runoff Senate elections in Georgia

Thomas shares some of his favorite places to eat around San Diego.

Thomas Crain - Owner of Booboo's Sweet Potato Pies - Seg 4

Thomas walks us through the creative process behind his sweet potato pies and some of the farmer's markets he sells them at.

Thomas Crain - Owner of Booboo's Sweet Potato Pies - Seg 5

BANGKAI KAPAL DI PERAIRAN MIMIKA BISA JADI INCOME DAERAH

every week

musical duo ✌🏼
instruments + production: colin
vocals: ioana

CHANGES | black sabbath | COVER

tall and small