Name: Malware in the Garden (interlude) by Gn On Fyah
Duration: 1 min 16 s
Description: An industrial trap glitch: poisoned paradise, chants echo with cries, flowers of sound blooming in corrupted soil.

In Sanhaja, Sy Xavi takes listeners on a breathtaking two-minute journey through a fusion of cultures. This electrifying track blends the mysticism of the Orient, the depth of the Middle East, the rhythms of North Africa, and the ethereal sounds of Northern Europe. The result is a genre-defying masterpiece that feels both ancient and futuristic, a celebration of global music that transcends borders.

Sanhaja

Morning Arabica Blend

Songwriters : Richard Carpenter & John Bettis \ ISWC : T-070.161.059-4
Released : March 14th 1975
Publishers : Almo Music Corporation \ Universal Music
__________________________________________________________

The Carpenters are the Favourite band of all my celebrities.

Their songs have been a part of my childhood, my teenage years and even
now. Especially Karen's voice.
She had a fairly deep, medium-range voice, warm and colorful,
with an exceptional tone.
She was not only a singer, but also a very talented drummer.
Her brother Richard also has an extraordinary voice and does a lot of
backing vocals.

Their two voices alone amply cover the harmony of their tracks.
They're Unique.
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I love this song; it's well-paced, as well as the bass and especially the drums.
For me, this song is very hard to sing, 
because the key starts off very low and rises quite high,
and the tempo also increases.

Honestly, I struggled to keep up with the rhythm in both choruses.
As I was saying, my voice isn't what it was 20-30 years ago. 🙂
__________________________________________________________

Arrangement (Yamaha PSR SX900) : Phong
Vocal : Anh
Recorded : May 31st 2025
__________________________________________________________

Only Yesterday - Cover (Carpenters)

Cast of characters:

The Beautiful Dark -- @thebeautifuldark -- Carl — acoustic guitar, vocals, lyrics, and composition

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums

TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, production, mix, and mastering

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, and Roland organ

Llanpsych -- @llanpsych -- Tez – Fender Strat electric guitar

Mistermark-- @user-432503709 -- Mark – triangle, and ancillary vocals

This song began when Carl, who is always making connections on the Cloud, was inspired to write a song about our bandmate, Mark. As you can tell from his lyrics, Carl shares our appreciation and respect for our resident Canadian singer and multi instrumentalist. So, when he had the chords worked out on his acoustic guitar, and a great vocal track, he recorded them and started a project, to which the rest of Eclectic Collective were invited.
  First up to bat was Ken, laying in his always clever, essential beat for the rest of us to work with. Stephen was the next person to lay down a track, which was his essential, but subtle electric rhythm track. Later, after it was almost done, he also added a fiery solo in the first part of the ending section. Josh came along right after Stephen, laying down his signature fretless bass. He also added the organ shortly after, as well. Tez entered the fray next, adding the lightning, Gilmore-esque final solo in the end section. 

  We considered what to do with this song for a minute, too. The thought was whether to present it to Mark as a gift, or to include him in the mix. We decided to go with the latter, and he added the awesome vocalizations towards the end, as well as some cool triangle.
  Once we had it in the bag, we turned it over to Stephen for the production, mix, and mastering, which he always does in a very pro manner.

  This is our second of hopefully many songs with Carl. If you have good music on your page, there's a good chance that he'll hit you up to collaborate. Like the moon, he's everywhere, and he's a damn fine collaborator, too. We hope you enjoy hearing this as much as we enjoyed creating it.

Carl also wanted to share this message about Mark, as well.
  "This song is written for our Canadian friend Mark. Mark is a pivotal member of the Eclectic Collective who as a band and equally Mark as an individual I'm discovering are phenomenal to work with. I was particularly struck how multiple generations of Mark's family enjoy music and creating together. Thanks for your music man. You really do show a unique approach and I look forward to making more really enjoyable songs like this one with you buddy. In my head lyrically Mark is whoever you focus the love on. Rock and Real!" ----TBD

Original lyrics by The Beautiful Dark:
You are the Mark
Mister Lark
Pedigree Bark
Stunning musical stark
Meet Mistermark

From Wondr to Bossa
All from I' Spy
Projecting your best
Proud human melody cry

May 2019
Maybe some fear became esteem
Soft bands in garage channel a way
Internal dreams in sound found light this day

So Dad was a seed
Kudos big man
You do good breed
In music we learn with proper concern
I think now you found Josh the EP

So onto Collective
You expand their perspective
With you and your music
Now Earth gets more fuses
Because of your music
It's a better blue ball
I know I certainly love hearing Marks call

We pressed the remote
We having those jams
Let's get it on and get more brain tan
We singing to clan
Wham bam thank you man

Miss No Mark  w/ Carl from The Beautiful Dark

Some Positive Thought

Venice

Battleworld takes its pulse from Marvel’s fractured multiverse, a realm where worlds collide, merge, and fight for survival. Earth-616 channels this chaos into dark minimal techno: metallic rhythms, echoing kicks, and hypnotic grooves that feel like stepping into a cosmic arena, where every beat is a battle and every drop a decisive strike.

Hala

abysses

Hi dear friends, I have updated this song before the Alaska meeting! Unfortunatly, there was no agreement on any kind of peace! It felt repulsive to see President P sitting and smiling while innocent civilians are being murdered in Ukraine even today August 18th.

No More Wars Mr President - updated - 2025-08-15 12.58

An industrial trap glitch: poisoned paradise, chants echo with cries, flowers of sound blooming in corrupted soil.

Three Bullet Theory

Malware in the Garden (interlude)

With Rockability, aZzma rewrites the rules of freedom in rock form. The grunged version drips with sweat and distortion, carried by pounding bass and jagged guitars. Her vocals move between whispers and screams, shaping the track into a rebellious statement. It’s dirty, alive, and entirely hers.

Lyrics :

Intro - Hey Jimi, they still playin’ it safe out there? (Jimi, souffle de guitare) - Safe is dead, mama, safe is six feet under.

Couplet 1 In the 50s they dressed so neat, Tied their shoes, kept their beat. Families framed like TV screens, Smilin’ faces, plastic dreams.
 Then the 60s came, brushed in paint, Love was loud but still so quaint. Pretty art in Sunday clothes, But freedom whispered, “break those codes.”

Refrain  Rockability / set me free, Wild and dirty, that’s the key. 

Couplet 2 (Jimi & Janis) 70s hit with smoke and fire, Psychedelic fuel took us higher. Good acid, truth in every chord, We tore the cage, we cut the board.
 Whiskey lips and freedom’s kiss, Stage was holy, pain was bliss. Screamed my soul till the lights went blind, Left the neat and clean behind.
(fin en crescendo → pont)

Pont Plug the fuzz, light the night! Drink the blues, burn it right!  Music’s mad, but music’s true, Rockability / it bleeds through you.

Refrain Rockability / set me free, Wild and dirty, that’s the key. 

Couplet 3  I saw the 90s crawl in the street, Concrete beats, no shoes on their feet. Raw and real, the underground rose, But the ghost of the 70s still knows.
 Now the 2000s polished the flame, Slick machines, but never the same. The spirit’s a shadow, chasing the past, ’Cause the wildest fire was the 70s blast.

Refrain final Rockability / set me free, Wild and dirty, that’s the key. Rockability / don’t you see? The 70s live eternally. 


Outro  “Freedom ain’t polite, honey.”  “Turn it up till it bleeds.”  “And ride the storm, forever.”

Rockability

Rockability (Live version) feat. Velvet Seventies

Gn On Fyah is a Moroccan–Russian–Singaporean DJ trio born in Marrakech and raised on chaos. The lineup is Farid (Morocco), Vogne (Russia), and Bbang (Singapore) three minds from three worlds, colliding in one sound.

Their philosophy is simple: beats are bullets, folklore is fire, words are weapons. They do not aim to please; they aim to disrupt. Every set is a battlefield where North African trance, Russian steel, and Asian cadence clash and fuse.

On stage, they are reckless yet precise, fearless yet calculated. Their sound moves between industrial trap, cyberpunk grit, glitch-heavy textures, and dark minimal techno, but always anchored in ritual and trance. For Gn On Fyah, music isn’t entertainment it’s confrontation, initiation, and survival.

This is not a project. It’s a pact. Gn On Fyah stand for turning culture into fire and fire into rhythm.

Malware in the Garden (interlude)

Gn On Fyah

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