An industrial trap glitch: poisoned paradise, chants echo with cries, flowers of sound blooming in corrupted soil.

Three Bullet Theory

Malware in the Garden (interlude)

Smuggling fire across borders, where Moroccan chaabi rhythms collide with Algerian folk melodies. Folklore fused into dancefloor heat.


Moroccan to Algerian

Ten minutes of open portals. Cyberpunk, industrial, darkwave, minimal and dark psy woven into endless possibilities. Every sound a door.

TRI△NGLE Freestyle

The album closes with a descent into mysticism: Saint Chamharouch invokes the Moroccan spirit-king of the Jinn, transforming trap industriel into a ritual. Metallic beats collide with folklore percussion, the sound shifting from cyberpunk grit to ancient trance. The outro fades into hypnotic Arabic rhythms, as if the machines themselves surrender to the drum circle under the Atlas sky.

Saint Chamharouch

Gn On Fyah is a Moroccan–Russian–Singaporean DJ trio born in Marrakech and raised on chaos. The lineup is Farid (Morocco), Vogne (Russia), and Bbang (Singapore) three minds from three worlds, colliding in one sound.

Their philosophy is simple: beats are bullets, folklore is fire, words are weapons. They do not aim to please; they aim to disrupt. Every set is a battlefield where North African trance, Russian steel, and Asian cadence clash and fuse.

On stage, they are reckless yet precise, fearless yet calculated. Their sound moves between industrial trap, cyberpunk grit, glitch-heavy textures, and dark minimal techno, but always anchored in ritual and trance. For Gn On Fyah, music isn’t entertainment it’s confrontation, initiation, and survival.

This is not a project. It’s a pact. Gn On Fyah stand for turning culture into fire and fire into rhythm.

New tracks tagged #TrapIndustriel