A powerful and immersive track where dark basslines and fractured percussion blend with futuristic synthetic layers. This piece evokes a crumbling city illuminated by flickering neon lights, remnants of a glorious past.

Wild Earl presents his groundbreaking new album titled "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music". This ambitious project takes listeners on a journey through a futuristic, surreal, and emotionally charged soundscape.

Set in the year 2070, the album explores a dystopian world where humanity faces the consequences of its technological obsessions. Tracks like Arabian and Motor evoke the relentless hum of machines and the mystique of desert landscapes, while Man reflects on the human condition in an increasingly artificial world.

The energy shifts with Playing and Dangerous, capturing the thrill of risk and the tension of living on the edge, before plunging into the chaos of Distortion, where reality begins to warp. Game then pulls listeners into a labyrinth of choices, where every move carries weight.

The album’s emotional core lies in moments of introspection, like But, a pause between hope and uncertainty, and Jumping, a bold leap into the unknown. Tracks like And and Enjoying weave together fleeting moments of connection and joy amidst the chaos.

As the journey continues, Another opens the door to alternate realities, while Abstract and Sunset paint vivid, surreal landscapes of endings and new beginnings. Away offers a sense of escape, leading to At, the point of convergence where everything comes together.

The enigmatic Ameder stands as a symbolic destination, shrouded in mystery, while With and Music remind us of the universal bonds that transcend time and space.

Wild Earl’s "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music" is a sonic adventure that challenges, inspires, and captivates, leaving listeners eager to explore its depths again and again.

GAME

Glitter and shadows collide under the city’s pulse. A sharp, driving beat weaves with a masterfully sampled flute traditional breath reshaped into a sleek, modern groove. The night blurs into sunrise over glass towers.

Midnight_Express

Roppongi

Chaotic energy pulses through every bar, where rave beats collide with cut-cut shakuhachi runs. A storm of neon and tradition, spiraling in perfect disorder for the album’s longest, most unrestrained ride.

Ueno

A sung invocation of geometry. The third point births the first shape: chaos bound into ritual.

Three Bullet Theory

Triangle (interlude)

The silence of the Sahara mirrors the shadows of Roswell. Different soil, same secret history.

Echoes of Roswell

Eyes watching from afar. Whispers of truth, erased before they can spread. The desert keeps its silence.

The Witness

Da-Phonk’s deleted track a squeezed ball, removed from the album due to restrictions. A dirty, raw cut that survived only as a rare hidden piece.

A Squeezed Ball

An opening manifesto. The lyrics describe tactile ghosts and neon rivers, shaping worlds with intention. The music begins with layered ambient textures and crystalline vocals, then bursts into a towering drop. The sound design mixes soft melodies with sharp metallic synths, embodying the paradox of fragility and power.

Neon Highways

Hologram Dreamers

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01. Armin van Buuren - This Is A Test (Extended Mix)

Prospect Park

Extrapolation (Original Pampa Mix)

Gn On Fyah is a Moroccan–Russian–Singaporean DJ trio born in Marrakech and raised on chaos. The lineup is Farid (Morocco), Vogne (Russia), and Bbang (Singapore) three minds from three worlds, colliding in one sound.

Their philosophy is simple: beats are bullets, folklore is fire, words are weapons. They do not aim to please; they aim to disrupt. Every set is a battlefield where North African trance, Russian steel, and Asian cadence clash and fuse.

On stage, they are reckless yet precise, fearless yet calculated. Their sound moves between industrial trap, cyberpunk grit, glitch-heavy textures, and dark minimal techno, but always anchored in ritual and trance. For Gn On Fyah, music isn’t entertainment it’s confrontation, initiation, and survival.

This is not a project. It’s a pact. Gn On Fyah stand for turning culture into fire and fire into rhythm.