Did you sample the teleport sound from runescape in this?

Interference is the first joint release from PAN and Visionist's Lost Codes, which is re-baptized here as PAN sublabel Codes. Two of Visionist's key discoveries, Mancunian hybridist Acre and Cambridge's transplant Filter Dread both cut their teeth on UK soundsystem culture and have appeared on vital outlets like Tectonic and Ramp. The pair's EP updates 8-bit grime, warehouse rave, and dark bass with hyper-modern sound design and bastard club rhythms. Rather than rely on mimicry, they contort familiar aesthetics, giving rise to the baroque, processional gloom of "Drumz 34" to "Flash Speed"'s bassbin elasticity and the modem drones of "Trashed" (for the steppers). 

https://www.p-a-n.org
https://www.facebook.com/codesrecords


Acre & Filter Dread 'Flash Speed' (Codes 01)

L.SAE - Dices Courter

Order here: http://smarturl.it/essence
Released on 12" vinyl and digital 26/01/18

CASSIUS SELECT - 'ESSENCE' - ACJ102

South London-based producer and underground club scene staple Impey (@impeyt) returns with a four-tracker,  'B 4rm B', on his @ghostnotesworldwide imprint. In typical Impey style, the EP confidently moves between a plethora of sounds spanning grime, frenetic funky vibes and cold, calculated sound design. 

Today we’ve got the exclusive on colossal EP cut ‘Conquest Mode’. As the name suggests, it’s a heavy, commanding track constructed with military precision and lethal bass prowess. 

Ghost Notes Worldwide will release ‘Conquest Mode’ on May 9. Pre-order below.

Pre-order: https://ghostnotesworldwide.bandcamp.com/album/b-4rm-b

More exclusive music

Premiere: Impey 'Conquest Mode'

Vina Konda - Liquid Square

Messerschmitt Me

1020 Curated: By unperson

Available here: https://1020radio.bandcamp.com/ 

Since 2015, 1020 Radio has been nurturing Bristol's music culture alongside an inspiring team of local and international artists. Championing creativity, diversity and community has been the driving force of all our projects, and we're excited to bring this to a new medium in the form of our compilation series "1020 Curated"; a showcase and celebration of the street-level sounds of which 1020 is built on.

Kicking off the first edition is long-standing resident and Sheffield based producer "unperson", who has curated a 25 track manifesto featuring the station's artists and associates, where the heritage of Bristol's lauded soundsystem culture provides the foundation for new structures of dubwise rave architecture, whilst exploring abstract sonic territories and monolithic soundscapes.

Available exclusively from Bandcamp on Friday April 24th, the first 25 copies come bundled with a premium 350gsm print designed by Montag Freedoms. All proceeds will be donated directly to the charity ‘Above & Beyond’, raising vital funds to support the wellbeing of frontline NHS staff and volunteers, who are tackling the unprecedented challenge of providing care against COVID-19.

www.1020.live
https://www.facebook.com/1020Radio/
https://www.instagram.com/1020_radio/

Lo Chi - Contact

Full LP available at https://blankforms.org/publications/

Customer’s Copy is the debut LP of contorted cosmic jazz and eccentric minimal electronics by Exotic Sin. The duo of Naima Karlsson and Kenichi Iwasa first came together for a performance celebrating the art and music of Karlsson’s grandparents, Moki and Don Cherry, before continuing as an independent unit that still incorporates some of the Cherrys’ instruments as well as their synergetic integration of music with artistic practice.

Preferring the stark contrast of analog/digital, acoustic/electric, and natural/unnatural sounds, Karlsson contributes synthesizers in addition to piano, celesta, and bells, while Iwasa collides anachronistic 90s Yamaha keyboard and guitaret with contrabass recorder, drums, kalimba, and three of Don Cherry’s instruments: one of his trumpets as well as two of his “zen saxophones,” handmade woodwinds appending reed mouthpieces to plastic plumbing parts, also called Don’s kettles after their high-pitched sound. With such timbral juxtapositions, the spirit of Exotic Sin is reminiscent of a number of leftfield jazz-meets-electronics ‘70s duos from Don Cherry’s maverick collaborations with Jon Appleton and Terry Riley to Anthony Braxton’s work with Richard Teitelbaum, İlhan Mimaroğlu and Freddie Hubbard’s Sing Me a Song of Songmy, and Muhal Richard Abrams’ electronic works. On album opener “Dot 2 Dot,” Karlsson’s measured, monastic piano sets an elegiac stage for kettle bends and absurdist electro-percussive filtering courtesy of Iwasa before a flourish of cascading ebonies and ivories together with restorative circular trumpet motifs bring the sidelong piece to a majestic resolution. Named after the character from Ridley Scott’s 1989 film Black Rain, the schizosphere of “Charlie Vincent” interfaces ominous, dystopian synthesizer with permuted organ swells before album closer “Canis Minor” sets gentle sail for a distant bed of lonesome stars.

A visual artist as well as an archivist and coordinator for the Cherry estate, Karlsson continues to learn and study Don’s compositions and approach to piano with her uncles Eagle-Eye and David, who were taught by Don himself, and his use of short piano compositions as loose scaffoldings for improvisation is prevalent across the record’s three otherworldly unfurlings. Improvisor and multidisciplinary artist Kenichi Iwasa is also known for his legendary Krautrock Karaoke night, his contribution to Beatrice Dillon’s 2020 album Workaround, and collaborations with visual artists and musicians from Linder Sterling to members of Can, Neu!, Faust, Cluster, and Wire. Recorded and mixed, with additional alto flute, woodwinds, and contrabass recorder by Robbie Lee.

Exotic Sin: Customer's Copy (excerpts)

@yuyuclubmexico x Infinite Machine V/A is a collaboration whose result is a compilation of 14 tracks designed for the dance floor; solid, functional and esoteric. This is a selection of tracks produced by Mexican artists involved in the Club movement from different cities in Mexico, all of them with a conceptual and geographical separation, but with common features that synthesize the essence of the national scene.

Definitive proof of the maturity of the Club scene in Mexico, this compilation is born as an initiative by the most important venue in the capital of Mexico: Yu Yu, which joins forces with the pioneering label Infinite Machine to curate this compilation. An avant-garde ensamble of projects which aims to exhibit a shared imagination through the unification of different styles and music genres. All of this comes from the perspective of Yu Yu's resident, Mexico City-based label, Infinite Machine. A label that has a direct correlation with the global club scene.

This effort also has the goal to financially support the artists involved due to the delicate situation we are going through. As they are part of Yu Yu's community, which is unfortunately closed at the moment. Artists involved from the likes of Nico, AAAA, Microhm with worldwide recognition to up and coming artists like Benfika, OMAAR, CNDSD and the current, most fresh national acts like Loris, KOI and El Irreal Veintiuno. Among other key pieces of national electronics, united in this soundscape of volatile frequencies.

1. El irreal Veintiuno - Demagogia
2. Turning Torso - Los Dos
3. Benfika - Torrente
4. AAAA - Phased Flashing On a Building
5. Microhm - Kyoke
6. Viiaan - Garble
7. OMAAR - Sabe
8. Camila Fuchs - Settle Down
9. CNDSD - Leitmotiv
10. KOI - Kaan
11. Loris - Jaras
12. Nico - Walk
13. Undefined Pattern - En Contra
14. Deeplinkin - Neuphaset

A initiative by Juan del Valle
Design and Artwork by Luis Tomita
Art Direction by Charlie Juárez
Curated by Charlie Juárez & Juan del Valle
Mastered by Fausto Mercier

YuYu x Infinite Machine V/A

Viiaan - Garble

Bouti - Fight The Break

remix of hard to take by @boy-friend

old WAP I thought I finished but probably never will

xx

Messerschmitt Me

Go Chi Minh

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