This is a page for all music by Eric Wollersberger, who is behind the onliest, Yoko Momo and Yourself projects.

ALWAYS TRUST ME. ALWAYS TRUST ME. 

Go-Kart is my tiny skeletal sketchbook where I keep all my audio sundries and unmentionables before they turn into grown up real people songs. Many feature other artist friends from Roanoke, VA and surrounding areas. 

NEVER TRUST ME.

Mr. Wright is a Washington D.C. based producer currently based out of San Diego, CA. He is the label boss of Deep Tech Recordings and is the driving force between the Deep Tech collective in Washington DC and San Diego.

Barthio(Chris Barth) has been making music since 2000 and dj'ing since 1987.  His style and tastes constantly change but there are a few common genres (drum & bass, breaks, house) that pervade his musical selections and mixes.

Barthio has played for a variety of crowds on the East coast in venues ranging from small college bars to larger underground parties.  He has shared the bill with dj's like Elation, Figment, DJ Sun, Scott Henry, Nigel Richards, and a host of other prominent mid-Atlantic dj's.

Song writer and recording artist from the Star City of Virginia. Currently plays with Magic Twig Community's The Missionaries and has played and toured with The Makeout, Nancy & 2 Meteors, Piss Ant, and The Wading Girl.

The Bastards of Fate are the corpus callosum connecting the rational lobe of pop to the irrational lobe of the avant-garde. They are the sturdy tether lashing rock’s analog past to its digital future. They ring the tocsin bell of triumph while blowing the slughorn of agony. The Bastards of Fate are nothing less than the auditory manifestation of the dark duality of the human spirit. Will you heed their call? WILL YOU?

The Bastards make music for the 21st century, and possibly — if we make it that far as a species — the 22nd, It’s a cluttered screaming cacophony of connected isolation. ‘Winter of Our Discontent’ may be the bleakest, most emotionally wrecked thing you’ll hear all year, and ‘Own It’ might be the funniest—funny the way Kafka is funny, and bleak the way Bataille is bleak. Or is it the other way around? I guess we’re trying to say that Bastards write like novelists, that they sing with the soul of a choir, and they sound like nothing else on earth.

Vampires is a darker, altogether more desperate affair than 2012’s Who’s a Fuzzy Buddy, sounding less like a studio project and more like a band. It captures the visceral energy of their live shows—a chaotic mess of lightbulbs and screaming. Vampires laughs in the face of its demons; it scowls & weeps when confronted with angels. Cloaked in a sort of Edwardian grandeur, Vampires leaves one’s certainties in turmoil. It is one of the deepest, most extreme, most tuneful records to emerge in recent memory.

Sad Wilson is an experimental project made up of one member. Sad Wilson project started in 2004. 


synthetic orchestral works & creepy lofi rough cuts ~ 

contactjakeybiz@gmail.com
https://www.youtube.com/c/nakeyjakey

Go-Kart is following