Chakrini - He Gopinath

JAYA RADHA MADHAVA

"Let's try this tune. See if we can come up with a harmony" after a few minutes I said, "I'm grabbing the recorder."   Two voices, one guitar, my old Martin. 

Badahari's Mellow tune w Maharha's harmony

This remix collection brings electronic re-interpretations of Krsna Govinda feat. Jai Uttal from Kirtaniyas 2012 debut album "Heart & Soul" available for donation download here: kirtaniyas.bandcamp.com/album/heart-soul-2).

Conscious EDM producers from an array of genres bring you to your dancing feet in this deep devotional chant: "Krsna Govinda, Govinda, Gopala... Bhaja Murali Manohara Nandalala...". Dub grooves, hard hitting electro, bass heavy dub-step and loop arrangements.

Download

Krsna Govinda Feat. Jai Uttal - Sol Rising Remix

Acyuta Gopi 12.24.15 Christmas Eve at Radha Govinda

RKC Live Stream - Bhaktivedanta Swami Prabhupada - Gaura Arati

Hari He Doyala Mora (Bada Haridas)

Thanks to talented and enthusiastic devotees, this disc under the name “Kartika” was recorded in October 2018
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It includes 6 tracks:
 1. Kirtan of the soul
 2. Damodarashtaka
 3. Back to God
 4. Kartika
 5. Parama Karuna
 6. Kirtan in the temple
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Produced by:
•Mastermind - Shanta Dasa
•Yuriy Makruha - arrangement, guitar, keyboards
•Shishtakrit Das - vocals, harmonium, mridanga
•Tilakini d.d. - designer
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Instagram: @shishtakrit.diary
Facebook: Shishtakrit Das
YouTube: Shishtakrit Das

Track 1- Kirtan Of The Soul

Śrīmad-Bhāgavatam 1.8.21

kṛṣṇāya vāsudevāya
 devakī-nandanāya ca
nanda-gopa-kumārāya
 govindāya namo namaḥ

Word for word: 

kṛṣṇāya — the Supreme Lord; vāsudevāya — unto the son of Vasudeva; devakī-nandanāya — unto the son of Devakī; ca — and; nanda-gopa — Nanda and the cowherd men; kumārāya — unto their son; govindāya — unto the Personality of Godhead, who enlivens the cows and the senses; namaḥ — respectful obeisances; namaḥ — obeisances.

Translation: 

Let me therefore offer my respectful obeisances unto the Lord, who has become the son of Vasudeva, the pleasure of Devakī, the boy of Nanda and the other cowherd men of Vṛndāvana, and the enlivener of the cows and the senses.

Purport: 

The Lord, being thus unapproachable by any material assets, out of unbounded and causeless mercy descends to the earth as He is in order to show His special mercy upon His unalloyed devotees and to diminish the upsurges of the demoniac persons. Queen Kuntī specifically adores the incarnation or descent of Lord Kṛṣṇa above all other incarnations because in this particular incarnation He is more approachable. In the Rāma incarnation He remained a king’s son from His very childhood, but in the incarnation of Kṛṣṇa, although He was the son of a king, He at once left the shelter of His real father and mother (King Vasudeva and Queen Devakī) just after His appearance and went to the lap of Yaśodāmāyī to play the part of an ordinary cowherd boy in the blessed Vrajabhūmi, which is very sanctified because of His childhood pastimes. Therefore Lord Kṛṣṇa is more merciful than Lord Rāma. He was undoubtedly very kind to Kuntī’s brother Vasudeva and the family. Had He not become the son of Vasudeva and Devakī, Queen Kuntī could not claim Him to be her nephew and thus address Kṛṣṇa in parental affection. But Nanda and Yaśodā are more fortunate because they could relish the Lord’s childhood pastimes, which are more attractive than all other pastimes. There is no parallel to His childhood pastimes as exhibited at Vrajabhūmi, which are replicas of His eternal affairs in the original Kṛṣṇaloka, described as the cintāmaṇi-dhāma in the Brahma-saṁhitā. Lord Śrī Kṛṣṇa descended Himself at Vrajabhūmi with all His transcendental entourage and paraphernalia. Śrī Caitanya Mahāprabhu therefore confirmed that no one is as fortunate as the residents of Vrajabhūmi, and specifically the cowherd girls, who dedicated their everything for the satisfaction of the Lord. His pastimes with Nanda and Yaśodā and His pastimes with the cowherd men and especially with the cowherd boys and the cows have caused Him to be known as Govinda. Lord Kṛṣṇa as Govinda is more inclined to the brāhmaṇas and the cows, indicating thereby that human prosperity depends more on these two items, namely brahminical culture and cow protection. Lord Kṛṣṇa is never satisfied where these are lacking.


Ekendra Dasa - Śrīmad-Bhāgavatam 1.8.21

Here's a song from Madreya Prabhu that we recorded a couple of years ago in Australia. Today being the celebration of Lord Rama's appearance, I thought it timely to release. If you like it, please share it around your network. Jaya Sita Rama Laxman Hanuman!

A Perfect Love

This beautiful recording of the traditional bhajan Jaya Radha Madhava was recorded by Ramdas Abhiram Das (Kevin Yee) at his painting studio in Florence, Italy.

He sang and played all the instruments on this piece - flute, santoor, sarod, tabla and more, and recorded it himself layer by layer on a simple 8-track recorder.

This beautiful recording has never been publically released, but is uploaded with a desire to share the lesser known, but no less sublime, creative work of this lifelong devotional artist, who passed away in July 2020.

I feel extremely indebted to Ramdas and his wife Dhrti, for their many decades of artistic service. Their paintings have offered inspiration and spiritual connection to countless people all over the world, and as teachers, they have gifted their students with instructions to be treasured for life.

I was grateful to study with them for a month in India in 2007. Though many years ago, the experience is one I have returned to time and time again for fresh inspiration and guidance.

More on Ramdas:
Born in 1951 in Maui, Hawaii, as Kevin Albert Yee, Ramdas Abhiram Das, graduated with a degree in Fine Art from California State University at Fullerton. He began his career by doing illustration work, first for an international publishing company and later for the Bhaktivedanta Book Trust (BBT). In 1980 he relocated to Florence, Italy, where he studied at the Academia de Siena and the Academia de Arte Firenze and learnt the art and techniques of fresco and egg tempera. He was the Art Director for the Italian BBT for six years. Though trained initially in classical art and illustration, over the years he has developed his own style, marked for its spontaneity and mystique. Narratives set amidst nature, he has painted more than 300 oil paintings and his work has been exhibited in Italy, France, Belgium, England, South Africa, and India.

Teaching in India: vimeo.com/58238789

To view more of the artistic work of Ramdas and Dhrti: www.sosacredart.com

Ekendra Dasa - Śrīmad-Bhāgavatam 1.8.21

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