Consume

Hyperforma

BPM 165 Schranz track!
Release from SMQ Records
BUY LINK👇
https://www.beatport.com/release/dark-carnival/4181233

TKG
https://soundcloud.com/user-313199048

HT4L
https://soundcloud.com/djht4l

TKG Vs HT4L - Dark Carnival

BALKAN HARD PROJECT - YOU CAN'T FUCK

Madness of the World

Get Up

Gamma Ray - Induction (Bootleg By Withecker) Freetrack

Spotify:
https://open.spotify.com/track/2ugchhY4ORZ5Nqd37hvQNp?si=UkQCaeV6ReCDNOR_fyJOFg

ACID BULLET

22 tracks, 25 artists from around the world. This is the hardest VA to come out of the USA all 2025. This is CMR's 'The Armory'

Free Download

DYRG-ROCK THE PARTY [FREE DOWNLOAD]

Emerging from Germanys underground, NIIKITA makes her debut on the renowned German label Left. Together with Dodobeatz from Italy and Daniel Levak from Germany, two established names in the scene - they present „PUSH ME, a raw and pulsating track that fearlessly pushes sonic boundaries. 

Driven by relentless kicks and a dark, hypnotic bassline, the track builds unyielding tension before erupting into an unstoppable groove. Distorted vocal fragments cut through the break, adding a raw human edge to the industrial soundscape. 
Each element is meticulously arranged to keep the energy surging, creating a structure that moves forward without compromise. 

With this collaboration, NIIKITA introduces her uncompromising style: dark, rough & powerful - setting the tone for an exciting new chapter.

Dodobeatz x Daniel Levak x NIIKITA - Push Me (Radio Mix)

WTF 176 BPM  :D   in DAT face MAD boyyy :P

In Your Face Mad Boy

PAYNEKILLERS

Montek - Metralla

🎧 Born in 1988, Barcelona — always chasing the hardest beats.

Deeply immersed in the Hardtechno movement during its golden era (2006–2012), I lived the rave culture to the fullest: K2, Sektor13, Sala Campus, Blau, La Cova, Montagood, H2Zone, and countless underground temples of sound.

Started mixing at just 14 years old, with vinyls, then CDJs — always driven by the raw energy of the underground. Between 2009 and 2012, I had the chance to play in several clubs, including the legendary La Cova, sharing my sound with like-minded souls.

At 20, I dove into Hardtechno and Schranz production, crafting relentless, industrial beats for 4–5 years. After a long pause, the fire never died — and now I’m back, ready to push boundaries again.

This is not just music. It’s movement. It’s memory. It’s Hardtechno.

PAYNEKILLERS

GOB SCHRANZ