this is a seriously dope song, man. much respect!

TLV068: AUTOBAHN - AUTOBAHN 1. - 12"/digital EP&#13;
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Buy on iTunes - https://itunes.apple.com/gb/album/autobahn-1-single/id718862141&#13;
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'Seizure' is the lead track taken from AUTOBAHN's debut 3-track 12" EP, released on 11th November. &#13;
&#13;
PRESS RELEASE&#13;
On 11th November, Leeds-based five-piece AUTOBAHN announce themselves to the world with their unapologetically sinister and aggressive self-titled debut EP. A record for, and of, the night, AUTOBAHN conjure the dystopian nightmare world of 80s post-punk across three unrelenting tracks. Consider them Leeds’ very own Lost Boys, cloaked in feedback, showing their teeth. Despite forming in February 2013, and playing their first gig just months ago, they appear eerily fully formed.&#13;
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The group - a bunch of unknowns - have notched up word-of-mouth acclaim for their handful of visceral live shows, appearing on stages with the likes of Merchandise and Eagulls. While those bands are appropriate touchstones for those new to AUTOBAHN, if you look closer you’ll notice in their velvet jackets and puffed shirts a stargazing glamour at odds with their peers.&#13;
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On the surface, AUTOBAHN are a classic modern day punk band. But dig a little deeper and there’s a colourful underbelly to their sonic ambitions, vivid like a new bruise. Their name’s a reference to Kraftwerk, hinting at a European intensity, while tracks like the scabrous ‘Lost Tongue’, are transgressive in the same way as early Public Image Limited. What’s more, there’s real catharsis at the heart of these songs: the opening track, 'Seizure', is about having a small fit in Brighton., while all the lyrics point to a very millennial sense of helplessness. AUTOBAHN 1. , then, is a bacchanalian trawl through the psyche, kind of unhinged, and staring right through you.&#13;
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They have announced a UK tour with dates supporting Girls Names and the aforementioned Eagulls, as well as a special EP launch show at Brudenell Social Club, Leeds. Dates are as follows:&#13;
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24 October - Sheffield, Bungalows and Bears w/Girls Names&#13;
29 October - Leeds, Brudenell Social Club w/Girls Names&#13;
02 November - Brighton, Green Door Store w/Girls Names&#13;
16 November - Leeds, Brudenell Social Club **EP LAUNCH**&#13;
05 December - London, Sebright Arms w/Eagulls&#13;
06 December - Cardiff, Moon Club w/Eagulls&#13;
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http://www.facebook.com/autobahnmusik&#13;
http://www.twitter.com/autobahnmusik&#13;
http://www.instagram.com/autobahnmusik&#13;

Tough Love Shop

AUTOBAHN - Seizure

Destruction Unit "Feed The Dogs"

Sonic Jesus - Neither Virtue Nor Anger

Order the double vinyl at fuzzclub.com

Sonic Jesus - Triumph

From the forthcoming album, Early Surf, out February 17, 2015, on God? Records. 

Fractal Ancestry

Fuzz Club 10" split single no 6

A Place To Bury Strangers - Down The Stairs
The Telescopes - I Wanna Be Your Dog


A Place To Bury Strangers- Down The Stairs

His Clancyness - Isolation Culture (HDD055)out October 14th 2016 via Tannen / Maple Death (EU/UK) and Hand Drawn Dracula (ROW)

Order (EU/UK):  http://bit.ly/IsolationCulture
Order (CAN/US/ROW): http://bit.ly/HDDIsolation
Itunes: https://itunes.apple.com/ca/album/isolation-culture/id1159553110

www.facebook.com/hisclancyness/
www.facebook.com/HandDrawnDracula/

His Clancyness - Uranium

Released by:
FatCat Records

Release date: 
14 October 2016

Produced by Theo Verney

℗ 2016 TRAAMS under exclusive license to FatCat Records
© 2016 FatCat Records

TRAAMS - Slipping

My BANDCAMP: https://withoutemotion.bandcamp.com/

My INTAGRAM: instagram.com/without__emotion

Paroles: Felicia
SOUNDCLOUD: https://soundcloud.com/felicia-fee

Photo by: jkainabisa
INTAGRAM: instagram.com/jkainabisa

Modèle photo: kainabisa
INSTAGRAM: instagram.com/kainabisa/

Rideau Noir

'Good Sense' is taken from Hash Redactor's debut album entitled 'Drecksound', out April 26th through Upset The Rhythm and Goner Records.

A quick glance at the résumés of Hash Redactor’s members might seed certain expectations.  The band is fronted by guitarist Alec McIntyre of Ex-Cult, with NOTS rhythm warriors Meredith Lones on bass and Charlotte Watson on drums, and rounded off by George Williford on second guitar.  But their debut full-length dives into territory that feels distinctly untethered from their lineage and era.  Drecksound is a clattering, shambolic oasis in the sleek digital desert of the late twenty-teens.  
 
Perhaps both because and in spite of the alienation that typifies the glut of rock music at the end of this god-damned decade, these twelve songs deliver a pointed social criticism, more cathartic than suffocating, while championing a nihilism that greets the abyss by laughing mockingly in its face. The chorus to the incendiary Step 2: Success is sneered, not sung, “It’s a long con job and you just got it wrong / banned from the world.” Or take Open Invite’s opening missive, “I won’t settle for anything less than a four-star refugee camp.” McIntyre’s lyrics present a puckish fascination with humankind’s rake-stepping self destruction.  He’s a merry prankster, but more in the mold of a jackbooted Monty Python character than a Ken Kesey acid casualty. Case in point: A-side epic In The Tank, where a vindictive custodian boils alive the wealthy patrons at the sensory-deprivation tank facility where he works.
 
McIntyre and Williford’s guitar interplay on Drecksound draws from some weird rundown of usual and unusual suspects in the tight corner of avant-punk guitar work, recalling some free-association that includes: Marquee Moon, John Fahey gone electric, the playing on Ornette Coleman’s mid-70s Body Meta and Dancing In Your Head, prime-era Flesheaters, and (why not) the first two Meat Puppets albums. Without anything resembling traditional leads, guitars snake in, out and around Lones’s bass lines, which alternate between slinky earworm hooks and steel cable raw power.  All of this is locked in by Watson’s characteristically visceral swing.  It doesn’t feel controversial to claim that the duo of Watson and Lones constitutes one of the best rhythm sections to be heard anywhere in contemporary punk music.
 
Having played out heavy in 2018 with a refined live show, a four-song demo, and several Gonerfest appearances under their belt, HR cut the record at home on a borrowed 8-track cassette machine. The deranged raw tracks were mixed into final form by Matt Qualls at Young Avenue Sound, and mastered by Jason Ward at Chicago Mastering. Hash Redactor will be touring the States in summer and with plans for Europe later in 2019. Drecksound is out April 26 on Upset the Rhythm in UK/EU and the rest of the world on Goner.

Available to pre-order here: upsettherhythm.bigcartel.com/

Drecksound

Hash Redactor - 'Good Sense'

KURT VILE & THE VIOLATORS
Freak Train (live w/ Bradford Cox)
The Hunchback EP (2009/2012)

**bonus track included with vinyl purchase**

testostertunes.com
testostertunes.bigcartel.com/product/the-hunchback-cdep-by-kurt-vile-the-violators

distributed by Revolver/Midheaven

this track is available only as a bonus download included with vinyl purchase

recorded live at the Earl in Atlanta, August 7 2011. Thanks to Henry Owings.

Mastered by Mark Trewella @ Full Circle

Freak Train (live w/ Bradford Cox) by KURT VILE & THE VIOLATORS

INTRODUCING: THE FLAG AND “OFF MUSIC”
BY NICK SYLVESTER

Let’s start with clarity, and reassurance: The Flag is not another Black Flag reunion band. 

The Flag, which is the artist Ted McGrath’s latest musical project, works in a tradition of New York I only know as 'off music'. A classic sound, turned inside-out. Monk was off. Liquid Liquid was off. Talking Heads were off. Rap was so off! Velvets--a thousand miles off. Even the Strokes were off, if only because *nothing* was off about the Strokes. 

His voice reminds me of weirdo New York crooners like Alan Vega and David Byrne and Sal Principato, though I find him more lovable. Rhythmically the music is very much indebted to stuff like Suicide and Liquid Liquid and On The Corner. Heavy stuff but again: Ted is the people’s champ. “Alpha 60 Punch Out” is the a-side. It’s built off an irresistible full-spectrum percussion loop that propels the song through six or seven distinct movements. On the flip is the introspective "Neighbors": a maximum-delay guitar number about a specific NYC rite of passage known as Getting Mugged.

If you’re playing Brooklyn Noise Bingo at home, this whole release--a teaser for what we hope will be more soon--is a gold mine. Ted played in These Are Powers and Antimagic, and his iconic messy visual style regularly appears on show posters and album covers around town. Jeremy Scott recorded both songs at Civil Defense right before Hurricane Sandy knocked him and many other friends of ours out of commission. Sarah Register of Talk Normal mastered both tracks at The Lodge, and gave them their impossible spread across the stereo field. “Alpha 60 Punch Out” b/w “Neighbors” is available digitally worldwide and on limited edition cassette at the GODMODE shop mid July.

THE FLAG
“Alpha 60 Punch Out” b/w “Neighbors”
Digital/Cassette
GM027. 2013.

Vocals, Loops, and Guitar by Ted McGrath
Additional Drum Programming by Nick Sylvester
Additional Percussion: Ryan Crozier 
Trumpet: Eleanor Logan 

Recorded by Jeremy Scott at Civil Defense, BK
Mixed by Nick Sylvester at The Wood Room, BK
Mastered by Sarah Register at The Lodge, NYC.

Songs and Sounds by Ted McGrath
www: theflagisaband.com
twitter: @tedmcgrath
press: nbs at entergodmode dot com


Alpha 60 Punch Out

The Flag - Alpha 60 Punch Out

somewhere between thinking and feeling

you can send us tunes here: god@godmodemusic.com

The Flag - Alpha 60 Punch Out

GODMODE

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