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Insta - https://www.instagram.com/joeti__/

145bpm Percussive Brain Cleanse (FREE DL)

Nailah Hunter live from The Inn at Dripping 2024

@nailahhunter

Nailah Hunter at Dripping 2024

Pain Management presents the debut release of London based percussionist Pike.

Having provided rhythms from the shadows for a number of reputable labels and live outfits - 12th Isle, Scenic Route, Slow Dance - Fallen Angel sees the artist unveil a musical fluency and soloist instinct with his first independent effort under his own name. Flexing a previously unseen multi-instrumentalism on two emotive post-rock offerings.

An active participant in London’s underground music circuit, Pike’s performances play with textural, rhythmic and improvisational possibilities. He has developed a unique rhythmic fingerprint indebted as much to UK bass music as to rock, dub and avant-garde electronics. The steady evolution of his practice, alongside extensive behind the scenes collaboration with a wide roster of UK-alt artists - Charlie Osborne, Covco, The Fertile Crescent, Tiberius B - has laid the groundwork for this year’s striking introduction to a new era of the project.

His official debut release on Pain Management falls somewhere at the intersection of dub electronics and art-rock; a dynamic exploration of live instrumentation’s cathartic potential.

On the expansive opener Fallen Angel, a tangle of emotive guitar and basslines float above steady, hypnotic drums. In contrast with the record’s plosive closer, Fallen Angel shimmers with a central ephemerality. Threads of euphoria woven into the shadows of something less sweet. The sensation is one of temporality; a distant memory just out of reach. The presence of this melodic softness shrouding over the rougher elements instills an intimacy to the piece. A late night hymn of introspection; one for the wanderers.

The B-side’s Concrete Dub mirrors this format, putting some serious muscle into things. In keeping with the title, Pike masterfully deploys a hazy, dubbed out groove brimming with swung-drum attitude and bassline thickness. From the mycelium grunge bursts a raw, heartfelt guitar line, distorted power-riffs soaring upwards higher and higher. The result is an emotive and vulnerable sensation of uninhibited feeling - a serious pain management power ballad.

Out Feb 17th on all platforms.
Digital files available via Bandcamp.
Cover image by Yasmin Gordon.

Pike - Concrete Dub [PM003]

Transmissions from the Outer Rim/Inner Edge.
“you know the gates themselves are made of flood." 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/3xl/episodes/3xl-6th-january-2025

3XL w/ Significant Other 060125

Ashton Holland 07/02/25

Taken from SBKT068: Swimful - Diecast
Release date: 26th March 2025

The long awaited follow-up to 2022’s ‘Rushlight’, ‘Diecast’ is a new 4 track club EP from Swimful, with remixes from Iceboy Violet, Grandmixxer and DJ Narciso.

Swimful - Atlantis

One half of DJ duo Hagva and a key member in the Evolvere Crew, Not Mass's approach to DJing focusses on deep textures, layered sounds, and intricate drum patterns, which help build immersive atmospheres and keep the journey engaging.  

@notmass

𝘛𝘩𝘪𝘴 𝘪𝘴 𝘵𝘩𝘦 𝘴𝘦𝘤𝘰𝘯𝘥 𝘮𝘪𝘹 𝘧𝘳𝘰𝘮 𝘰𝘶𝘳 𝘯𝘦𝘸 𝘴𝘦𝘳𝘪𝘦𝘴 𝘷𝘪𝘴𝘶𝘢𝘭𝘪𝘴𝘦𝘥 𝘣𝘺 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘦𝘳 𝘑𝘰𝘳𝘪𝘴 𝘝𝘢𝘯 𝘋𝘦𝘯 𝘌𝘪𝘯𝘥𝘦𝘯. 

---

𝗻𝗮𝗺𝗲 / 𝗽𝗿𝗼𝗻𝗼𝘂𝗻𝘀 / 𝘄𝗵𝗲𝗿𝗲 𝗱𝗼 𝘆𝗼𝘂 𝗹𝗶𝘃𝗲?
Antonio, He/Him , Milan (Italy)

𝘁𝗲𝗹𝗹 𝘂𝘀 𝗮𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗰𝗼𝗻𝗰𝗲𝗽𝘁 𝗼𝗳 𝘁𝗵𝗶𝘀 𝗺𝗶𝘅
This mix explores weird and experimental drum patterns. I wanted to create a journey through dark and weird rhythms that challenge the usual beat structures and that typically characterise my DJ sets. The drums are always different, sometimes off the beaten path, creating varied dynamics—moments that are upbeat as well as static, trippy moments—giving the entire set a mysterious and intense atmosphere. In my DJ sets, I like to bring together all the music and genres that have influenced and shaped my musical path over time.

So, thanks to Dj wiggles for the invite :)

𝗵𝗼𝘄 𝗵𝗮𝘀 𝘆𝗼𝘂𝗿 𝗲𝗻𝘃𝗶𝗿𝗼𝗻𝗺𝗲𝗻𝘁 𝗽𝗮𝘀𝘁 𝗮𝗻𝗱 𝗽𝗿𝗲𝘀𝗲𝗻𝘁 𝗶𝗻𝗳𝗹𝘂𝗲𝗻𝗰𝗲𝗱 𝘆𝗼𝘂𝗿 𝘀𝗼𝘂𝗻𝗱 𝗮𝗻𝗱 𝗮𝗽𝗽𝗿𝗼𝗮𝗰𝗵 𝘁𝗼 𝗺𝘂𝘀𝗶𝗰?
I was lucky to grow up in a family where music has always been a priority. I’m grateful to my parents for passing down this passion to me. My first approach to music was through acoustic drums—my father is a drummer and my mother took singing lessons. For me, playing drums was a moment of freedom, a way to vent, but also a love-hate relationship. I remember that at some point, I couldn’t express myself the way I wanted or with the people I wanted. 
Over the years, I got closer to the clubs in my area, and my love for the DJ figure was immediate. For several years, I lived in Puglia, my hometown, where I took my first steps as a DJ. Those were beautiful years, full of learning and hard work and research, all to start playing in clubs and illegal parties eheh

𝗰𝗮𝗻 𝘆𝗼𝘂 𝘁𝗲𝗹𝗹 𝘂𝘀 𝗮 𝗹𝗶𝘁𝘁𝗹𝗲 𝗯𝗶𝘁 𝗮𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗺𝗶𝗹𝗮𝗻 𝗺𝘂𝘀𝗶𝗰 𝘀𝗰𝗲𝗻𝗲?
Right now, I think the music scene in Milan is one of the most prolific and solid in Europe. There are so many high-level artists, each with their own background and unique sound. Moving here was a turning point for me since the beginning, I’ve felt motivated and inspired by all the artists I’ve connected with. I believe growing in an environment where the scene is this strong and innovative is essential for any artist.
That said, one of the biggest issues in the city right now is the lack of spaces to play, perform, and organize parties. Prices are also insanely high, which makes it really hard to access and self-fund events. What we’re doing is a form of resistance..we have a mission, and we need to keep it alive.

𝘀𝘂𝗺𝗺𝗮𝗿𝗶𝘀𝗲 𝘁𝗵𝗶𝘀 𝗺𝗶𝘅 𝗶𝗻 𝘁𝗵𝗿𝗲𝗲 𝘄𝗼𝗿𝗱𝘀
Textured - Percussive – Trippy

Full interview available via our substack: https://allmovingobjects.substack.com/p/kinetic-mix-039-not-mass-weirdscape

kinetic mix 039: not mass "weirdscape drums"

The third episode in our new series (and our 40th podcast!) comes from Lyon based Comic Sans Records label-head and lyl radio resident, sleek fata. 

@sleek-fata

We've been a fan of sleek fata for a while now, often tuning into his exquisitely put together "Cremation of Care" shows - which explore a wide spectrum of experimental music focused on tracks with an high sound design profile going from psychedelic electronics to jazz with a touch of punk and trip hop between.

This mix beautifully showcases the variety of his tastes and skills of mixing it all together, from dub to dubstep, techno to half time & masterfully jumping tempo’s - sleek fata’s got it covered.

𝗻𝗮𝗺𝗲 / 𝗽𝗿𝗼𝗻𝗼𝘂𝗻𝘀 / 𝘄𝗵𝗲𝗿𝗲 𝗱𝗼 𝘆𝗼𝘂 𝗹𝗶𝘃𝗲?
Sleek fata / he him / Lyon

𝘁𝗲𝗹𝗹 𝘂𝘀 𝗮𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗰𝗼𝗻𝗰𝗲𝗽𝘁 𝗼𝗳 𝘁𝗵𝗶𝘀 𝗺𝗶𝘅
I wanted to build a thematic journey that could bring together different types of music and tempos, while still feeling coherent as a whole. I found a strong inspiration in the icy textures of dub techno, it sparked the whole idea. So this is essentially a cold journey through the dub techno continuum (dub techno in the broad sense): half-time, dubstep, dub techno, footwork, downtempo… each track shares a similar colour palette, sonically speaking. Think light blue, white, and grey tones. I imagined a dancer trapped in a cold room with a perfect sound system, moving and reacting to these glacial sounds. But "glacial" doesn’t mean emotionless—on the contrary. Despite the chill, there's a lot of soul embedded in each track.

𝗵𝗼𝘄 𝗵𝗮𝘀 𝘆𝗼𝘂𝗿 𝗲𝗻𝘃𝗶𝗿𝗼𝗻𝗺𝗲𝗻𝘁 𝗽𝗮𝘀𝘁 𝗮𝗻𝗱 𝗽𝗿𝗲𝘀𝗲𝗻𝘁 𝗶𝗻𝗳𝗹𝘂𝗲𝗻𝗰𝗲𝗱 𝘆𝗼𝘂𝗿 𝘀𝗼𝘂𝗻𝗱 𝗮𝗻𝗱 𝗮𝗽𝗽𝗿𝗼𝗮𝗰𝗵 𝘁𝗼 𝗺𝘂𝘀𝗶𝗰?
I grew up listening to rap while living in the suburbs of Lyon as a kid. Later, when I moved into the city centre for university, I discovered electronic music. So yes, my environment has always shaped my musical taste—just like it does for everyone, I believe. Our preferences are influenced by sociological data: age, ethnicity, the country we grow up in, our parents' professions, and so on.

But beyond that, my uncle, who I lived with when I was younger, had a big impact. During the peak of the Emule era, he downloaded every US rap album he could find and burned them onto blank CDs. When I came home from school, I would pick one at random and discover a new album every day. That routine really shaped my digging habit. These days, the Bandcamp community is a big influence for me.

𝘄𝗵𝗮𝘁’𝘀 𝗻𝗲𝘅𝘁 𝗳𝗼𝗿 𝘆𝗼𝘂 / 𝗰𝗼𝗺𝗶𝗰 𝘀𝗮𝗻𝘀? 𝗔𝗻𝘆 𝗰𝗼𝗼𝗹 𝗴𝗶𝗴𝘀 𝗼𝗿 𝗰𝘂𝗿𝗮𝘁𝗶𝗼𝗻𝘀 𝗰𝗼𝗺𝗶𝗻𝗴 𝘂𝗽?
I’m working on Vision Pro Dubs, a various artists project that started as a special episode of my Cremation of Care radio show. It brings together contemporary and cutting-edge smooth dub sounds. Besides that, Malesa is working on their second album, and we’re putting together a remix EP of Seta Loto’s last release. I’m also collaborating with Cortex of Light on something exciting!

𝘀𝘂𝗺𝗺𝗮𝗿𝗶𝘀𝗲 𝘁𝗵𝗶𝘀 𝗺𝗶𝘅 𝗶𝗻 𝘁𝗵𝗿𝗲𝗲 𝘄𝗼𝗿𝗱𝘀
Hypothermic sound system

full interview here:

kinetic mix 040: sleek fata "the cold room dancer and other frozen tales"

For those souls who like to live in the clouds

Michèle Bokanowski - Cirque: Galop
Steve Roach - Airtribe Meets the Dream Ghost
Atralasia - Aphasia
Haruomi Hosono - Hindustan
Klaus Schulze and Pete Namlook - Psychedelic Brunch Part V
The Art of Noise - Camilla
Sugai Ken - Daidai
Hiroshi Yoshimura - Something Blue
Bruno Spoerri - Age Of Cannons 2
Tony Hymas - So English
Steve Brenner and Tim Rempel - The Real Dream
Peter Gregson - Sequence (Four)
Kaada - Everything Is An Illusion
Terre Thaemlitz - Tranquilizer (Live in the North)
Sinead O’Connor - In This Heart
Biosphere - Ikata-1
Carbon Based Lifeforms - Dreamshore Forest (Analog Remake)
Ana Roxanne - Nocturne
Ortensio - That Pink Cloud
Brian Eno - An Ending (Ascent)
Hiroshi Yoshimura - Flora
Nobuo Uematsu - Final Fantasy VIII: Balamb Garden/Ami
Rso Berlin, Chailly - Minuetto I
Virginia Astley - Morning: Hiding In The Ha Ha
Cults Percussion Ensemble - Circles
Nodens Ictus - Sleeping Seas
Tony Hymas - Lullaby
Sugai Ken - 裏薮の翁筍 = Urayabu No Okinadake
The Art Of Noise - Moments In Love
Log(M) & Laraaji - Daisy Fields

Clouds

“Himar” EP is a 5 tracks dance floor and sound system music exploration by
Italian artist Ortensio with a special Isabassi Remix. Manifesting as a mixture of
different BPMs, moods, attitudes and genres tributes, “Himar” touches
elements of tribal rhythms, brain dance shuttered machines, low pressure
dubstep, frantic mediterranean drums layered on top of slow and sexy
baselines, tripped out club music repetitive voices and a good dose of sarcasm.
A La Doc.

Written and Produced by Ortensio Capone
Tracks 6 Remixed by Isabassi
Mastered by Kamikaze Space Programme
Released on Shepard Tone Recordings
05.09.2025

Born and raised in Southern Italy, trained in Berlin, based in Milano, Ortensio
is a DJ, sound engineer, music producer and sound designer. Serving as
Resident Artist and key figure for events like Balleremo 0414 and CRX Festival,
actively runs DeafCatMusick and Milano Cyber Dub.

06 Qllps083 (Isabassi Remix)

track specially made for my Berghain DJ set, last week.
limited to 100 dl.
wave format

Happy Birthday, Hyperdub.

Berghain Assault

milanocyberdub@gmail.com
running Deaf Cat Musick
resident artist - CRX Festival 
resident dj - https://soundcloud.com/balleremo-04-14 

https://linktr.ee/ortensio

06 Qllps083 (Isabassi Remix)

Ortensio

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