Melodica’s head Chris Coco launches “My Summer Mixtape 2014”,his second annual selection of Balearic music for the summer season from artists on his Melodica label.
The compilation covers a broad range of genres, from Dub and Electronica, to Leftfield and Bass Music, from Drum N Bass to Nu Disco and puts together some of the label’s best artists and few Chris' good friends into this uplifting Balearic journey.
As a little taster Chris gave us this mega chilled track to give away.

Chris Coco - Heavy Mellow (Jon Hopkins Mix)[FREE D/L]

Sven Weisemann - Falling Leaves

Taken from the album 'Vertical Land' out now.

DL : https://itunes.apple.com/gb/album/vertical-land/id989259810

CD/LP :http://www.amazon.co.uk/s/ref=nb_sb_noss?url=search-alias%3Dpopular&field-keywords=vertical+land&rh=n%3A229816%2Ck%3Avertical+land


Vertical Land

David John Sheppard - Seconds, Minutes, Hours

IN THE WOODS AT THE END OF THE YEAR

I had an immense pleasure of collaborating again with the incredibly talented David De Michele who created a sublimely beautiful musical palette for my piano piece "But". 

More of David’s marvellous music is available here: @user-92820487

Thank you so much for your attention to this work. We do hope you will enjoy listening!

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: David De Michele

But (Ft. David De Michele)

LNT: http://po.st/olafurLNT  
iTunes: http://geni.us/LNTolafurarnalds
Bandcamp: http://po.st/olafurBC 

Standing at the intersection where techno meets classical music, Ólafur Arnalds directs the new Late Night Tales.

“When I was asked to do the next installation of the Late Night Tales series I thought "This will be fun and easy, only a couple of days work. No problem!". Six months later, I was still pulling my hair out in some kind of quest to make the perfect mix. As someone who has never really done mixes before, I learned a lot of things along the way and the whole experience was very inspiring. I decided to approach the mix in a similar way as I would one of my scores. This is the soundtrack of my life. I included songs from many of my friends and collaborators and tried to deliver a mix that represents who I am as an artist and where my influences are coming from - both personally and musically.” - Ólafur Arnalds, March 2016

Follow Late Night Tales:

Web: http://latenighttales.co.uk
Facebook: http://www.facebook.com/latenighttales1
Twitter: http://twitter.com/LateNightTales
SoundCloud: http://soundcloud.com/latenighttales
YouTube: http://youtube.com/latenighttalestv
Instagram: http://instagram.com/latenighttalesofficial
Spotify: http://goo.gl/Q98T7d
Apple Music: https://music.apple.com/us/curator/late-night-tales/1233898093
Bandcamp: https://latenighttales.bandcamp.com/

Late Night Tales: Olafur Arnal

Ólafur Arnalds - RGB (Late Night Tales: Ólafur Arnalds)

A piece to represent the perception of the acceleration of time as we get older

Summer

21 to 21

Jim Perkins - 21 To 21

Original: Niklas Paschburg / Insight / Dawn (EP) / Unperceived records
Link: soundcloud.com/unperceived-records/niklas-paschburg-insight

Free download

Niklas Paschburg - Insight (Ronda Sound Collective remix)

This EP was recorded around a documentary film "Papa Hédi", that looks at the life and legacy of celebrated Tunisian musician Hédi Jouini. 
We started writing the score in the summer of 2011 as specific cues for the film and using short samples from Hédi's music. 
In the autumn we decided to develop the cues to make full tracks and the results are on this record. 

Hobi

Here's a link to the EP including this track http://deadphones1.bandcamp.com/

Midnight Haze

Following the release of his debut record “A Louder Silence” last October on Late Night Lates, Leifur James returns with his new single ‘Wurlitzer’ ahead of a run of dates including a headline show at The Southbank Centre in late March.

Leifur’s debut fused ambient electronica, jazz, classical and soul music, a recording process which was over a 2 year period. ‘Wurlitzer’ is the first piece of music he reveals from a new creative period after those sessions.

“’Wurlitzer’ was kind of a break away from the ambience of the album.” says Leifur. “I was wanting to corrupt the mood of the album with something a bit intense and destructive. I guess there was an unusual balance there for creating something new but in a bit of a destructive mind-set.” 

“I’d been staying at my dad’s in the winter months, he lives in the middle of a rural pre historic stone circle, its quite an intense place in winter. I was playing on the old upright wurlitzer piano there and the wind was shaking the house, I could hear it aggressively whistling in the chimney. The contrast of the wind with the piano was interesting and gave me the idea.” 

The video was created by animator/director Balázs Simon. “We spoke about the video and this balance of creation and destruction in the music. The theme for the video being the duality of creation; creation and destruction and the cross over point between those.” The result is ravishing 4 minutes of piano-fused electronica haunted by ecological currents.

Leifur James – Live

16.03.19
Paradiso, Amsterdam
17.03.19
La Botanique, Brussels
30.03.19
Southbank Centre, London
06.04.19
La Petite Halle, Paris
10.05.19
The Great Escape, Brighton
01.06.19
Inner City Electronic Festival, Leeds (Solo)

Sven Weisemann - Falling Leaves

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