moosinOut

Season 5

Mixz

OMAKASE #65

MY OFFICIAL 12" REMIX OUT SOON ON WEST END. 
MIXED & MASTERED BY CASERTA ... SHOUTS TO THE HOMIE BOSQ ! THIS IS UPLOADED AT 96KBPS WITH SOUND FX FOR A PURPOSE.

LOOSE JOINTS "IS IT ALL OVER MY FACE" KON'S DUET MIX (CASERTA MIXDOWN)

Merch---> http://carusoworldwide.com

#1 on Hypem

Big shoutout to my boys @TheChainsmokers and @tritonalmusic for letting me remix this one! This is one of my favorite remixes I have done thus far and I hope you all feel the same way!

-JC

For more free music - 
Snapchat: carusomusic
Merch: https://www.districtlines.com/justin-caruso
Facebook: www.facebook.com/JustinCarusoMusic
Instagram: instagram.com/JustinCarusoMusic
Twitter: twitter.com/Justin_Caruso

FREE DOWNLOAD

The Chainsmokers & Tritonal - Until You Were Gone (Justin Caruso Remix)

Hey everyone hope y'all had a great weekend. Here's SunSesh 9, I threw the mashup HAWK and I worked on in here along with some other progressive house tracks. Also just transitioned to Serato from Traktor today. Hope you guys enjoy and have an excellent week.
&lt;3
ZOLA
Thanks to Gentry Demchak for the amazing cover.
Tracklist:
1. Far Away - Tristam & Braken
2. Keep Our Love Alive - Afrojack
3. Porter Walking in Circles (HAWK x ZOLA Mashup)
4. Glad You're Resurrected (Axwell//The Wanted)- The White Panda
5. Electric Elephant - Jay Hardway
6. Lost - Sander Van Doorn, MOTi
7. Want It Back - Florian Picasso
8. Sweetest Thing - Rich Edwards feat. We Ghosts
9. Escape into The Sunset - Quintino feat. Una
10. Nothing to Lost (Tom Swoon Edit) - Vigel, Laces feat. LACES
11. Lost Frequencies - Janieck
12. We Were Gods - John Dahlback feat. Urban Cone & Lucas Norde
13. Guns for Hands (Dzeko & Torres Remix)
14. Beating Heart (Steve Games Remix) - Ellie Goulding
15. Kuaga - Pierce Fulton
16. Venus - Paul Oakenfold ft. Azealia Banks

Free Download

SunSesh9

Fiestabeats

An all vinyl set from Into The Woods/ Plastic Love's JIMMY MAHERAS!

OMAKASE, Episode 63
dj: JIMMY MAHERAS
*tracklist clues* [comment tracknames if you know them!]
Danny Tenaglia Remix
Garrett David
Larry Heard Remix
Jose Rico
DJ Sotofett Remix
Fred P
So Inagawa
Mr. G
Joey Negro
Denis Sulta
Jared Wilson
Radioactive Man Remix
Some Maheras fellow
Underground Resistance

MAHERAS on SC

OMAKASE #63, JIMMY MAHERAS

This week's special guest, MAXIMUS CARNIVOROUS is a So Cal OG bringing us a true school set of house music and positivity. Check out Maximus' own show and more @tribalunderworld

OMAKASE, Episode 64b
dj: MAXIMUS CARNIVOROUS

OMAKASE

OMAKASE #64b, MAXIMUS CARNIVOROUS

OMAKASE, Episode 64a
dj: GOLD CODE

-see link for tracklist and more!

Tracklist

OMAKASE 64a, GOLD CODE

Funk Freaks is known for always bringing the heat and always on vinyl. This week we finally got co-founder, DJ LOSER to close out the season. Nothing but gems on this one, TURN IT UP!

OMAKASE, Episode 65a
dj: DJ LOSER
*Sorry, no tracklist*

DJ LOSER on sc

OMAKASE #65a, DJ LOSER

A mentor and inspiration to many, excited to finally host a set by the legendary JACKMASTER FLASH. 

Being exposed to funk at a very early age gave DJ Jackmaster Flash a strong vantage point where dance music is concerned. He started his interest in music as a toddler, crying for the likes of Curtis Mayfield & Isaac Hayes from his play pen in the early seventies. Influential musicians like these were favorites of his mom, and played an integral role in forming his musical tastes. The desire to capture more parts of songs that were more appealing to him came on very early, and when he saw Afrikaa Bambataa in 1977 at a community party in the Bronx, he knew just how he wanted to do it. However, tape splicing and “pause mixing” would be his only option until finally acquiring his first set of turntables in 1984.

The name “Flash” was given to him in 1985 by a b-boy crew from San Francisco as a playful reference not only to instant beat matching and signature style of mixing techno with hip-hop records at 45-rpm, but to playfully suggest a legend in the making like Grandmaster Flash. By 1986 he was referred to as “Mixmaster” Flash and not long after “Jackmaster” Flash, (or Jack MF) in honor of house music.

For over 25 years Jack MF has headlined a who’s who list of venues ranging from the most intimate underground parties to the bigger more legendary clubs and parties, like Limelight, Caffeine, Stereo, Shampoo, Traxx, Lansdowne Street, Underground, Zootz, and many more. A DJs DJ, Jack MF is recognized and credited by legendary DJs “Lil Louis” Vega, Kevin Hedge of Blaze, Ron Trent, and house vocalist/DJ Eric “E-man” Clark, and was often asked to entertain at backyard parties where other legendary DJs and promoters gathered exclusively. He is also known for producing his own legendary events as far back as 1986, and for leading “A Book Called Galanta” a group that completely changed the face of the rave scene from New England to The South with their famous Full Moon parties during the early nineties.

Jack MF doesn’t just drop tracks, but creates a whole new groove, being very particular about timing and harmonizing. The mix is constant, and the result is an even richer, more soulful sound than the records have alone. Countless DJs have been affected in one way or another by his style, and many credit him for his willingness to share his knowledge. Most DJ/Producers who learned personally from Jack MF have gone on to earn everything from regional distinctions to international fame. Some own their own record labels.

There’s a certain authentic flavor in his sound that is hard to come by. Perhaps he owes this to his record collection which dates well before the earliest disco. Jack MF has witnessed the transformation of ALL TYPES OF UNDERGROUND MUSIC since the early seventies. Almost every track he owns was acquired at the time of original release so his knowledge of history is strong. His massive and diverse collection is undoubtedly one of the most complete when it comes to classics.

Whether live or recorded, a Jack MF set will take you on a musical journey. He takes you deep, brings you up, puts you in orbit, and brings you back down to Earth. Each set is designed and catered to move any crowd. His broad range of music, versatility, and connection to the audience guarantees to move absolutely anyone. Whatever he plays, you can be sure that his heart will be in it.

OMAKASE, Episode 65b
dj: JACKMASTER FLASH
*Sorry, no tracklist*

OMAKASE SHOW

more Jack MF!!

OMAKASE #65b, JACKMASTER FLASH

Like the mix? Of course you do ! Click the [↻ Repost] button!

As the fall season rolls in our team saw it best that we bring in rising Chicago dance music producers Win and Woo. These two have been taking the scene by storm over the past year with their massive remixes of the Chainsmoker's hit " Don't Let Me Down" and XYLØ's hit " L.A Love Song. " Known best for their breathtaking melodies and amazing vocals. Win and Woo are definitely a group to watch out for and they are releasing a remix of their first single 
" Recognize " by Stratus. Which will be out in November! So as always, kick back turn of the bass and enjoy!

Follow Win and Woo:

soundcloud.com/winandwoofacebook.com/winandwoo
twitter.com/winandwoo
www.instagram.com/winandwoo

Follow Your EDM:

@Your-EDMs-Collection
facebook.com/YourEDM
twitter.com/YourEDM
youtube.com/user/YourEDMTV

Your EDM mix with Win and Woo - Volume 55

DJ Melee - Technical Freq - Taster

AS ALWAYS THIS WAS MIXED THE OLD FASHIONED WAY - WITH TURNTABLES & VINYL!!!

This is a roughly 212 minute long mix of brand new releases from the Spring of 2012. However, as the trend has been for me the past few years, there is nothing "New" sounding or "Modern" as they say.

Smack dab in the middle of a time in music that spans the trendy copycat commercialism of "EDM" v. Disco Dubs, Edits and Reworks comes a very simple, perhaps "unfashionable" groove. There is no DubStep, no Bells & Whistles, not even a lick of new technology appears to be used to make any of these tracks. Almost every single one of these "brand new releases" are undeniably carbon copies of old school that never were, particularly in the deep dark Chicago styles of 1986-87. Those who require a driving beat may at first feel left out, turned away - but alas the energy is very much there - but requiring a trained or veteran ear, or at least an open mind to feel it.

I've been referring to this as "End of The World" because it has this haunting combination of post apocalyptic loneliness, infinite freedom and space, sadness and yet hope for a new beginning... not to mention the timing (2012)

This set is 100% ME - REAL UNDERGROUND MUSIC - REAL SOUL - that doesn't try to be popular or cater to trends, but is thoughtful, sometimes challenging. If you are charmed enough to try it, you WILL SURRENDER as the sound envelopes you and calls to you even after the music stops...

I fucking LOVE LOVE LOVE this mix - in all of its humbleness - and I have not been able to stop listening to it since its inception. Listen to it once. If you don't get it, listen again. Listen a third time. It's imperative to your own well being that you get in!


End of the World (Continuous) - 1

AS ALWAYS THIS WAS MIXED THE OLD FASHIONED WAY - WITH TURNTABLES & VINYL!!!

This is a roughly 212 minute long mix of brand new releases from the Spring of 2012. However, as the trend has been for me the past few years, there is nothing "New" sounding or "Modern" as they say.

Smack dab in the middle of a time in music that spans the trendy copycat commercialism of "EDM" v. Disco Dubs, Edits and Reworks comes a very simple, perhaps "unfashionable" groove. There is no DubStep, no Bells & Whistles, not even a lick of new technology appears to be used to make any of these tracks. Almost every single one of these "brand new releases" are undeniably carbon copies of old school that never were, particularly in the deep dark Chicago styles of 1986-87. Those who require a driving beat may at first feel left out, turned away - but alas the energy is very much there - but requiring a trained or veteran ear, or at least an open mind to feel it.

I've been referring to this as "End of The World" because it has this haunting combination of post apocalyptic loneliness, infinite freedom and space, sadness and yet hope for a new beginning... not to mention the timing (2012)

This set is 100% ME - REAL UNDERGROUND MUSIC - REAL SOUL - that doesn't try to be popular or cater to trends, but is thoughtful, sometimes challenging. If you are charmed enough to try it, you WILL SURRENDER as the sound envelopes you and calls to you even after the music stops...

I fucking LOVE LOVE LOVE this mix - in all of its humbleness - and I have not been able to stop listening to it since its inception. Listen to it once. If you don't get it, listen again. Listen a third time. It's imperative to your own well being that you get in!

End of the World (Continuous) - 2

here is a cut of my first 1.45 mins from the set i played at the mainstage at the eclipse festival in north of queensland australia ...

D-Nox Eclipse Dj Set

COMING UP:
• JAN 4, OMAKASE 523, DARONE SASSOUNIAN
• JAN 11, OMAKASE 524, LOW HANGING FRUIT
• JAN 18, OMAKASE 525, TBC
• JAN 25, OMAKASE 526, STACY CHRISTINE

Gold Code aka Raf Zevallos-Crowe, is a DJ/producer based in Orange County, California. A lifelong music lover, collector, and DJ, Raf's eclectic sets run the gamut of dance music with a base in-house and techno.

Growing up in 1980s Los Angeles, he was initially inspired by radio mix shows and DJs such as Doc Martin, Rob One, Michael "Mixxin" Moore, and 1580 KDAY Mixmasters. Moving to San Francisco in 1992, he immersed himself in its underground scene. Attending parties lead to working them and eventually to djing. He played his first warehouse in 1996 and spent the next 10 years djing and producing some of San Francisco’s most infamous parties and club nights.

"Gold Code" was initially founded as a music blog in 2007. The site showcased past, present, and future classics as well as his personal edits and DJ mixes. 

In 2009, he focused his efforts on music production and a live show. He adopted "Gold Code" as his moniker and debuted a well-received live set at the celebrated “As You Like It” parties. Remixes soon followed for Nude Photo Music and SubSensory labels culminating with his debut release, "The Day After" with remixes by Audioelectronic, Basskittens, Chris Fierenze, and Jonah Sharp.

2015 brought a move back to Southern California and a radio show, OMAKASE. Currently broadcasting live on Sunday from 6-8 pm [Pacific] on KUCI 88.9 FM, and livestreaming on www.twitch.tv/omakaseshow, showcasing the art of mixing past, present, and future classics.