A simple tribute to the four seasons of the year, reminding us of their wonderful aspects, such as the sound of fallen leaves or birdsongs, but also storms and terrible forest fires.

Artwork by Sara G. and Ricardo N.
Nature sample sounds from freesound.org

Um cenário de 4 estações

Epic, Cinematic and Orchestral Music
Picture by jhantares
Franck C Production
Music by Franck Charles ©
ASCAP
https://www.youtube.com/watch?v=b5vp_FXwNEg
Version 2024

Sandstorm

Esta "coplilla" está dedicada a la virtud de las personas que más valoro.

This composition is dedicated to the virtue of the people I value most (Humility).
Cette composition est dédiée à la vertu des personnes que je chéris le plus (Humilité).
Questa composizione è dedicata alla virtù delle persone che apprezzo di più (Umiltà).

Carlos Fuentes Castillo: Guitars, Piano, Keyboards, Composition, Programming, Mixing and Mastering.

Humildad

Gray Morning

alonealonealone

Ethereal

Cast of Characters:

Cgmaness – https://on.soundcloud.com/4a2IWOT8tUQL3pbqdc – Chris – acoustic guitar, composition, production, and mix
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four string fretless bass 
J.J. Terrell-- @j-j-terrell—JJ-- piano and lead synth
Mistermark-- @user-432503709 -- Mark – VST cello, strings, clarinet, flute, and synth pad
Nyla K-- @user-162163879 -- vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen–  Gibson Earle Scruggs banjo

This song started as many of our best do, with Chris coming up with it on his acoustic guitar. He shared it with the rest of us shortly after, and we were all very excited to tuck into it. 
  Ken was fist at the trough for this one, adding his jazzy, expressive drums. Josh came in as soon as he had a beat to work with, adding his signature fretless bass to the mix. Not long after that, JJ broke out the hauntingly melodic piano and Shine On You Crazy Diamond timbred synth you hear throughout. 
  Once it had a good structure to it, Mark came in and added the dynamic cello swells that open the song, some subtle strings, the melodic clarinet and flute, and a bit of synth pad near the end to spice up the soup a bit. He also had the great idea to ask Nyla to add some vocals, which she did in her typically dynamic and expressive way. Last, but definitely not least, we convinced Stephen to add some of his perfectly mood-setting banjo. 
  Once it was all in the can, it actually sat for several months before being revived by Chris, who also did the production and mix, expertly, as always.
   This song is an example of Eclectic Collective coming together to bring another one of Chris' brilliant songs to life. You should check out his new albums on Spotify: https://open.spotify.com/artist/0RmKLMyiXe4eVeXa032MDV?
  Also, this is our first time collaborating with Nyla K. We wanted to find a way to include her talents on this one, and her vocals here are magical. You can hear a lot more of them on her page if you follow the link next to here name in the credits, too. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Nyla K: 

I once overheard 
a hushed up conversation 
'tween the fishes coming home 
and thank god for a holiday
yea
making the bull frogs sing for joy
as they awake
yea
...and this... is what they had to say

Spanish moss and bullfrogs
cattail cotton in the wind
yea...
and won't U take me to the river
yea...
take me on down to the river
and U better not say....

Better Not Say (Eclectic Collective with Nyla K)

Bruce Klepper's beautiful piece "Chiaroscur" inspired me a few ideas about art that I wrote in French. I sang them over Bruce's instrumental, improvising some melodies and vocal harmonies, and here is the result. 

*** L'ART POUR L'ART ***

L'art pour l'art, ou l'art pour l'argent?
Car il faut bien vivre, il faut bien survivre.
C'est bien évident...
Parfois c'est bien clair.
Parfois ça dépend…
Pour atteindre les rêves il faut rester sur sa faim,
et jeuner souvent, et prier longtemps.  
On prie quand on cherche la réponse dans l'âme,
la beauté dans le geste, le génie dans le vent.
L'obsession qui nous prend de puiser le néant,
de parfaire une esquisse, de créer tâtonnant,
c'est ça l'art pour l'art
qui coule dans le sang.

L' Art Pour L' Art (based on Bruce Klepper Chiaroscur instrumental)

The idea for this song came to me randomly while driving down some backroad a few years back, and I recorded the initial idea spur of the moment. For whatever reason, the rather morbid theme came out in the process and I just went with it. Nat is a daring soul and surprisingly encouraged that we record it and with her considerable help we fashioned this recording. Notable is that Nat has taken on the ability to add some beautiful pedal steel guitar throughout the song using her well established keyboard skills and this first run at it was very satisfying. Let us know what you think!

Craig Durgy: vocals, guitar
Nat Daniels: vocals, piano, pedal steel, bass, percussion
All music written and performed by Daniels & Durgy
Produced by Nat Daniels of Gentle Rain Records 
©2025 Daniels & Durgy

Lyrics:
It took me a while to believe it
If you’re stuck in a bad place, you leave it
And I was that place, that she had to erase
A place that suited me just fine

Then one day I put away my rosy glasses
As I waited for her to come back home.
But watching dust settle, 
On the couch and the kettle
I could see it was me, that made her have to leave
Me to build this coffin home of mine

Yes, I’m building a coffin to live in
Surrounded by forests of green
‘Cause if I ever knew love, 
I guess that I threw love
Away with the girl of my dreams

Well, it don’t feel like living, without her
Though the sun still shines brightly through the pines 
I can tell I have a pulse, 
But my heart has tested false 
If only I’d seen the warning signs

It’s the simple things that seem so complicated
Thought I knew what I should do, to make it 
But then the ship that sails, 
Leaves you pounding coffin nails
Now it’s, twenty-four seven, this coffin that I live in
With all the “could have beens” that it confines

I’m just building a coffin to live in
Surrounded by forests of green. 
‘Cause if I ever knew love, 
I guess that I threw love
Away with the girl of my dreams

Pounding away, day after day
Waiting for the girl of my dreams
Someday, she’ll be back

A Coffin To Live In

Glowing Improvised Piano for the dark of night.

Add Mystery, Reflections, and stir.

© Gary Courtland-Miles 2025
 ℗ Gary Courtland-Miles 2025
Image by Jimmy F. from Pixabay

Reflections *

As I'd mentioned in the other version of this track, I sent some stems over to @enigmacurry and he produced to amazing mixes. I really wanted to release both of them even though this one is ridiculously long, I found Ryan's creative iterations and evolutions of the source material to be super fascinating on here.

Check out version B here:
https://soundcloud.com/tea_are_sea/fractal-traffic-cinematic

Fractal Traffic A (epic extended mix) - w/ Enigma Curry

All the songs composed and recorded in my home "bedroom" studio.
Artwork by Sara G. and R. Nunes
Photos by L. Fernandes
Comments are welcome.
Thanks for listening.
N. Gomes

Um cenário de 4 estações

Projecto Espaço Z