Buy / Stream - https://fanlink.to/frauds-reworked
Mastered by Ryan Schwabe

To celebrate the endless journey of Vv Pete’s West Sydney anthem ‘Frauds’ Trackwork are releasing a slew of new remixes from local club heavy hitters DJ Plead, Strict Face, Rydeen & Grasps. 

Accompanying Mall Grab’s explosive remix of Frauds earlier this year, the collection spans hard hitting percussion to emotional trap landscapes utilising Vv’s iconic vocal delivery, and unique instrumentation of producer’s Utility & Cassius Select.

Adelaide’s Strict Face finally drops his metallic, Baile Funk-infused rework that has been playing throughout clubs for the last 6 months, surfacing in mixes including a recent Utility & Vv Pete mix for NTS Radio with YL Hooi. Grasps (of Sydney power duo Agony) weaves melodically rich textures, while fellow Sydney-based producer and DJ, Rydeen, sculpts a club ready heater with eccentric, chopped up layers of samples. 

After murdering Trackwork’s Vivid Sydney show ‘Club Service’, as well as a current EU Tour, Lebanese-Australian club legend DJ Plead’s relentless yet subtly buried Duduk trills lay under a bed of percussive claps, and highly active sub patterns framing Vv in completely new light.

Frauds (Grasps Remix)

ShreddedxxTongues

“Softer hands” introduces a reality where art-electronics emerge from familiar club language. Sentimental melodies spray delicate feelings over metallic, hypnotising backgrounds. Distant, angelic choirs are softly moulded and shaped by whirring mechanical sounds, hisses and swooshes. Over time, the music leads inward, letting light through densely packed soundscapes. The result is touching, otherworldly, at times uncanny or post-apocalyptic, like an ensemble of machines learning to feel. The circle of three remixers perfectly understands the language cratje operates in, adding to the universe created within four original tracks. 
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cratje is a co-runner of MONTAGE, a Brussels-based trans-medial output, and host of "Stoute Muziek," a radio show on KIOSK.

cratje - petit temple

@sssolve - ERRANTS109
50 limited copies
CD
Produced by SSOLVE
Mastered by Lastrack
Photos by Amaaena
Dawn 2025

SSOLVE - Hova

✦ SWINE PREMIERE ✦ @epong_gnope new album "Eating the Ceiling" via @m0ntage

Juul J. J. Verschraegen, known as épong is an artist and producer from Brussels. Ever since he was a kid, he has been using the world around him as an instrument. Fascinated by everything from crayfish making little tripping sounds in the water to broken ukuleles and the bubbling of mud to the delicate mechanical pieces of an old, forgotten clock. His music reflects his keen ears. As such, he employs a broad range of stylistic elements from all genres between industrial, experimental club music, metal, and avant-garde electronics.

Swine: You have published various singles and projects on SoundCloud and Bandcamp. I like how you work with atmospheres and feelings, more than regular song structures. This might be your most club-ready project, would you think?

épong: "That is true, and it’s probably also the outcome of absorbing the sounds that I listen to in Brussels. This album is a strong, concentrated output mirroring a period with a lot of extremes. I can’t listen to this album with a clear head since it has strong connotations for me. I consider making music as a form of therapy."

Read the whole interview here: https://swinedaily.com/epong-album-montage/

∎ ∎ ∎

[Swine Premiere] épong - VTM (MONTAGE)

sanctuary ⛅

What's up crawlers here's the debut release for GOMILA 🤫label🤐by jane 2
STAY TUNED FOR MORE 👽

DESTE GMIZAVCI OVO JE DEBI IZDANJE GOMILA 🤫IZDAVAČKE KUĆE!?🤐 
AUTOR JE jane 2
Zabava tek počinje... 👽

FUMA

FCOM

Litter front Drum samples the traditional Taiwanese festive piece Chiao Chien Drum (轎前鼓), a ceremonial rhythm performed during temple parades and deities’ processions. B E N N deconstructs and reassembles its percussive essence, transforming the ritualistic pulse into a tense and immersive study of electronic rhythm.

Rather than directly referencing the traditional form, B E N N fragments and reconfigures it—each strike distorted, stretched, and layered over heavy bass frequencies. The spiritual intensity of temple drumming is reborn through digital sound, morphing into a contemporary, club-oriented propulsion.

The title Litter front Drum symbolizes both fragmentation (litter) and confrontation (front). Here, the drum stands on the sonic frontline, reasserting the power of traditional percussion through digital disintegration. What once resonated through streets and rituals now re-emerges in the circuitry of modern sound.

As part of Hakka Drums II, the track continues B E N N’s ongoing inquiry into the thresholds between local percussive heritage and modern electronic expression—where tradition becomes texture, and rhythm becomes a language of transformation.

Litter front Drum

Like I Like It - Mau P
You Got The Love - JOSHWA EDIT

You Got Love Like I Like It - (G EDIT)

Stussy unreleased

Hello, my name is Damian Lorentz — I’m a DJ and music producer.
I’m pleased to share my latest release, “Contact.”
The track blends Tech House energy with subtle Deep House influences, creating a dark and melancholic atmosphere that reflects my artistic identity.
“Contact” is designed for the club environment, combining groove-driven rhythms with a cinematic touch.
The vocal sample comes from the historic Apollo 13 mission recording — the famous line: “Houston, we have a problem.”
I hope you’ll enjoy the journey, and I’d be happy to hear your thoughts and feedback.
– Damian Lorentz

Free Download

Contact (Radio Edit) / Free Download

Urođena uspavanost se ispoljava u stvaralačkoj impotenciji i depresiji.

Članovi:
@markoifilip 
@badbitch1312
@user-746139396
@pirinac
@user-732287474
@jane_dva
@simala2_0
@andrei-terzic