Name: Interbellum (with Chopin) by Gom Jabbar
Duration: 4 min 36 s
Description: A respectful butchery of Chopin's Waltz in B Minor, Op. 69, No 2.

Lovely classical jazz hybrid. The timbre of the double bass is strikingly good

Like A Phoenix

Like A Phoenix - John Goldrust

Let's Overcome And Chain Our Tremors

Did you ever?

Inspired by my wifes challenges and her strength not to give up...

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A respectful butchery of Chopin's Waltz in B Minor, Op. 69, No 2.

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Interbellum (with Chopin)

Original Track by Interplain
Guitar by Robert Grigg

Electric Dream - Interplain & Robert Grigg

A funny track about some discussions on Twitter/X lately, it's frankly on the weirder side like Word Salad and Yes-No Column, Come To Life!

But after hearing it multiple times (like most of my things) it improves.

Lyrics:

There is difficulty to a significant degree
When battling people engaged in hoaxing
And we can clearly see
Because Hesiod said in seven hundred BC
Do not let a woman who decorates her buttocks deceive you
By wily coaxing
Because she is after your granary

Bewailing her lack of taro root
A redhead libertarian was destitute and snarked
That she didn't have a favorite prostitute
A contrarian most resolute
But a boon to have at your back during a dispute
Now that we were in cahoots, to entertain her sense of humor
I related to her the past events

If you don't quite have the stomach for horror
Try still to conceive of if you can
The complaints of a commoditized man
That vultures caused American culture
To became a jump ball for Sodom and Gomorrah

When i was younger and very very loud
I was a disgraced propagandist doing his username proud

Her lines were remarkably sultry
I was lost in thought staring at the shininess of her boot
Musing that the first step of any meaningful pursuit
Is to severely underestimate its difficulty

The one-night stand sarcastically complimented me on my range
I said you were the one to talk
But then she recommended as a dietary change
Brazilian Quinoa and Equatorial Donkey Chalk

She was quite amazing wearing fishnets
But when her lasciviousness needed satiating
Nothing quite got her wet like contemplating
Malicious compliance to get the idiots and shills upset

As i got older the fatter became my manila folder
I wondered if she'd gone too far
When she was grinding to WAP in a bar
Then berating me for touching her on the shoulder

The root of their lawfully sanctioned insurgency
Was a deeply felt need of urgency
Their transgressions begat the need to talk sense
But either they were in denial or awfully dense
Like Private Pyle they were too fat to climb over Chesterton's fence

The libertarian drew back agape as I was seized by
Poetic demons, my tongue unbound by whimsy’s cry  

Now peep their quisquilian rout, all clowned in disarray
A pox of poltroons, too shook to gainsay
Brains so obtund, they’d quaff their own toxic drip,
I smack their feckless rebellion with truculence no slip
And big up the gibbet that cancels their weak-ass affray

She smirked, Thy florid rant doth vex me sore,
A bard’s bombast best left to yore’s grim lore

Thus spake Hesiod, neath Boeotia’s dour sky 
Shun maids who cozen with a venal eye
For when iron reigns and kine grow gaunt with blight
Avaunt their guile, lest chaos claim the night

SamāššEšrā

Jump-Ball For Sodom And Gomorrah

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After over a year away from the recording studio, new wave duo The Frestonians return with "The Long Road." In 2025, the duo embraced a new direction in their songwriting. The track uses "The Long Road" as a metaphor for life’s journey, exploring themes of uncertainty, solitude, and self-reflection. Imagery such as "driving to nowhere" and "heading into the dark" captures the challenges of navigating the unknown. The absence of people and repetitive nature of the journey mirror feelings of isolation and the search for meaning. "Taking the long way home" symbolises the detours, twists, and turns of life as one seeks belonging or understanding. The song evokes a contemplative mood, reflecting the lonely but meaningful process of self-discovery.  

The Long Road

Lavender

Composed and preformed by Braxton Carter. Stranger on the run

Stranger On The Run

Artist: xoPa
Album: The mask that rules
Year: 2021
License CC BY-NC
Music: Anxo Peón & Fat Daddy. Lyrics: Anxo Peón

4. Get Me Out Of Here

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Interbellum (with Chopin)

Gom Jabbar

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