I remember hearing this on bandcamp and trying to copy it in ableton. great

Opal Tapes [OPAL263]

(Basic House - Review)
As PureData, Emiliano Pennisi crafts otherworldly electro-acoustic compositions formed from a vault of sound drawn from synthesis, field recordings and contemporary computer music.

Dissimulazione hints towards a profound knowledge of techno rigour but skirts any obvious geometries in favour of obfuscated and meta-coded electronics, those culutured in laboratory environments. Indeed Pennisi has honed his ear on the historical importance of INA-GRM and Metamkine, purporting to a specific love of Horacio Vaggiones’ work, alongside that of Aaron Dilloway and earlier electronic music via Smithsonian Recordings. These influences can be felt amongst other more academic guides through mathematics and cosmology.

The music is a flickering screen, a boiling crucible and an orbiting craft at once. Jerome Noetingers concept of "Cinema for the Ear" is once again beautifully realised. The music dramatic and often unearthly yet always reconnected to human agency, feelings of disorder, ordered and our earth crawling with insects and digital signals alike, all emitters in the eye of the same.

Without falling further into hysterics and hyperbole allow yourself time to listen and perceive the depth and detail of these works which cover a period between 2016 and 2024 and only scratches the surface of this artists body of work.
credits
released May 3, 2024

Tutti i lavori sono stati composti e arrangiati da Emiliano Pennisi (2016/2024).

OPAL263
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all rights reserved

Dissimulazione

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PureData - Dissimulazione - Opal Tapes [OPAL263]

from the album Charles Cohen - "Brother I Prove You Wrong" out on Morphine Records 2015 - doser026LP

Composer, improviser, and Buchla Music Easel master Charles Cohen returns to Morphine with a suite of new material. In keeping with the timbre spectrum of his semi-modular system, Brother I Prove You Wrong is built around pointillist analog tones—Cohen's cosmic "beeps and boops"—that swarm and scatter in mesmeric patterns across four sides. Moving through surrealistic textural overlays and industrial miasma, the album's nine tracks reveal a more introspective and personal side of the artist, following from a retrospective LP trilogy released via Morphine in 2013. Those assembled works, dating back to the late '70s, quickly became essential listening and brought Cohen—at the time largely unknown outside Philadelphia's experimental circuit—to critical renown. 

Brother I Prove You Wrong was recorded in Berlin in September 2014 using the Buchla Music Easel, with production help and support from Rabih Beaini. Mastered by Neel and curated and designed by TankBoys; cover art by Nathalie du Pasquier.

Charles Cohen - The Boy and the Snake Dance

BEATRICE DILLON - Drum programming, electronics, synthesizer, bass guitar, field recordings

RUPERT CLERVAUX - Vibraphone, drums, percussion, field recordings, additional drum programming


A Different River Once - Beatrice Dillon & Rupert Clervaux

From Beatrice Dillon's 'Can I Change My Mind?' 12" out now on Boomkat Editions.

Beatrice Dillon - Can I Change My Mind?

B1  Speculation

Title track from the new LP, 'Insignia', out in Japan-only on cassette for Ryo Murakami's Depth Of Decay label.

https://depthofdecay.bandcamp.com/album/insignia

Insignia

Ursula Bogner: Winkel Pong
Format: 7” Vinyl/DL
Label#: faitiche15
Release date: Sept 8th 2017
 
Faitiche is delighted to announce the release of a new Ursula Bogner record (faitiche15). Winkel Pong contains three previously unreleased pieces from the archive of the sound researcher who died in 1994. In 2008, Jan Jelinek put together a first album from Bogner’s tape archive (CD/LP Recordings 1969-1988, faitiche01). A second followed in 2011, compiled this time by Andrew Pekler (CD/LP Sonne = Blackbox, accompanying the book of the same name with texts, photographs and Bogner’s graphic oeuvre). For Winkel Pong the tape archive was passed on to Lucrecia Dalt. The Berlin-based Colombian sound artist and musician chose three tracks from the 1980s (exact dates unknown), editing the tape recordings for their release on Winkel Pong.
 
Gundrun Gut (Malaria!, Einstürzende Neubauten), an activist and reluctant chronicler of Berlin’s underground scene since the 1980s, has worked with Lucrecia Dalt. She is also familiar with Ursula Bogner’s work. Reason enough to ask her for an interview:
 
Jan Jelinek: Gudrun, how does it feel to be constantly obliged to talk about the 1980s Berlin underground as someone who was there at the time?
 
Gudrun Gut: I’ve learned to live with it as there are clearly too few people who witnessed it first-hand. Maybe it’s even important to do these interviews as a woman – so that someone actually says that women, too, have written music history. Men tend not to mention this. But it’s true, people do always ask the same questions.
 
JJ: Did you know about Ursula Bogner in the 1980s? Did you ever meet her?
 
GG: No, I never met Ursula Bogner in person and I only discovered her in 2008 thanks to Faitiche. But that’s no surprise: firstly, I don’t know every single woman artist, and secondly, far too many women artists never see the light of day. In the male-dominated art and music market, women are not considered important – or worse still, they are not understood. Look at artists like Sonia Delaunay, Eva Hesse, Bebe Baron, Delia Derbyshire and Daphne Oram. Some of them have now been discovered – but only recently. A lot has changed in the last few years: there is a growing awareness of art and music made by women.
 
JJ: But isn’t it annoying that the conventional distribution of roles still applies? One example: in many articles, Ursula Bogner has been presented as an “electronic housewife”.
 
GG: When Ursula Bogner is referred to as an electronic housewife, then sadly that reflects the situation of many women artists at the time. Women could only pursue artistic activities in private – transcendence was reserved for men. This has still not been overcome. But today, the home has become a site of professional production for all. I’m talking about bedroom producers: it is totally normal to make art and music at home. And that makes things interesting, because “working at home” is no longer associated solely with women.
 
JJ: For Winkel Pong, Lucrecia Dalt compiled and remixed three pieces from the Bogner archive. You know Lucrecia and you’ve already worked with her. How did you meet?
 
GG: I met Lucrecia through MySpace – I think it was 2007. Back then she was still living in Medellin, Colombia. Lucrecia’s father made loop machines for her that she still uses. The Sound of Lucrecia was part of my 4 Women no Cry compilation series on Monika Enterprise, each with four producers from different countries. She’s great fun to watch as a performer because she has a unique sense of rhythm and feel for music. Above all I’m impressed by her sustained approach as an artist, someone who can and does think around corners. I’m thinking specifically of her album Ou, for which she ploughed her way through post-war German cinema, using it as a source of inspiration for a soundtrack. This is proof that she thinks like an engineer – so it makes perfect sense that she would want to explore the work of Ursula Bogner.
 
Berlin, 2017

Ursula Bogner: Atmosphärische Energie (edited by Lucrecia Dalt)

Andrea Taeggi—Zimní Král (12" vinyl LP)

The music on this record was made using a vast array of rare analog machines Andrea had the chance to work on at the Willem-Twee synthesis studio in Holland (built with the iconic Studio di Fonologia RAI as a blueprint). Most of the percussive sounds come from an Analog Computer, which has been rarely used only as a music instrument (its main purpose was flight simulation). In fact, during the Cold War times it was also used as measurement tool by civil engineers and even by the army. 
To my knowledge, very few artists have given a new context to the such device, which I have found absolutely unique-sounding and gave me enough inspiration to compose a whole new album focused on it. 

At present, no one has ever officially released music recorded at the Willem-Twee synthesis studio.

The music on this record further explores cyclical, minimal and hypnotic concoctions – a particular  investigation focused on unusual rhythms that Andrea had already started on his well-received ‘Mama Matrix Most Mysterious’, released on Type in 2015. Think walls of subfrequencies, snappy rollercoasters of the mind, labyrinths in hyperspace & snakes eating their own tails.

Zimní Král means “Winter King” in Czech and was the epithet given to Frederick V Elector Palatine (king of Bohemia), the last of a legacy to actively support alchemy as a means of studying reality, the self and their inter-reflections.

All music by Andrea Taeggi
https://andreataeggi.wordpress.com

Mastered and cut by Rashad Becker at D&M Berlin

Forthcoming on SM-LL Sept 1st, 2018
http://www.sm-ll.com

Dinergy (SM-LL, Sept 1st)

The sound on this release has been examined and produced throughout March and April 2019 in Frankfurt am Main during a music-residency initiated and hosted by "Künstlerhaus Mousonturm" and MMODEMM.

Written and Produced by Asuna Arashi

Asuna - Cloud River Seen From The Window

Taken from the upcoming album Both Lines Will Be Blue, out July 12th on Smalltown Supersound. Produced by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

Observable Future

From the album "Tea Notes". All music by Jatinder Singh Durhailay & David Edren. Recorded january to march 2018 in Antwerpen and London. Mixed and edited by David Edren at ll150. Mastered & cut by Anne Taegert at Dubplates & Mastering Berlin.  Artwork by Victor Robyn. Vinyl + digital release on Ekster: 12th of September 2019: https://eksterlabel.bandcamp.com/album/tea-notes

Tea Notes

Jatinder Singh Durhailay & David Edren: "Shincha"

⚡ you can buy my music directly on my website: https://andreataeggi.com/buymusic ⚡

Also operating as 5HT2: https://soundcloud.com/user-801360441


### new solo record "Nattdett" out on Hands in the Dark on May 3rd, 2024: 
https://handsinthedarkrecords.bandcamp.com/album/nattdett

bookings andreataeggi82(at) gmail (dot) com
https://andreataeggi.bandcamp.com/follow_me

Upcoming:
27.06.2024 — Punctum, Prague (CZ)
12.07.2024 — Backsteinboot, Berlin (as 5HT2)

~
27.10.2023 — Mille Plateaux ‘non-ference” @ Stadtpark, Graz (AT




Past
23.09.2023 — Bricksonic @ Backsteinboot, Berlin (DE)
03.09.2023 — Cave 12, Genève (CH)
11.03.2023 — Gretchen x Deviate, Berlin (DE)
28. 05.2023— Experimenta Festival, Bari (IT)
28.10.2022 — Lab 30 Festival, Augsburg (DE)
09.10.2022 — VCFB @ Humboldt University, Berlin
17.09.2022 — Version @ OHM, Berlin
05.07.2022 — Absurd Lustre @ Arkaoda, Berlin
04.06.2022 — Moers Festival 2022, “No conspiracy required” (commissioned piece for Moersland)
22.05.2021 — Environ Festival, online edition (IT)
31.05.2020 — Moers Festival 2020 w/ Lumisokea, Moers (DE)
22.01.2020 — CTM Transmediale Vorspiel 2020 x Eclectique W / Lumisokea, Berlin (DE)
08.06.2019 — Moers Festival, solo presentation of “The Third Eye Squeegee”, Moers (DE)
08.06.2019 — Moers Festival w/Global Improvisers Orchestra, Moers (DE)
09.06.2019 — Music Meeting w/Global Improvisers Orchestra, Nijmegen (NL)
05.07.2019 — Solo set @NNOI Festival, Großwoltersdorf, north of Berlin (DE)
18.07.2019 — Solo set @Acud, sm-ll showcase, Berlin (DE)
24.07.2019 — Solo set @Five Miles, sm-ll showcase, London (UK)
02.02.2019 — Solo set @KM28, Berlin (DE)
30.05.2018 — Präsens Editionen Showcase @ OHM, Berlin (DE)
31.05.2018 — Balance Festival/Präsens Editionen Showcase @ IfZ, Leipzig (DE)
19.05.2018 — Moers Festival @ Seconrelle & Die Röhre, Moers (DE)
19.04.2018 — Record Release Launch @ De Space, Lucerne (CH)
18.11.2017 — Mediaspank Festival, St Petersburg (RU)
02.06.2017 — Institut für Zukunft, Leipzig (DE)
03.03.2017 — Vernissage exhibition FAX, Bologna (IT)
21.02.2017 — Roter Salon w/ the Pitch, Berlin (DE)
09.07.2016 — Holotone showcase/OHM, Berlin (DE)
21.04.2016 — Unofficial Preview Gallery, Seoul (KR)
09.04.2016 — FAQ Festival, Den Bosch (NL)
31.01.2016 — Undogmatisch/Urban Spree, Berlin (DE)
20.12.2015 — Klubi, Zürich (CH)
06.12.2015 — Contort/OHM, Berlin (DE)
07.10.2015 — Simultan Festival, Timisoara (RO)
18.09.2015 — Café OTO, London (UK)
29.08.2015 — Today’s, Torino (IT)
27.08.2015 — Flussi Festival, Avellino (IT)
12.06.2015 — Liber Null/Griessmühle, Berlin (DE)
15.05.2015 — Strefa/Monotype Festival, Warsaw (PL)
18.03.2015 — Instants Chévirés, Paris (FR)
24.10.2014 — Lab30, Augsburg (DE)







PAST SHOWS W/LUMISOKEA
19.05.2018 > Lumisokea Dervish, Moers Festival (DE)
13.12.2018 > Lumisokea Dervish, Worm, Rotterdam (NL)
12.12.2018 > Lumisokea Dervish, Bozar, Brussels (BE)
08.12.2017 > Lumisokea “Dervish” premiere, Vooruit, Ghent (BE)
19.10.2017 > Lunchmeat Festival Prague
17.02.2017 > Stereolux // Nantes (FR) //  info
07.12.2016 > Resonanzraum // Hamburg (DE)
04.11.2016 > KIKK // Namur (BE)
22.10.2016 > Champ Libre // Paris (FR)
07.10.2016 > Robot Festival // Bologna (IT)
03.09.2016 > Stadtgarten w/ Murcof // Köln (DE)
06.08.2016 > ZKM // Karlsruhe (DE)
05.06.2016 > Pracht // Leipzig (DE)
13.05.2016 > Ausland // Berlin (DE)
01.05.2016 > Cave12 // Geneva (Switzerland)
30.04.2016 > Haus der Elektronische Künste // Basel (Switzerland)
23.04.2016 > 0g// Osaka (JP)
22.04.2016 > Constant Value// Seoul (KR)
21.04.2016 > Unofficial Preview (Andrea & Koenraad solo shows)// Seoul (KR)
17.04.2016 >  SOUP // Tokyo(JP)
15.04.2016 > Click (Lumisokea DJ set) // Tokyo(JP)
14.04.2016 > Conpass // Osaka (JP)
26.03.2016 > Fuse Art Space // Bradford (UK)
24.03.2016 > Islington Mill // Manchester (UK)
30.01.2016 > IFFR // Rotterdam (NL)
17.12.2015 > Berghain Kantine w/ Rashad Becker & Eli Keszler // Berlin (DE)
23.10.2015 > MUTEK Mexico // Mexico City (MEX)
14-18.10.2015 > LUFF Festival // Lausanne (CH)
11.09.2015 > Open Source Art Festival // Sopot (PL)
01.08.2015 > Sajeta Festival // Tolmin (SL)
04.07.2015 > Pitch Festival // Amsterdam (NL)
28.06.2015 > Contort at Ohm // Berlin (DE)
13.06.2015 > Festival 48h Chrono // Marseille (FR)
28.05.2015 > Mutek // Montréal (CAN)
02.05.2015 > ICAS Festival // Dresden (DE)
25.04.2015 > Inkonst Festival // Malmo (SWE)
05.04.2015 > “Work” at OHM // Berlin (DE)
24.01.2015 > Art City Night Bologna // Bologna (IT)
16.01.2015 > Salotto // Vienna (AT)
12.12.2014 > Liber Null // Berlin (DE)
06.12.2014 > IFZ // Leipzig (DE)
15.11.2014 > Transient Festival // Paris (FR)
08.11.2014 > LSWHR // Roma (IT)
23.10.2014 > LAB30 // Augsburg (DE)
09.10.2014 > Simultan Festival // Timisoara (RO)
27.09.2014 > Bozar Electronic Arts Festival // Brussels (BE)
29.08.2014 > Flussi Festival // Avellino (IT)
12.07.2014 > Tusk festival // Newcastle (UK) // info
26.06.2014 > Unreal at Chesters // Berlin (DE) // info
08.06.2014 > Heart of Noise // Innsbruck (AT)
07.06.2014 > Node Festival // Modena (IT) // info
03.05.2014 > LEV Festival // Gijòn (ES) // info
09.04.2014 > Golden Pudel // Hamburg (DE) // info
05.04.2014 > Sound:Frame // Vienna (AT) // info
22.03.2014 > Interzona // Verona (IT) // info
21.03.2014 > Spatio Aereo // Venice (IT) // info
20.03.2014 > Luxa // Milano (IT) // info
06.02.2014 > Opal Tapes Night // Vooruit // Ghent (BE) // info
05.02.2014 > Opal Tapes Night //OT 301 // Amsterdam (NL) // info
04.02.2014 > Opal Tapes Night // Instants Chavirés // Paris (FR) // info
01.02.2014 > Opal Tapes Night // CTM Festival // Berlin (DE) // info
14.12.2013 > Hirscheneck // Basel (SWI) //info
12.12.2013 > Klubi // Zürich (SWI) // info
28.11.2013 > Multiplicidade Festival // Rio De Janeiro (BR) // info
09.11.2013 > Vondelbunker // Amsterdam (NL) // info
08.11.2013 > Rewire Festival // The Hague (NL) // info
06.11.2013 > Bar.Temp // Brussels (BE) // info
03.11.2013 > Contort #7 // Berlin (GER) // info
12.09.2013 > Phono Festival // Odense (DK)
22.08.2013 > FEED w/ Novi_Sad (Touch Label) // Berlin (GER)
28.06.2013 > NK projekt // Berlin (GER)
16.06.2013 > Villa K – Stichting Centrum // The Hague (NL)
15.06.2013 > Beuk & Axes Festival // Eindhoven (NL)
19.02.2013 > Muziekgebouw aan ‘t IJ, support for Darkstar, Amsterdam (NL)
13.02.2013 > Artefact Festival, support for Actress, Leuven (BE)
08.12.2012 > Kamera Kultura, Nutshuis, The Hague (NL)
02.12.2012 > Vondelbunker, Amsterdam (NL)
30.11.2012 > Goethe instituut, Amsterdam (NL)
29.11.2012 > Studio Loos, The Hague (NL)
15.11.2012 > Ancienne Belgique, Brussels (B) – supporting Shackleton
03.11.2012 > Landbouwbelang, Maastricht (NL) – tryout
02.11.2012 > NDSM werf (next to King Shiloh Soundsystem) , Amsterdam (NL) – tryout
22.10.2012 > 6-day residency @ iMAL, Brussels (B) – info
28.07.2012 > Nozstock Festival, Herefordshire (UK)
27.07.2012 > residency + concert @ NDSM werf, Amsterdam (NL)
28.03.2012 > 3-day residency @ WORM, Rotterdam (NL)
09.03.2012 > 3-day residency @ STEIM – Amsterdam (NL)
04.11.2011 > Italian Institute of Culture – Amsterdam (NL)
25.10.2011 > Worm – Rotterdam (NL)
03.09.2011 > Nuthuis, The Hague NL
13.08.2011 > Satta Outside Festival, Lithuania
18.06.2011 > STEIM, Amsterdam NL
16.06.2011 > Wonderwerp/Studio Loos, The Hague NL
04.06.2011 > Oddstream Festival, Nijmegen NL
15.05.2011 > TEKS, Trondheim (NO)
14.05.2011 > Remix Festival, Kristiansand (NO)
13.05.2011 > Independent Artspace, Kristiansand (NO)
27.04.2011 > Lux Theater, Nijmegen NL
24.04.2011 > Kamera Kultura, The Hague | www.nutshuis.nl
16.04.2011 > Schijnheilig (w/ Cactus Truck), Amsterdam |www.schijnheilig.org
14.04.2011 > OT301, Amsterdam | www.ot301.nl
14.04.2011 > Radio Show OBA, Amsterdam | www.obalive.nl
13.04.2011 > Radioshow Red Light Radio |www.redlightradio.net
12.04.2011 > Radioshow Onda Italiana |www.ondaitaliana.org
09.04.2011 > FAQ Festival, Den Bosch
02.04.2011 > Theater Kikker, Utrecht
27.03.2011 > Radioshow on Radio 6
14.02.2011 > Axes Jazzpower, Eindhoven
10.11.2010 > Kristiansand Art Museum, Kristiansand (NO)
07.11.2010 > Landmark, Bergen (NO)
05.11.2010 > TEKS – Klubb Kanin, Trondheim (NO)
14.09.2010 > Theater Kikker / Proeflokaal, Utrecht (NL)
21.04.2010 > Trytone Festival, Amsterdam (NL)
30.03.2010 > Italian Institute of Culture, Amsterdam (NL)
24.03.2010 > Maarten Luther Kerk, Amsterdam (NL)
18.03.2010 > Studio Loos (Wonderwerp), The Hague (NL)
15.03.2010 > Wendel, Berlin (GER)
13.03.2010 > West Germany, Berlin (GER)
11.03.2010 > Antje Oeklesund, Berlin (GER)
10.03.2010 > Kule Theater, Berlin (GER)
09.03.2010 > Zurmoebelfabrik, Berlin (GER)
08.03.2010 > M.me Claude (Experimontag), Berlin (GER)
07.03.2010 > Badcuyp, Amsterdam (NL)
05.03.2010 > SMART Project Space, Amsterdam (NL)
11.11.2009 > Oorsprong, Amsterdam (NL)

Dinergy (SM-LL, Sept 1st)

Andrea Taeggi (Gondwana/5HT2)

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