A battle in a distopic future where no one won.

Songs from Wastedland III

Fools!

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

Bigfoot is a friend of mine. We like to make music and share it with our friends. See our YouTube channel and A Journal of Nonsense for more fun.

Comme beaucoup de monde j'ai une passion, et comme  beaucoup de monde c'est la musique, surtout la composition, axée pop, rock, chanson française en grande majorité, qui se veut un peu alternative, progressive, et non revendicative, les thèmes restent assez simples. Ca reste amateur, et sans prétention; on est là pour s'amuser.

Rock,Techno,Ambient,Metal,EDM etc...
There is no border.
Enjoy freely!

I have a mind and soul that uses music as an extension to express itself.  I'll find the right keys or chords or just catch a vibe and things happen. I mix it down into a sonic symphony for my ear drums and a visceral voyage for the soul. It might not sound like what's on the radio or anything like your favorite band but I'm not trying to. I simply do what It is I can do best. I do me. Simple. Authentic. Raw. 

My sound is a mix of rock and electronic elements. I've been influenced by many types of music and you'll hear it all blend together nicely if I'm hitting my mark proper. My production methods are a mix of Ableton, my guitar, my midi keyboard, and my mind. Basic, but enough to do some damage.

Bon Appetite  \m/

Violin
 
https://www.youtube.com/channel/UC75yod6RSSe4JLRdhnW8StA

Mountain Songs is a project dedicated to my brother Brian Reeves (aka Rocky Mountain, 1948–2012), an accomplished songwriter, guitarist and arranger.  He was the creative force behind so many of the songs on this page.  If you have time, please click for lyrics and track history. 
This is for you Bri, with love and thanks from us all.   We miss you. (Gary Reeves)

I set the words to chords on piano. Kind of singing along. I recorded the Casio electric piano, then my sawed-body Austin bass guitar, both plugged in directly. Bass played with a pick. (a square corner of my old driver's license)

The organ pretty much follows the piano chords. Two different organ sounds were used for each song on The Black Cat Record. The same Casio.

Vocals. I recorded one, then muted it and recorded another. So that the second vocal wouldn't be an imitation. One vocal is only on the left, and the other is only on the right. 

I recorded electric guitar plugged into a Blackstar amp, direct-in. Same pick used. I had a Lyon Disturbed signature guitar with a kill switch for The Black Cat Record, and a Squire with a whammy bar for Hex. Rhythm guitar was usually done twice, and only on the left or right, like the vocals. I like to think the left headphone is a slightly different album than the right.  Microphone used: Shure SM57.

Words: Riley Robinson
Music: Ryan Bulliner

All songs recorded in my room on an Hp laptop, through a Focusrite interface. On Audacity. One piece at a time. 

No A.I. 
No auto-tune. 
No metronome. 
No samples.

- Osatethe

Shout out to Ali Sky, Aziza Eskender, Sofia Marietta. Their YouTube channels inspired me a lot at the time. 

SC shouts:
MNOTR
!mmortal Creatures
Laura Hell



* Personal Music projects:

     - Gonzo J. Francès: Alternative songs

     - Morosgovanyi: Experiments with noise and FX

     - DJ: next upcoming...


* Other bands or parallel projects in link section

Thanks for stopping by. Listenings & comments are very appreciate it.

Contact: gonzojfrances@gmail.com

Salut i soroll!

Fools!

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