[2014-2020] (+)
follow @opusdei737 
& @opus-vivaldi for TESTAMENTUM Siglo XXI

Here you will find demo's used to produce SINGLES NIGHT the forthcoming album by UNCLE JON. Free related downloads will be added here as the album nears completion. Please visit unclejon.net for more info.

10.5xHippies&Drunks Mixtape Out now

FMGIBE Is FlyMotionGang-ImageBoi.Ent   and we Are Hippies&Drunks-ArtKlan - ArtKlans

Trill Hippy Music Based Off Drugs-Liqour-Art and Money..CreativeMinds HaTe-Love and Cocaine

For Bookng and Info Emai- FlyyMotionGang@yahoo.com


For the past 10 years electronic music producer and composer SAD MAN, The Dark Jazz Project, Nimzo-Indian and Cars from the Future has released over 25 albums and 350 tracks of music. His music has been played extensively on Radio both in the UK and Internationally. 
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Radio Play
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BBC 6 Music - Jamz Supernova, Mary Anne Hobbs, New Music Fix with Deb Grant and Tom Ravenscroft,  BBC Radio 3 - Late Junction, BBC 6 Music - Stuart Maconie Freak Zone, Tom Robinson BBC Introducing Mix Tape, NTS Radio, Resonance FM, Z Radio, Rinse Radio (France), New New World Radio (Moscow), Gilles Peterson’s Worldwide FM (UK), Radio Free Matlock, Dark Train, Reform Radio and Brum Radio., Bristol Community Radio, BBC West Midlands, Artfefaktor Radio (Mexico City) , Tak Tent Radio, Neon Hospital, Radio Regent (Canada) and various internet shows such as the Target Shoots Next, Phantom Circuit, Gated Canal Community, Transmitter down, The Sevenths Wave, Transmitter Down, New Ratio Radio, Radio Panik (France)
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Quotes
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"I kind wouldn't mind if that track went on forever" DJ Deb Grant, New Music Fix, BBC 6 Music

“It’s weird, it’s interesting, it’s challenging, maybe slightly discombobulating as well” 
Jamz Supernova - BBC 6 Music 
 
“More bite than a cage of hungry wildcats”
Mat Smith - Electronic Sound Magazine
 
“Like a moon-guided abstract fear; a ghostly voyage aboard a Kubrickian, Lovecraftian and Tarkovskyian space 
freighter this new vision scopes lunar caverns and the deep cosmos.”
Monolith Cocktail
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‪“relentlessly obscure and prolific British music maker”.
9/10 DJ Mag
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“Like a Loony Tunes Cage or Stockhausen, banished to a makeshift potting shed”.
Monolith Cocktail. 
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“It sounds like Major Force mashed with Wagon Christ and Les Rita Mitsouko;
a sort of electro-operatic funk.”
Monolith Cocktail 
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“Electronic music that nods in the direction of futuristic glitch school pointillism”.
Electronic Sound Magazine 
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“so many disparate ideas into its brief, sixty-second existence, from muted house-style riffs, deep beats and a frantic jumble of melodies that sound like a stroll around a dimly-lit games arcade.” further dot 
 
“These are pieces that jerk around like they’re being attacked with an electronic music cattle prod, all quirky beats, skewed melodies and sounds that feel like they’re splintering and fragmenting inside your ear canal.”
Mat Smith
 
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This is a place for odd singles and unreleased droplings. Please visit our bandcamp address for full albums. Thanks for listening and welcome to our world <3

"Ryan Kayhart thinks in different wavelengths. Their latest* cassette titled "Dead Flower People", an aurally displayed cross section of mutated thoughts and patterns. The entire mental anomaly seemingly recorded on a wobbly reel to reel machine. Pop music left alone too long, like a millennia, now evolved  into the unrefined aura emanating from the glowing life forms hovering just above the radiated ground. Ryan traveled back through time, maybe for a chili and a frosty, oh... and to leave us a sample of the future.

So many sounds to hear. Each track of Dead Flower People spiritually summoning a myriad of genres and styles. Altered realities trapped in ten miniature urns, each holding prismatic colored ashes that float when the lids are opened. Don't investigate two tracks at once, a possible violent reaction can occur, like anti matter mixing with matter. Listen to Dead Flower People in the the sequence provided, never playing two tapes simultaneously. This is from personal experience. When listening to the cassette, made the mistake of clicking play on the digital version. The ground ripped open, warm air forcing oddly shaped inflated grub worms to pour out. Grabbing hold, the colony of jumbo insects moved hastily towards a pulsating low frequency harmonic oracle. This ritual seemed ancient. A bearded figure playing an unfamiliar flute like instrument pausing to sing in ritualistic tones, the other worldly insects diving and passing through the flickering dimensional being then somehow phasing out of existence.

Ryan Kayhart playing pop music with out the p's. Only a circle, the middle, a hub gathering and disseminating sounds. A playing card clicking against the sonic spokes as the wheel slowly revolves in a timeless existence. Youthful playfulness exponentially unbounded, jumping the ramp between dimensions.

Released on Already Dead Tapes and Records in August. This is currently available from the label's site. Totally deserving multiple listens. A complex composition looking like a math equation equaling a smiley face wearing headphones."

-Robot (Lost In A Sea of Sound)

"The way Cassette Gods works is that labels and artists from all over inundate a central office with their tape mailings, in the hopes of showcasing their music through the magic of journalistic acrobatics. Once the lovingly packaged music is ripped open by the mailroom ogre, the tapes are heaved onto an ever-growing mountain, and a handful are selected here and there by unfathomable bipeds and periodically sent to the intrepid writers.* Your tape might be reviewed by the excellent Jacob An Kittenplan, or maybe the renowned Roy Blumenfeld, or possibly the magical Adam Padavano. If you’re really lucky, your tape will be sent to me.

Three Fourths Tigers, this is your lucky day.

Weird thing, though, is that I also run a little old blog called THE CRITICAL MASSES (all caps today for some reason), so there’s a small chance that I’ll have already received and reviewed your release for that site. In this instance, Three Fourths Tigers, this is not your lucky day, because I already reviewed this tape for the ol’ CM. Or wait – maybe it is your lucky day because we all get to relive that excellent initial review! Yeah, I’ll go with that one. So without further ado, and again in all caps because this is my thing, I bring you:

THREE FOURTHS TIGERS: INDOOR VOICE – REVIEWED ON THE CRITICAL MASSES!

You guys are really gonna love it if you haven’t seen it before. Here are some snippets:

“Indoor Voice is jam packed with burbly clusters and taffy-stretched tone, synthesizers roiling through landscapes like magic mist and causing new and interesting flora and fauna to spring forth from the earth in a neon glaze of demonstrative glory.”

“In truth, Indoor Voice plays like the soundtrack to Earth of the future, the post-first-contact, post-terraforming, post-ESP-evolution Earth where human beings no longer look human (to our eyes), so we drop the ‘human’ and simply refer to them as ‘beings.’”

“[F]ortunately, the confines of Earth no longer bind us, and we’re able to treat visitors from other planets, like those arriving in ‘Other Landings,’ with the dignity and respect they deserve, not with a tense military show of force. You’ve seen Mars Attacks! right? Yeah, not like that.”

Consider your whistles wetted! Get on over there, you scamps.

*This probably isn’t how the Cassette Gods office really works. Probably."

--Ryan Masteller

Good Feels is following