I think this mix is the secret ingredient that is going to make my lasagna taste amore that ive just been making while listening to this, bellissimo 👌🏽

This is such a vibe. What's the name of the starting track?

Mix of the Week #412 is by Sara Mautone
Follow and include @sara-mautone in your track ID requests

Out now: Dream Chimney `Sentimental Memories` EP w/ limited edition Dream Chimney Postcard https://dreamchimney.bandcamp.com/album/sentimental-memories-ep


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Dream Chimney 'Mix of the Week'

Mix of the Week #412: Sara Mautone

Portugal's Magie Noire provides this months magic with laid back guitar, summer breeze and nostalgia, full of obscure gems, with a synth and weirdo disco touch.

ID Requests: @ingloriousmaterial



Originally aired on EHFM, 24/08/2022

Magie Noire - APOMS 011

Mike Burns 22.10.2022

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

MFM Mix 044: Phil Mison

Did you know?🤔

 Practicing “wake and bake” on the 1st of January is an ancient tradition dating back to 3000 B.C. ?
It’s believed to bring good fortune, strength, and melodic delights to those who participate. 🪄🎶✨  

And speaking of musical marvels, Nevena Jeremic has gifted us with the perfect selection for an elegant start to the new year.

 So let's light up and tune in, as we look forward to a 2023 filled with as much bliss as Nevena's selection. 
Happy New Year!🌟💛🫶💫

ID Requests -> @nevena-jeremic

To keep our project going and growing, please support us with a donation on BuyMeACoffee. It's quick, easy, and you don't even need to create an account. Your contribution, whether one-time or recurring, helps us thrive. Thank you for your consideration 💖💖💖
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Nevena Jeremic

"I put some love and energy into this crackly vinyl mix for the Best Place in Town!! It starts out more mellow and introspective and goes into bouncier synth-pop-rap, and ending with one of my favorite Thai rap pop songs. Love you guys" - @aniphoebe

B.P.T. Radio 071: Ani Phoebe

MIXES

JEX OPOLIS - SANPO 086

New month new mix.
Ryan Bishop is behind one of the most creative and consistent multi-modal musical platforms out there. Dream Chimney (which hardly needs introducing), was certainly a big inspiration for 5918mins. and we are very happy to have him onboard. 

DJing himself under the name "The Beat Broker", Ryan developed a propensity towards Balearic sounds, which seemed to fit perfectly with the current time of the year. We are also very impressed by Ryan's consistency in digging and playing high-quality newer releases (which only makes sense if one one is interested in the musical, rather than the collectable worth of records). 
                             ----> to be enjoyed on a lush summer evening

Dream Chimney

Still so humbled I got to play at Brilliant Corners who have served as a constant inspiration to me over the years!

Also big ups to Jonny Schofield and Gustave who joined me on the decks this night :)

Brilliant Corners 20.6.18

The trio of Norm, Rémi & Simon is among the most promising crew of DJs/diggers to arise in the Parisian landscape of tropical music enthusiasts. Bayetë selectors bring out their best finds on their Youtube channel in order to take you on a journey through Africa, the French Islands, the Caribbeans as well as 80’s & 90’s electronic oddities. In their own words, this podcast is “a mix of soft, mellow, light, iodized pop sounds; an hour of romantic ‘schmooze music'”. And exciting news: the trio is about to put out their first edits release in a few months time, with appearances from Berlin-based Venezuelan digger Trujillo and Russian wizard Beard In Dust!

@bayetecontact

Krossfingers Podcast 173 - Bayetë

Hailing via Ontario (CA), Brandon co-founded the famous "inivisible City" Record Shop in Toronto which has since then released some important re-issues on the self-owned label and generally become a haven for the local record-digging scene. 

Around 2016/ 2017, however, Brandon has parted with Invisible City and it certainly did not take him long to establish his own fantastic label "Séance Centre" which does not solely focus on the music  but instead situates its releases in their individual cultural and physical environments via visual modalities like photos and documentary but also word-based comunication such as interviews, essays or storytelling.

It was immediately clear to us that his approach fits perfectly with 5918mins. and so we are glad that Brandon has contributed this summer special full of goodness, seamlessly meandering between more experimental and pleasing sounds. Perfect for the current heat wave.

Brandon Edward Hocura (Séance Centre)- Summer Mix

After being a staple curator in Melbourne’s community radio scene, Adriana’s Tuesday 7-8 slot, Opalakia, was a fertile space for sharing flavours of dance-inflected world music to an eager band of fans, subscribers and listeners. 

Since leaving PBS, Adriana has launched Spasta, her instant classic party which has rapidly garnered a cult audience for its unpretentious, rhapsodic moments in the dancefloor. Spasta, which means ‘to break’ has smashed plates, thrown flowers at live Bouziki players, hosted traditional Pontian dancers and cracked eggs, with traditional Greek food and a daring programme of Australia’s, and the globe’s best record collectors and selectors. It’s a party made for the heads, with all your notions left at the doormat.


In the booth, Adriana is bound by nothing, coasting between traditional and contemporary sounds her sets are a sonic jaunt, touching down on all four corners of the globe on a rollercoaster that excites as much as it surprises. With unstoppable energy that radiates in any room, Adriana’s passion for the eclectic makes her one of the city’s finest and most down to Earth diggers. Expect a riot of genres, enthusiasm and curiosity, all delivered with smiles and an opa!

Brilliant Corners 20.6.18

Adriana

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