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درباره پیتر برادریک

پیتر برادریک

October 2013 will see the reissue of 26-year old American composer Peter Broderick's 2008 debut album Float. Returning to his home in Oregon, where his musical journey began, Peter completes the circle with the release of Float 2013. Remastered by the gifted hands of Nils Frahm, Float 2013 will also include two additional bonus tracks with each album download and will be reissued on CD, vinyl, digital and even on a limited edition cassette via Erased Tapes. The album release will also be accompanied by Float 2013 Addendum, a 7” single featuring ‘Something Has Changed’ re-arranged as a duet for violin and viola, with the new title ‘Something Has Remained’.

Brought up in a musical household in Oregon, Peter quickly became a popular session musician for the likes of M. Ward in the Portland area. Later discovered by the Danish band Efterklang he joined their live band and spent the next six years based in Europe where he collaborated with many like-minded contemporaries. Through relentless touring, multiple album recordings and film scores Peter has established himself as a solo artist, known for his innate gift as a musical medium to picking up any instrument, turning his musings into poignant songs.

Having previously released ‘Ten Duets‘ on cassette tape, Peter is a big fan of this format and is excited to be taking part in Cassette Store Day on September 7th 2013. Float 2013 will be available in store in a hand numbered limited edition of purple cassettes in bespoke packaging. Fans can view a map of stores that stock the tape and listen to ‘A Snowflake’ here: http://tinyurl.com/float2013

’A dialogue was started with Robert, about the idea of one day giving Float a second chance. And a bit later I found myself in the studio of my dear friend Nils, remastering these songs which on one hand felt so far away, but on the other felt right at the core of my musical heart, the foundation of my aspirations as a musician. And what Nils did to the sound, how he worked his magic as he always does, filled me with the conviction that this project had not previously reached its potential. In so many ways I've found myself coming around the circle, back to the place I started, only perhaps the circle itself has moved. But the dream is the same. And my little baby has a new pair of shoes: Float 2013.’ – PETER BRODERICK

LIVE DATES:

26.09. SEATTLE (US) – Decibel Festival (Erased Tapes label showcase with Nils Frahm)
27.09. PORTLAND (US) – Mississippi Studios (with Hauschka)

www.peterbroderick.net
www.erasedtapes.com
www.cassettestoreday.com

Float 2013

A Snowflake

Peter Broderick – A Snowflake

glimmer release 
Split album "glimmer" is Takumi Uesaka and Peter Broderick's work.
This album's concept "If Takumi and Peter make the song for a quiet midnight".
With naive voice and quiet melody, Takumi & Peter delicately presents
the calm mid-night,and then "Quiet night" would surrounds and lull the audience.

Peter Broderick
With the new relesae "How They Are" in september, Peter Broderick is
one of the representative figure in the scene.
In this "glimmer", all his pieces are recorded at Grunewald church in Berlin.
Adding the peculiar atmosphere to church and reverberation to his
pieces,his pieces ever more simple and deeply resounding.
These pieces are truely the songs for "night".You can't stop shutting
eyes and deeply absorbed into it.

About 32minutes quiet midnight.

Peter Broderick / Eyes Closed And Traveling

oliveray

This album is Peter and Nils's collaboration album.
The artist name of "oliveray" consists of Nils oliver Frahm & Peter ray Broderick's middle names.
It's a new band.
Here are the songs of various types.

There is a song that Nils' tender piano melody intertwine to Peter's violin.
There is a song that Nil's piano quietly accompanies Peter's guitar
strum and quiet melody.
There is a song that makes us feel as if listening to it at the end of universe.

This album with various melody, "Oliveray" fills us up with deep comfort


oliveray (Peter Broderick + Nils Frahm) / Growing Waterwings

April 1st will see Peter Broderick’s classic Erased Tapes debut Music For Falling From Trees reissued on vinyl and CD.

Through relentless touring and multiple album recordings, Portland-based Peter Broderick has established himself as a contemporary composer, known for his innate gift as a musical medium to picking up any instrument, turning his musings into poignant songs.  The scope of Peter’s work is vast – his recordings and original score work currently feature in dance arrangements, art installations, films and documentaries. He collaborated with many like-minded contemporaries such as Nils Frahm and Greg Haines, and featured on Clint Mansell’s Last Night soundtrack. Peter’s signature emotional depth cuts through any instrument to create stirring, personal music that is full of artistic detail. Currently an artist in residence at Sirius Arts Centre in Cobh, Ireland, 2016 has much in store for Peter.

2009’s Music for Falling From Trees, a 30-minute piece in seven sections, was created for a contemporary dance by London-based choreographer Adrienne Hart at Neon Dance. Adrienne was looking for a score of piano and strings, so Peter left the guitar and his voice aside and focused entirely on those two timbres. 

The dance tells the story of a man in a psychiatric hospital, and his struggle to maintain his identity. The music is sometimes melancholic, sometimes playful, sometimes chaotic, but with the combination of piano and strings, full of beauty, reverence and awe. 

IN HIS OWN WORDS: “In late 2008, Adrienne Hart contacted me about scoring her new work, Falling From Trees. In Adrienne's words, ‘the piece is set in a psychiatric hospital and centered around one man's struggle to retain his identity in the most extreme of circumstances.’ There are four dancers in the piece. One male playing the patient, and three female hospital workers. 

I had been making music for a variety of film projects, but the thought of scoring a dance was very exciting to me. I was on tour at the time, so I wasn't able to start writing the music until I had a break in early January. The dance premiered on January 21st, so I had about three weeks to create the score. I camped out up in the top of my father's barn with some minimal recording equipment, my violin and viola, and an old broken piano. 

Given the time constraints, I approached the music in a very open way. Rather than sit down and try to compose something, I just set up a microphone and started playing. After coming up with a couple of themes on the piano, I started recording, using those small themes and improvising around them. Most of the sections have a small core that is composed, and then the rest is improvised. Luckily for me this method seemed to work. I would work all day and then send a sketch over to Adrienne, and every time her response was positive. So in this way we worked very well together. I give my hugest thanks to Adrienne for trusting me to create the music for her wonderful work. 

Adrienne told me from the beginning she was looking for a score of piano and strings. So I decided to take this literally and make a rule not to use any other instruments. In the script it called for the sound of a ticking clock. I made this sound by tapping on the body of the violin with my fingernails. The sound of an electric shock given to the patient is depicted by a quick, distorted piano chord. And all other droning and bass tones were made by extending and processing violin and/or piano tones, etc. Thank you very much for listening.” – Peter Broderick, March 2009

'Painfully young and unnervingly talented' 
– The Economist’s Intelligent Life

Buy CD/LP/DL

Peter Broderick – Part 4: The Dream

April 1st will see Peter Broderick’s classic Erased Tapes debut Music For Falling From Trees reissued on vinyl and CD.

Through relentless touring and multiple album recordings, Portland-based Peter Broderick has established himself as a contemporary composer, known for his innate gift as a musical medium to picking up any instrument, turning his musings into poignant songs.  The scope of Peter’s work is vast – his recordings and original score work currently feature in dance arrangements, art installations, films and documentaries. He collaborated with many like-minded contemporaries such as Nils Frahm and Greg Haines, and featured on Clint Mansell’s Last Night soundtrack. Peter’s signature emotional depth cuts through any instrument to create stirring, personal music that is full of artistic detail. Currently an artist in residence at Sirius Arts Centre in Cobh, Ireland, 2016 has much in store for Peter.

2009’s Music for Falling From Trees, a 30-minute piece in seven sections, was created for a contemporary dance by London-based choreographer Adrienne Hart at Neon Dance. Adrienne was looking for a score of piano and strings, so Peter left the guitar and his voice aside and focused entirely on those two timbres. 

The dance tells the story of a man in a psychiatric hospital, and his struggle to maintain his identity. The music is sometimes melancholic, sometimes playful, sometimes chaotic, but with the combination of piano and strings, full of beauty, reverence and awe. 

IN HIS OWN WORDS: “In late 2008, Adrienne Hart contacted me about scoring her new work, Falling From Trees. In Adrienne's words, ‘the piece is set in a psychiatric hospital and centered around one man's struggle to retain his identity in the most extreme of circumstances.’ There are four dancers in the piece. One male playing the patient, and three female hospital workers. 

I had been making music for a variety of film projects, but the thought of scoring a dance was very exciting to me. I was on tour at the time, so I wasn't able to start writing the music until I had a break in early January. The dance premiered on January 21st, so I had about three weeks to create the score. I camped out up in the top of my father's barn with some minimal recording equipment, my violin and viola, and an old broken piano. 

Given the time constraints, I approached the music in a very open way. Rather than sit down and try to compose something, I just set up a microphone and started playing. After coming up with a couple of themes on the piano, I started recording, using those small themes and improvising around them. Most of the sections have a small core that is composed, and then the rest is improvised. Luckily for me this method seemed to work. I would work all day and then send a sketch over to Adrienne, and every time her response was positive. So in this way we worked very well together. I give my hugest thanks to Adrienne for trusting me to create the music for her wonderful work. 

Adrienne told me from the beginning she was looking for a score of piano and strings. So I decided to take this literally and make a rule not to use any other instruments. In the script it called for the sound of a ticking clock. I made this sound by tapping on the body of the violin with my fingernails. The sound of an electric shock given to the patient is depicted by a quick, distorted piano chord. And all other droning and bass tones were made by extending and processing violin and/or piano tones, etc. Thank you very much for listening.” – Peter Broderick, March 2009

'Painfully young and unnervingly talented' – The Economist’s Intelligent Life

Peter Broderick – Part 3: Pill Induced Slumber

ORDER the album 'Music for Confluence' on CD/LP/DL: www.erasedtapes.com/store/index/ERATP036 (vinyl edition out April 1, 2016)

ORDER the LTD. EDITION 7" incl. Digital 14-Track Bonus Score Release 'MUSIC FOR GRACE AND MERCY' or DOWNLOAD here:
http://erasedtapes.com/store/index/ERATP035

CONTEXT: New-Berliner Peter Broderick has established himself as a composer in his own right, may it be as a touring member in Efterklang, collaborating with label mates Nils Frahm and Dustin O’Halloran, or most recently, working on the Last Night soundtrack with Clint Mansell. His innate gift as a musical medium, picking up any instrument to turn his musings into songs, has won the 24-year old American composer many hearts worldwide.

‘A songwriter of beguiling depth' – The Sunday Times

'Painfully young and unnervingly talented' – The Economist’s Intelligent Life

‘A precociously talented, classically trained multi-instrumentalist’ – The Independent

Following on from his contemporary dance scores Music For Falling From Trees and Music For Congregation, November 28th, 2011 will see Broderick return with a brand new work released on Erased Tapes Records, entitled Music For Confluence. Created for documentary filmmakers Jennifer Anderson and Vernon Lott, the soundtrack takes the listener through waves of stark emotions.

The release of Music For Confluence will be preceded by the double A-side single Old Time / Solace In Gala on November 7th and includes an exclusive digital 14-track bonus score entitled Music For Grace And Mercy – a film of Haitians helping Haitians.

The official Old Time music video can be watched here: http://vimeo.com/erasedtapes/peter-broderick-old-time
The official Confluence trailer can be watched here:  http://vimeo.com/erasedtapes/confluence
The official Grace And Mercy trailer can be watched here:  http://vimeo.com/13145302

Erased Tapes Collection IV

Peter Broderick – Old Time

Peter Broderick - It Starts Hear

BUY THE ALBUM on CD/LP/DL or Special Edition CD/LP Box: http://www.erasedtapes.com/store/index/ERATP045

ABOUT:

October 22nd 2012 will see Peter Broderick release his brand new studio album on Erased Tapes, entitled 'These Walls Of Mine'. Held together by a dialogue of voices, this album reveals Peter’s innermost thoughts in an intimate yet playful way. An exploration from gospel and soul to spoken word, beatboxing and rap – this is Peter at his most natural.

'His prodigious reputation continues with These Walls of Mine' – BBC Music

'You'll fall for Peter Broderick's humour and ingenuity in the end' ★★★★ – Q Magazine

'At times emotive and playful, Broderick has created a cohesive album of delicate, Russell-esque melodies with enough wonkiness, experimentation and spoken word to make a unique, personal and engaging release of happy accidents' – Exclaim!

‘I've Tried is a delightful appetizer to his soulful upcoming LP’ – Noisey.com

OFFICIAL VIDEO TRAILER: http://vimeo.com/erasedtapes/thesewallsofmine
OFFICIAL MUSIC VIDEO: http://www.youtube.com/watch?v=mvSIzYjPHts

IN HIS OWN WORDS:

“I had recently been experimenting at home with a microphone and a laptop, recording and uploading new songs for free online, each one alongside a photo and some words, and open to comments from the outside world. At some point Robert (Erased Tapes label founder) started listening to the music and felt compelled to encourage me to compile an album with all this material. His reaction to ‘These Walls of Mine’ (the song, not the album) was exactly how I felt about the music. I wasn’t sure if I loved it or hated it. But I loved the feeling of that uncertainty, of surprising myself and others around me. And in the end Robert got behind all the songs, which gave me the courage to finish the music for this release.

These songs are best viewed as a collection of lyrical and vocal experiments. Of course the instruments and the music are important, but this album is held together by a dialogue of voices. Conversations with myself and with others. Several tracks contain lyrical contributions from friends and strangers, made possible with the help of the internet.

And then I sang and sang and sang. I love singing. And I love cats.”

– PETER BRODERICK

TRACK LISTING: 1. Inside Out There 2. Freyr! 3. I’ve Tried 4. Proposed Solution to the Mystery of the Soul 5. When I Blank I Blank 6. These Walls of Mine I 7. These Walls of Mine II 8. I Do This 9. Copenhagen Ducks 10. Til Danmark

OFFICIAL WEBSITES: peterbroderick.net · erasedtapes.com

These Walls of Mine

Peter Broderick – Inside Out There

Peter Broderick – I've Tried

Peter Broderick – When I Blank I Blank

Peter Broderick – These Walls Of Mine II

Broderick released his first score ‘Music for Falling From Trees’ on Erased Tapes in 2009. Created for a contemporary dance by London-based choreographer Adrienne Hart (Neon Productions), the 30-minute piece in seven sections received much acclaim, both for its emotive and fitting accompaniment to Hart’s choreography and for its ability to work as a self–contained release.

‘Beautiful, minimal and bewitching’ – Mojo | 'The work of a master composer' – Drowned In Sound

The dance tells the story of a man in a psychiatric hospital, and his struggle to maintain his identity. Adrienne was looking for a score of piano and strings, so he left the guitar and his voice aside and focused entirely on those two timbres. ‘I decided to take this literally and make a rule not to use any other instrument. In the script it called for the sound of a ticking clock. I made this sound by tapping on the body of the violin with my fingernails.’

Falling From Trees toured this year’s UK summer festivals Glastonbury and Edinburgh Fringe.

‘This show is an outstanding example of all the strands coming together in an exciting and satisfying whole – great music from Peter Broderick, intriguing and visceral video projections tied together aptly with Adrienne Hart’s choreography’ **** – The Skinny

In early 2010 Peter Broderick was approached by the collaborative media artist duo Kit Monkman and Tom Wexler aka KMA, who asked him to create a score for Congregation, KMA’s most ambitious work to date. The world’s first ever ballet designed, choreographed and composed entirely for pedestrian performers, Congregation has been commissioned by Scan and the British Council. Due to premiere simultaneously at Rockbund Art Museum, Shanghai as part of World Expo and Bournemouth for the Inside Out Festival, further performances will follow at Tate Britain London this autumn.

To coincide with both KMA’s and Peter Broderick’s string of live performances, Erased Tapes will release a highly limited double 10” gatefold vinyl edition on October 18. Featuring both Music for Falling From Trees and Music for Congregation under the collective title Music for Contemporary Dance, this release will further demonstrate that this young artist at the cusp of his career has already emerged as a composer in his own right.

'Painfully young and unnervingly talented' – The Economist’s Intelligent Life

‘A songwriter of beguiling depth' – The Sunday Times

‘A precociously talented, classically trained multi-instrumentalist’ – The Independent

Music For Congregation

Peter Broderick – Part 2: Understanding

First full track stream from Peter Broderick's upcoming new album 'These Walls Of Mine'.

PRE-ORDER THE ALBUM: http://www.erasedtapes.com/store/index/ERATP045

ABOUT:

October 22nd 2012 will see Peter Broderick release his brand new studio album on Erased Tapes, entitled 'These Walls Of Mine'. Held together by a dialogue of voices, this album reveals Peter’s innermost thoughts in an intimate yet playful way. An exploration from gospel and soul to spoken word, beatboxing and rap – this is Peter at his most natural.

'At times emotive and playful, Broderick has created a cohesive album of delicate, Russell-esque melodies with enough wonkiness, experimentation and spoken word to make a unique, personal and engaging release of happy accidents.' - Exclaim!

‘I've Tried is a delightful appetizer to his soulful upcoming LP’ – Noisey.com

'His prodigious reputation continues with These Walls of Mine' – BBC Music

'You'll fall for Peter Broderick's humour and ingenuity in the end' ★★★★ – Q Magazine

OFFICIAL VIDEO TRAILER: http://vimeo.com/erasedtapes/thesewallsofmine
OFFICIAL MUSIC VIDEO: http://www.youtube.com/watch?v=mvSIzYjPHts

IN HIS OWN WORDS:

“I had recently been experimenting at home with a microphone and a laptop, recording and uploading new songs for free online, each one alongside a photo and some words, and open to comments from the outside world. At some point Robert (Erased Tapes label founder) started listening to the music and felt compelled to encourage me to compile an album with all this material. His reaction to ‘These Walls of Mine’ (the song, not the album) was exactly how I felt about the music. I wasn’t sure if I loved it or hated it. But I loved the feeling of that uncertainty, of surprising myself and others around me. And in the end Robert got behind all the songs, which gave me the courage to finish the music for this release.

These songs are best viewed as a collection of lyrical and vocal experiments. Of course the instruments and the music are important, but this album is held together by a dialogue of voices. Conversations with myself and with others. Several tracks contain lyrical contributions from friends and strangers, made possible with the help of the internet.

And then I sang and sang and sang. I love singing. And I love cats.”

– PETER BRODERICK

TRACK LISTING: 1. Inside Out There 2. Freyr! 3. I’ve Tried 4. Proposed Solution to the Mystery of the Soul 5. When I Blank I Blank 6. These Walls of Mine I 7. These Walls of Mine II 8. I Do This 9. Copenhagen Ducks 10. Til Danmark

OFFICIAL WEBSITES: peterbroderick.net · erasedtapes.com

Proposed Solution to the Mystery of the Soul

PRE-ORDER LP

Peter Broderick - Proposed Solution To The Mystery Of The Soul

Peter Broderick : Film Score Outtake 3

Peter Broderick - A Snowflake

Peter Broderick performs 'The Book She Wrote and In The Time' for The Line of Best Fit.

Watch the full video session at http://www.thelineofbestfit.com/videos/best-fit-sessions/tlobf-sessions-peter-broderick-40168

Peter Broderick - The Book She Wrote and In The Time (Best Fit Session)

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پادکست گوشه، «هنر با گوشه»، اول هر ماه در یوتیوب گوشه
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