We're totally blown away by the reaction this one got. Thanks a ton for taking the time to listen and download. We're going to have a lot of new music to share with you guys soon; our upcoming ep and a cover we did of strangers by seven lions and tove lo. 

If you're looking for some more of our music to keep you busy click here to hear out latest release: http://tinyurl.com/nssv8l6

Free Download

Paramore - Still Into You (Synchronice Remix)

pre-save my next single w/ K.Flay: vanic.ffm.to/soslow

▼ Follow Vanic
Megalink: solo.to/vanic
Discord: discord.gg/vanic
Spotify Playlist: open.spotify.com/playlist/4K4ScK7…zuQAqViAemtxVUgQ
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Facebook: facebook.com/djvanic
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FREE DOWNLOAD

Vanic X K.Flay - Make Me Fade

Photo by me -> www.flickr.com/s-ek_photography 

ARVFZ - One Day

This is my Turn/Remix of Mssingno's XE3. I loved the track and had to put the Wheathin Spin on it. Hope you enjoy

Toss me a <3 here http://hypem.com/track/28qmv/Mssingno+-+XE3+(Wheathin+Turn)

@mssingno
http://www.facebook.com/mssingno
http://twitter.com/mssingno

@wheathin
www.facebook.com/wheathinmusic
twitter.com/wheathinmusic

Come see me on tour ☺

Mssingno - XE3 (Whethan Turn)

Facebook: www.facebook.com/EduardooFalcaoo
Twitter: twitter.com/DuFalcao_

» Support:
https://soundcloud.com/oshimakesmusic
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Bastille - Of The Night (Oshi Remix)

HUCCI ✖ DOM SEBASTIAN 

ART BY → https://soundcloud.com/dom-sebastian
www.domsebastian.com

Bandcamp: https://hucci.bandcamp.com/album/404
Spotify: https://open.spotify.com/album/6z7Z9pupgQL7fmqxnRHZex

DOWNLOAD 404

Hucci & Dom Sebastian - Vision

Dropkillers - Batman

THE ODYSSEY [HARDCORE DUBSTEP] — ALBUM DESCRIPTION

Sing to me of the man. And then drop the bass.

The Odyssey is a 36-track hardcore dubstep concept album adapting Homer's complete epic — every island, every monster, every homecoming deferred — in Skrillex-era destruction. Filthy wobble bass. Distorted synth stabs. Aggressive breakbeats. Nothing clean survives the drop. The sub-bass is physical. The drop is the monster.

VOCALS: Aggressive male vocals throughout — Odysseus, Telemachus, Poseidon, all male POV tracks. Clean female vocals on four tracks only: Penelope, Circe, Nausicaa, and the Sirens. These are the four tracks that hit hardest because of the contrast.

STRUCTURE: Every track built differently. No two songs the same. The Cyclops is a boss fight structure with three distinct drops. The Lotus Eaters has a warm seductive drop that is the danger. The Sirens has the most beautiful female vocal in the album sitting on top of the most filthy wobble bass, the beauty being the trap. The Underworld never drops — the bass just goes lower until it disappears. Argos replaces the drop with silence. Penelope's Shroud builds for the entire track and the drop never comes — the most uncomfortable track in the album.

FIVE KEY TRACKS:

Track 03 — Penelope's Shroud: The only track where the drop never arrives. Builds and builds and holds. Clean female vocal over chaos that never releases. Twenty years of not knowing compressed into one track that never resolves.

Track 15 — The Sirens: The most beautiful and most deadly. Clean female vocal on the surface. Filthy wobble underneath. The melodic line makes you want to sail toward the rocks. The rocks are the drop.

Track 22 — Argos: The hardest track to make. The buildup rises, the drop should come, and instead: silence. Four bars of near-nothing. Then one bass pulse. Then done. Twenty years and one moment and then the dog lets go.

Track 24 — Penelope and the Beggar: The second no-drop track. Both of them in the same room. Neither knowing. The production at maximum. The drop doesn't come. The silence is the recognition that hasn't happened yet.

Track 27 — The Bed: The only track that ends quietly. Aggressive opening from Odysseus, the test in the pre-chorus, the recognition drop resolves like a chord after twenty years, and then both vocals together in near-silence. The olive tree. The unmovable bed. Done.

The wine-dark sea. The filthy wobble bass. The man on two timbers who held on. The dog who waited. The woman at the loom. The bow strung like a swallow singing. The hardest drop in the album is the slaughter. The second hardest is the name called back to the Cyclops from the ship that started it all.


Penelope's Shroud

s/o halsey for making a dope track
//new americana flip//

thanks so much for the number 1 spot :) <3 
http://hypem.com/track/2jdp8/ye.+-+(hlsy+flip)

yo i got socials now too -
fb: facebook.com/pronouncedyea
twt: twitter.com/PronouncedYea
IG: @pronouncedyea

<3

cop it here <3

(hlsy flip)

This is a bootleg remix of Imogen Heap's "Just for Now" by Gosteffects &amp; Rule of Eight.
This remix was inspired by Clams Casino's track "I'm God," in which he he chopped up the vocals of "Just for Now" for the hook of the song.
This song went to #1 on both Hype Machines Popular Chart and Twitter Chart the last week of 2011 and is also included on one of Diplo's Sirus XM mixes.
soundcloud.com/gosteffects
soundcloud.com/ruleofeight

twitter.com/gotseffects
facebook.com/gosteffects
instagram.com/gosteffects
youtube.com/gosteffects

FREE DOWNLOAD HERE

Imogen Heap - Just for Now (Gosteffects & Rule of Eight "I'm God" Remix) [FREE DOWNLOAD]

An 808 remix of ZEDD's blockbuster tune, from the kings of dream-trap: Keys N Krates.

Keys N Krates Soundcloud: https://soundcloud.com/keysnkrates
Keys N Krates Facebook: https://www.facebook.com/keysnkrates
Keys N Krates Twitter: https://twitter.com/keysnkrates

ZEDD - Follow You Down (Keys N Krates Remix)

***FOLLOW THE SOUNDCLOUD FOR THE NEW RELEASES***

Gosteffects serves up a witch’s brew of club anthems, dutchy tech house grooves, dubstep sensibilities and big kick drums ready for the floor. His hotly anticipated (his soundcloud preview hit #1 on HYPEM) debut releases ‘Slave To The Sweat’ single + remixes (Feb 2012) and ‘Kick The Bass’ EP (March 2012) on the Gosteffects label Afterlife hit the top 5 on Beatport’s electronic charts and welcomed massive blog buzz. His first single ‘Slave To The Sweat’ is a mesh of electronic percussive elements, unconventional hover synth splicing and mechanized vocals conjuring up visions of sinful bodies packing a hot, sweaty dance floor. ‘STTS’ along with ‘Tear The Club Up’, ‘Kick The Bass’, and ‘Yeah!’ are now regular staples on playlists around the globe from some of the biggest names in electronic music including; Fatboy Slim’s official beatport top 10 beach boutique 2012, Benni Benassi’s EDC & Ibiza essential Cream live mixes, Laidback Luke’s radio and live sets and Steve Aoki’s Sirius FM radio.

‘Sleazy and sexy, just like I like it’ -Fatboy Slim

‘Huge potential in the clubs!’ -Paul Oakenfold 

‘In the world of club anthems…this is massive.’ -Magnetic Mag

‘HUGE! All mixes are madness’ -Guy Garrett, DMC Buzz Charts - #8 Buzz Charts

‘New York producer with a penchant for chugging bass-lines and Diplo-esque party bangers’ -Mixmag

‘Perfect for those nights where you’re deep in Vacay debauchery and all that you remember is that the music was pumping.’ -Vacayvitamins.com

Tracks dropped by:
Benny Benassi 
Steve Aoki
Robbie Rivera
Laidback Luke
Diplo
Chuckie
Fatboy Slim
Tommie Sunshine
Anna Lunoe