The final single before the hotly anticipated release of BBE Music’s David Bowie tribute album ‘Modern Love’, Jeff Parker and The New Breed present a unique take on ‘Soul Love’.

Originally recorded in 1971 and released the following year on classic album ‘The Rise and Fall of Ziggy Stardust and the Spiders from Mars’, the original version of ‘Soul Love’ was notable for its poignant lyrics exploring love and death, and its saxophone solo performed by Bowie himself.

Alongside key members of his ‘New Breed’ project Jay Bellerose (drums) and Ruby Parker (vocals), Jeff Parker turns in a wistful and melancholic rendition of ‘Soul Love’ with haunting, extended chords coupled to the angular, idiosyncratic brilliance of Jeff’s guitar and synth work.

Says Parker: “Bowie’s career went through a lot of different phases because he was always looking forward and trying new things. Above all, he was an artist and an innovator. I was attracted to the eccentricity of “Soul Love” as soon as I heard it; Ruby and I were channeling the muse of Bowie when we tackled our rendition of it, trying to stay with his experimental, but accessible, spirit.”

Released on May 28th 2021, ‘Modern Love, A David Bowie Tribute Album’ also features Miguel Atwood-Ferguson, Kit Sebastian, The Hics, Sessa, Helado Negro, Khruangbin, Nia Andrews, Foxtrott, L’Rain, Eddie Chacon & John Carroll Kirby, Jonah Mutono, Bullion, Meshell Ndegeocello, Matthew Tavares and We Are KING.

Jeff Parker and The New Breed – Soul Love (feat. Ruby Parker)

Inhale / Exhale

Eädyth - Inhale / Exhale

Desert Moon is falling from the sky
I had a dream my hands too numb to try
I want you please forgive me
I need you 
Oh so badly

How does it make you feel I'm here now, by your side
Such a divine illusion to see in black and white
I want you 
Please forgive me
I need you
Oh so badly

Every time
I awake
You by my side, my breath you take
Every time
I awake
You by my side, my breath you take

Desert Moon

~

Music and words © Sophia Knapp, Sophia Knapp Songs, 2021.
Recorded with Dungen in Stockholm, Sweden.
Engineered, co-produced and mixed by Lars Fredrik Swahn.
Album art by Jess Rotter.

~

Press: Nathan@riotactmedia.com
General inquiries: contact@sophiaknapp.com

Desert Moon

We are delighted to premiere South-London based keys player, composer and producer James Beckwith's exciting new single,  ‘Celeste’.

On his new track, James conjures emotions, ideas, and impressions out of tasteful harmony, intricate arrangement and strong production. Expanding from the traditional piano trio format that he's known for, Beckwith explores the world of synths, electronics and production. ‘Celeste’ is written like an electronic tune , with builds and space to let rhythm and repetitive patterns tell the story.

"Celeste" is a single about the ethereal, the mystery and the fascination with space and the unknown. The Celesta creates a mystical sound with the typical elements of my writing combining synth and piano on equal measure. This is my first serious journey in production where the record is as produced as it is composed”

It will tie into the sound of James’ upcoming album planned for Oct 2021, a follow-up to the brilliant ‘Long Distance’, which merged genres and influences to create a sound of its own, drawing comparison to 80’s Herbie Hancock.

Since then life has been put on pause, causing James’ approach to shift. The resultant music is very much reflective of the isolation and contemplation of the past year. “COVID has given me time to think about what’s important and what I want, and that is to create my own lasting pieces of music”.

A much sought after musician, James has worked alongside names including Nubya Garcia, Sharky, Yazmin Lacey, Judi Jackson, Alex Hitchcock, SEED Ensemble and Cherise.

Pre-Save

Exclusive Premiere: James Beckwith "Celeste"

Then We'll Wave (Demo Version)

Then We’ll Wave (Demo Version)

From their forthcoming album - Glenn Fallows & Mark Treffel Present - The Globeflower Masters Vol.1' - Released September 10th 2021.

‘Fear Me Now’ was recorded in the early summer of 2020. It marked a stage in the recording process where the artists wanted to introduce more grit and weight to what they had recorded during previous sessions. Not only did this help balance the album, it also led to a track full of drama, fuelled by deliberate and distinct changes of mood. Akin to how iconic TV soundtracks often utilise musical ebbs and flows to heighten emotions, ‘Fear Me Now’ has an introductory section, which progresses to an unexpected and darker twist in the middle, but ultimately resolves to an uplifting finale. Commenting on the inspiration for this approach, Glenn stated, "I've always loved the Ironside theme music by Quincy Jones as it goes from a deeply sinister intro into something softer, then back to bombastic.  So many mood changes. This track follows a similar pattern.”  

The track is drenched in strings and its arrangement is also heavily influenced by Quincy Jones, in particular his scoring of The Italian Job, which featured a more 'European' sound than much of his other work. Glenn and Mark also single out Alan Hawkshaw and Brian Bennett's 'Black Pearl’ album from 1973 as a reference point. It shares a similar vibe in regards to it consisting of dark TV theme music undertones, but also being short and punchy for library music purposes. This single is yet another enticing glimpse into an album that promises to deliver so much.

Glenn Fallows & Mark Treffel - Fear Me Now

Grace & The Flat Boys' first ever studio single, released ahead of their debut EP due mid-September 2021.

Produced by Ed Meltzer at Meatlocker Studios, Edinburgh.

Recap for Joe

Parcel

Parcel (feat. Teleporter)

Album Title: Barefoot Socrates
Genre: Smoky Jazz-Blues / Bohemian Noir / Retro Soul
Vibe: Sultry, Intimate, Late-Night, Cinematic
Description:
Barefoot Socrates strips away the marble and robes of antiquity to reveal the original bohemian wanderer in a dimly lit, smoky atmosphere. This album is a masterclass in mood, transforming the probing questions of the Agora into a sultry, late-night confession.
The soundscape is steeped in nostalgia and noir textures. Anchored by the warm, walking rhythm of an upright bass and the organic pulse of congas and bongos, the groove swings with a subtle gypsy-jazz influence that feels both timeless and raw. Over this rhythmic foundation, smooth retro guitar lines weave intricate melodies, echoing the Socratic method of endless questioning.
The defining element is the vocal delivery—deep, husky, and female. She delivers ancient wisdom not as lectures, but as soulful, emotional revelations. Tracks like "The Dreamless Sleep" and "The Gadfly" are reimagined as torch songs, where the search for truth burns with a slow, cinematic intensity.
Barefoot Socrates is a record for the midnight hour, capturing the essence of a man who owned nothing but possessed the ultimate wealth of the mind. It is philosophy felt in the gut, delivered with the heart of the blues.


The Cure of Life

Outlaw R&B

Stuck in the Morning

My Old Bassist

Kinda Jazzy. Edinburgh🏴󠁧󠁢󠁳󠁣󠁴󠁿
New EP 'Dark Glass // Rose Tint' Out 17.11.23.
Contact: graceandtheflatboys@gmail.com
Management: kyle@flowstatemusic.co.uk