The dance orientated sound of British musician, producer and DJ Will “Quantic” Holland has enchanted fans and tastemakers across the world for nearly two decades.

Boards of Canada is a Scottish electronic music duo comprised of brothers Mike Sandison (b. 1 June 1970) and Marcus Eoin (b. 21 July 1971). 

They have released a number of works, most notably Music Has the Right to Children and Geogaddi, with little advertising and few interviews. Their sound has frequently made reference to sounds of the 1970s and the 1980s. It recalls, amongst other things, the warm, scratchy, artificial sounds of 1970s television, and indeed, band members Michael and Marcus admit to being inspired by the documentary films of the National Film Board of Canada, from which the group's name comes.

I am an interdisciplinary artist working across sculpture, sound, drawing, film, and installation.

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

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