Beware

"Jarvis" is a literary place that Dylan Thomas created in his early prose in which some of his stories are set. The characters and the landscapes that are placed in these mystical tales often possess otherworldly and mythological qualities. I see parallels within the narrative and imagery of folk music (particularly British folk music) and have used this music as a main source for my sampling. Having both power in its rawness and beauty in its eloquence, I use my own personal response to folk music whilst relocating it into a modern setting, creating ‘Dreams of Jarvis’.

Purchase the EP:
iTunes: hyperurl.co/iq3rra
Bandcamp: hyperurl.co/1us5lx

Green Blades

Hollow Ground M2.wav

Audio teaser for the SFX library UI SOUNDS: MUSICAL

A collection of 300 sound elements ranging from subtle to glitch and juicy vibrant sounds ready to use in any kind of electronic user interface environment (smartphone, tablet, desktop app, web based app or site), smart TV app, wearable device app, UI demonstration videos, infographics, as well as in your games.

Frequency-optimized, for both mobile and high-end speakers
Meticulously trimmed and calibrated to sound about as loud as each other, all sounds created to make developers' lives easier and delivered in .zip format, ready to be reproduced both in mobile and high-end speakers.

Great variety, multicultural touch, unique approach
Inside you’ll find catchy melodic elements from Indian strings, hand drum percussion and Tibetan bowls to warm analogue electronic tones, experimental synthesized sounds, complex evolving sequences and everything in-between.

Suitable for:

Buttons
Alarms
Notifications
Selections
Menus
Switches
Feedback
Navigation
As well as for other systems or game plays.

Technical Specifications:
300 files royalty-free
24bit/96 kHz in Stereo Wav format, mp3 (320-VBR), Ogg Vorbis (Quality=7)
Library size is ... MB
PDF, XLS files included
All files embedded with metadata

UI Sounds: Musical

UI Sounds - Musical [Audio Preview]

Alva Noto [Live]

p4p4life

Music by Graham O'Brien. Produced, composed, you know, that type of thing.

03 Higher Brain

Kaleidoscope

(Produced by Myst & Azalah, Additional production by Graham O’Brien)

Verse 1

So much to say don’t know where to start 
I bared my heart to the bears
Then buried it in the barracks 
In the most barren part I could bare
I'm Baron Blood Lone Wolf & Cub
Barely inspired by swollen cuts
They'll soak it up I'll sulk in ruts
This attitude just won't adjust
We go for broke cuz we're broken
Light hurt my eyes so I sewed em shut
Pearl inside but won't open up
Turpentine in that ocean front
Let's burn alive ’til the smoke erupts
Turn the skies into poems
Once I paint my paper thin vacant skin
And get estranged again
How strange it is how strangers live 
Their wrists injected with save-me-quicks
I risked my neck then they strangled it
Irises left in my tangled limbs
Mangled by my state of mind
Dangled by widow's spiderwebs
Anchors tied to my ankle sides
Halos lie where those liars slept
Let's walk to where all the Angels hide
Kill a cherub, call it angelcide
Why sell him a fate, of a lake of fire
I'll self-immolate those flames are mine
They take a tithe we pay the price
Want my advice? Don't take advice
Save us from our saviors
When they sanctify the same they curse

Hook

They say we're born alone we'll die alone
I say it's worth it for tonight alone
Sometimes I feel like I'm kaleidoscope
Alkalines collide inside I feel like I’m kaleidoscope

Altars

Sadistik - Kaleidoscope

God Complex

(Produced by Ryu Alexy & Jimmy Kelso, Additional production by Graham O’Brien)

Get on my level for real, get on my level

Verse 1

The apparitions appear they're up here
My conditions impaired
Now our positions to peer on our peers
My visions in pairs
Apparently people still think I'm a poet
A freak and I know it
Afraid I'm a fraud, I'm a leech, I'm a rodent
Taking the hearts of the people opposed 
Feast or be feasted it's beating for beats & I know
I'm a beast and it shows I'ma show ‘em my teeth
At least that I know I'm the least
These people are so in between more like social disease
So fuck their retweets & fuck the like
I've come to defeat and cut the ties
I don't vie for dumb I become divine
Will I my sacrifice my sun to shine? 

Hook

Watch em revel in this shit, watch em revel in this shit
Devil on the left
Watch em revel in this shit, watch em revel in this shit
Devil on the right
Watch em revel in this shit, watch em revel in this shit
Devil on the left
Watch em revel in this shit, watch em revel in this shit
What level did you get?
I got a god up here, I got a god up here
What you got up here?
I got a god up here, I got a god up here
What you got?
I got a god up here, I got a god up here
What you got up here?
I got a god up here, I got a god up here
What you got?


Verse 2

I'm the god of gods
All are lost, Holocausts
All accosted for hollow cause
Throw Molotovs don't call the cops
We're slowly dying & waterlogged
Don't baptize me in alcohol
Or choke & tie me I'm nodding off
Throw tomahawks at those bla-bla-blas
Like… Yea I don't wanna talk to you
Like... And I don't want a talking to
Since I can't fit sins in stanzas
Ill sit in absence & sip the absinthe 
My hippocampus can hit the canvases
Is this disenchantment?

God Complex

Resurface (f. deM atlaS)

Wednesday April 26th, 2017
IOSIS & John C.S. Keston live at Jazz Central Studios

IOSIS is ritual in the shape of gnarled dronescapes, wrestled from the back of a hardware beast made of diverse synthesizers, tangled patch cables and contact microphones snaked through space-making delay and reverb units. Sometimes verging on the edge of breaking noise, sometimes swimming in lush beauty, witnessing IOSIS is a fully enveloping ceremonial experience imbued with transmutational significance. IOSIS is the musical project and collaborative platform of artist Alex Bissen. https://iosisdrone.bandcamp.com/

John C.S. Keston is an award winning composer of electronic, experimental, and instrumental music. His work embraces the chaotic ambiguities of environmental and sensorial influences providing context within unpredictable and everyday events. His unconventional compositions convey a spirit of discovery and exploration through the use of graphic scores, chance, generative techniques, analog & digital synthesis, sound design, signal processing, and acoustic piano.

SOUND / SIMULACRA
John Keston and Cody McKinney present: Sound / Simulacra: A monthly series which explores musical improvisation as a “faithful and intentionally distorted” representational process. Sound / Simulacra will bring together some of the Twin Cities most unique voices to “recreate, distort, and create the hyperreal”.

Live recording by Dave Kunath

IOSIS with John Keston Live at Jazz Central Studios

'Shine On' is the lead single from Kristoff Krane's forthcoming album Kairos. 

VIDEO: http://bit.ly/2h5utLT

Music by Graham O'Brien
Words & Vocals by Kristoff Krane 
Additional Vocals by Lady Midnight 
Mixed by Brett Bullion 
Mastered by Huntley Miller 
Design by Kai Benson

5.19.17 Shine On

Producer/Composer. 
Recent: Drum Controller/ kristoff krane/ sadistik/ ceschi/ mixed blood majority/ sage francis/ eyedea/ dem atlas/ no bird sing/ moon & pollution/ sole/ guante/ prey for paralysis/ crescent moon/ proofreader/ adam svec/ camp dark/ aby wolf/ halloween alaska/ sole | labels: doomtree/ strange famous/ f i x/ noecho/ fake four/ Ambledown | www.grahamobrien.com

03 Higher Brain

Graham O'Brien

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Foreverness Nonetheless

Foreverness Nonetheless

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