I make noise and organize it in semi recognizable patterns.

Visit the Rotters Golf Club site for info and to contact us.

Founded in London in 2007, Phantasy has steadily transformed into one of the UK’s most diverse and artistically ambitious small labels. Neither rooted in electronic or alternative music, Phantasy small but expanding stable of artists work closely with founder and creative director Erol Alkan, to achieve the best possible sound and vision for a diverse audience.

Sean Johnston has been DJ'ing since his formative years in the frozen North. Acid House Veteran, Techno Survivor, Hardway Bros, Beard Scientist and Freelance Disco Consultant he has played at some of London's landmark clubs including The Promised Land, Sabre Sonic, Club UK, Final Frontier, Disco Bloodbath and was one of the founding residents at London Super Club Cable. He also plays regularly at Voyage Voyage in up and coming Berlin venue Salon Zur Wilden Renate.
His productions, alongside fellow Hardway Bros, Jake Davies and a mysterious South Londoner known only as Rico have graced Sabres of Paradise, Third Mind, Flashcomm and more recently Beard Science, Pointless Edits, Aniligital, History Clock, Astrolab and cult Norwegian act Mungolian Jetset's label Luna Flicks. 
 
Sean's DJ'ing style described by FACT Magazine as "Future Disco" is hard to pin down to one convenient genre, taking in house, disco, re-edits, techno and frankly anything else that takes his fancy. 
 
Alongside Andrew Weatherall he runs and DJ's at A Love From Outer Space, a cult monthly residency at The Drop in North London. The night's manifesto is to never knowingly exceed 122bpm and is home to a multitude of genres including ambient, balearica, dub, krautrock, post punk, proto house, un-disco and other curiosities from the pair's extensive record collections.

Bookings

http://www.spunoutagency.com/

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Our band consists of Ruth Alexander and Clayr Borthwick on ukuleles and vocals, Bill Rennie on dobro and bluegrass banjo, Alan Finn on Double Bass and Barry Nisbet on Guitar and Fiddle. Guitar on Goodnight Petronella, Shine, One Virtue and We are Waltzing Again is played by George Stott

Pussyfoot was started in 1993 by Howie B and Nick Young. Pussyfoot toed the waters of musical expression through genre-bending releases. After taking a short cat nap in 2003, the label is back to licking its whiskers in 2018. With a whole host of mind blowing music covering all sorts of genres. Sit back and enjoy...

Robot Heart is a collective of doers and dreamers, artists and entrepreneurs. Our home is in the desert dust of Burning Man, and the streets of New York City, Detroit, Bay Area and Hong Kong. Home is wherever the Heart is.

Robot Heart is a community and a family, and our events are an extension and celebration of that community, bound together by shared values of inclusion, giving, environmental responsibility and mutual respect.

Music is our first language, and our mission is to bring love and beats to the world. We work with and support artists, technologists and visionaries of all types in order to create incredible experiences and connected moments. To create love and beats, for you.

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