I CAN YOU CAN

HALSTON / ESCAPE TO THE FUTURE 
NSR 32 / FALL 2024

Escape – Atmosphere Processor
Milio – Dew
Because Of Art – Transient
Sasha & Sentre – Glastacy
Sasha – How To Wear Raybans Well
Sasha Carassi – Nexus 6
FRONT 242 – Break Me
Victor Ruiz – Trippin Ballz
Cora Novoa – LFO’s & Creatures
Rhys Fulber – Fall Awake
Escape – Escape To Earth
Solee – Alegria
Enamour – Merge With Dust
Jamie Stevens & Zankee Gulati – Low Tide
Robert Babicz – Mystik
Rhys Fulber – European Skies

HALSTON is JUDD RUBINSTEIN / 
NEURAL STIMULUS RECORDINGS 2024 / WWW.HALSTON.CLUB

ESCAPE TO THE FUTURE / NSR 32 / FALL 2024  

NSR 32

Electronica para saltar a lo loco y divertirse.. super HAPPY

Despacito

Republic's Afro Tech House 2024!

ying to blend the sound of the strength and delicate delivery that I imagine when I watch Japanese sumo on YouTube 😂 I do really enjoy.

I first got into watching the sport after watching (Hakuho Sho) in (2019)

Please enjoy 😄 and thank you for taking the time to listen I just wanted to make something not to complicated where like me as a kid I would put my phone under my pillow to listen to some deep relaxing tracks to go to sleep

𝙍𝙔𝙊𝙂𝙊𝙆𝙐

A V I O 7 - Shade

Phetamine

Expired Acid

issrra - Live Techno Set - Así es la vida

Developer - "Trojan"
Kerrie - "Theta State"
UVALL / RODHAD- "KINVA 01 [240209.2]"
Orbital - "Halcyon"
Maelstrom - "Lithium"
ALPI - "Hidden River"
FERAL / LUIGI TOZZI - "Third Eye"
RIBE - "Las Tres Puertas" 
UFO95 / RODHAD -" LAVENDE 03 [240106]"
SANDWELL DISTRICT - "Immolare (First)"
Daniel I - "Beneath Tension"
Dimi ANGELIS - "Seekers"
PIG & DAN - "Lost Another Angel (dub)"
The Black Dog - "Sleep Deprivation 18: Shuggy (Movement 04)"
PERYL / RODHAD - "Kallait 01"
Moritz Von Oswald - "Chapter 6 (Carl Craig Remix)"
Jon JONES - "Yarra"

Dark Tech Selecitons 208

Dark Tech Selections 208

The Field Between: Music and Anti-Music

This artistic manifesto explores sound in the liminal space between music and anti-music—a generative field where the "unheard" insists on being felt rather than understood.
Music as Architecture: Music is framed as humanity's system for creating order and meaning from sonic chaos. It organizes, names, and classifies sound, offering maps and directions through auditory experience. Music builds bridges of meaning, structures time into comprehensible sequences, and domesticates temporal flow so it "makes sense." Fundamentally, music expresses gratitude for the recognizable, providing belonging and comfort through shared patterns and familiar structures.

Anti-Music as Invitation: Contrary to negation or rupture, anti-music is a profound expansion of sonic possibility. It doesn't destroy—it invites. This is an invitation to perceive differently, to embrace the unmapped and un-coded as valid artistic territory. Anti-music offers "foreignness not as exile, but as adventure"—a chance to be a stranger in one's own sensory experience. It presents the sublime: beauty in what escapes comprehension, abysses that aren't empty but full of strange possibilities "without baptism." Where music domesticates time, anti-music offers time without domestication. It expresses gratitude for mystery itself.

The Fertile In-Between: The work's core focus is the vibrant field existing between these poles—not a void but a charged space of becoming where the "inaudito" (unheard) insists, overflows, conspires, and expands. This recognition acknowledges that understanding is also limitation; every definition closes secret doors. Each act of comprehension loses infinite other readings.
Intuitive Reconnection: The practice seeks to reconnect with pre-lingual perception—sensing vibrations the body intuits without understanding. "In this not-understanding, I reconnect." This return to the un-codified is the core artistic act.

Unified Philosophy: Music and anti-music aren't opposing forces but symbiotic partners coexisting in the same sonic space. The work celebrates both the understood and its beyond, residing in what anti-music reveals: a "fenda linda"—a beautiful fissure in the fabric of the known, from which new ways of hearing and being emerge.

Ignoto (140 BPM)

DJANE Formed by AIMEC Brasil, Grasi brings Techno as the extension of her soul!  Where you make your unique presentations with the repertoire depending on the style of each Club, providing the best delivery to your audience!  Where it has an incredible story with a beginning, middle and end.  Techno On Fire!  Let your soul expand!

I CAN YOU CAN

Grasi Francis