Xquisite Releases is excited to present the debut release by KYYBERWALL, ‘GOLDEN LION’ @kyyberwall

Through 4 tracks KYYBERWALL knits his own percussive language.

For the first time xquisite is happy to present an experiment into physical archives through the creation of a usb edition housing these tracks.

we like that this object can live on through its useful nature, staying with you through any task you see fit of it.

Mastering - Christian Piers
Additional Post Production - Al Green
Artwork - Kyybers Mum + Ratty Slay Johnson

KYYBERWALL - CANTTESTRIDER

summertime friends

'when will you be here again?' is the second album from Eora-based artist Grasps, following the 2019 release of their metal/ambient/electronic enmeshment 'Awoken'. On WWYBHA, angels crash to earth, impacts heavy and burns through atmosphere, but not forgetting the fall, the beautiful grace of silk and hair through cool mist and soft clouds. Combining solo works with a carefully curated set of collaborations with Bayang (tha Bushranger), Marcus Whale & Wa?ste (Felix Idle), Grasps pushes extremes of 'genre' throwing all preconceived notions of their music away, in replacement raw emotional sonic outpouring.

This album is about dealing with uncertainty/fear of death, the afterlife, identity & self-worth.

I look to an empty field. It's like a fantasy. I could stop. I could get out and walk over to it. I could smell the grass closer. The hay. The sprigs of corn. I could hear the cicadas louder. I could come closer to it. I think, when will you be here again?

When Will You Be Here Again?

As I Draw Final Breath

https://soundcloud.com/t_u_n_a

pictures projected
as they flicker through the leaves
an afterglow of spring
sets the soil in motion
–Julian Schäfer

Fairy-esque synths, digital strings and spectral atmospherics combine to lure you into tuna's “Object Permanence”, out via NYC's Altamira Records on June 14th, 2024. In the release, tuna, real name Julian Schäfer, evokes fractals that combine his glossy audio productions with the lushness of the boreal world.

Represented through a mixture of auditory synthesis and fantastical themes, “Object Permanence” ponders, and then objects to, the idea of immutability. The natural world serves as a metaphor for the concept. An appropriated painting of a shoreline on the EP's cover may seem like a representative moment of nature's beauty and order, but through evaporation, tides, human intervention, and the life and death of millions of organisms that live within, a seemingly static frame is actually representative of a continually changing environment.

The closing song, “Melt Like Water,” encapsulates this theme with a quote by a tribal community elder from Vanuatu in Werner Herzog’s 2016 documentary, "Into the Inferno." “Everything will melt, the stones, the trees, everything, like water.” In our crumbling world, how can one expect any permanence?

All tracks written by Julian Schäfer
Piano on "let's just rest on the floor and watch the dust settle" by Theresa Worm
Artwork by Alex van Dorp
Drawings by Melanie Nguyên Pietsch, Julian Schäfer
Mastered by Christoff Reidel (https://soundcloud.com/riedelchristoff)

tuna - warding circle, woodland sprites

old head (no strings version)

All proceeds raised from the sales of the compilation will be donated to funding Palestinian e-SIMs via gazaesims.com (@connectinghumanity_).

Connecting Humanity is an organisation that provides eSIMs to connect people in Gaza to the internet, giving a voice to journalists, medical professionals, aid workers, families and people documenting the genocide, allowing people in Gaza to stay connected to the world.

Contributing artists: Ship Sket, Crimson Chaos, Apu Nanu, exmantera, aDeAD, xeccute, novasdemise, Golce, h4S, Preost, Capiuz, Misha Faulty, EvaneH, Tommy Ryoma, optionlist, bod [包家巷], Bianca Scout, vorem ipsum, Shast, Silv-o, Tailtiu, Mongleaux, TCV, incel-x, Hellsing, Azrel and Charlie Osborne.

DONATE & BUY

EvaneH - SeaofNOise

Kiss the Future

Kiss The Future (feat. Special Guest DJ & Ben Bondy)

The Universe

An atmospheric builder of a track, well, more of a soundscape than a traditional song.

Thunder at Dawn (Alarm Mix)

glass love.prod syle

fuck school
en tullu tänne vaiheilee
oon syntyny keulii
oon syntyny taiteilee

joo mä osaan itkee
mut oon paha poika silti
kun kytät näkee must vilauksen
ne päästää koirat irti

mä tulin tänne keulii
keulii ku kendall

boomereita stressaa
ne pyytää mua hidastaa
mä teen keulimisesta taidetta
mun mopo kelpais kiasmaan

eli siinäpähän kilahtaa
kerron niille yhden asian
tässä paskakylässä
mä oon kardashian

mä tulin tänne keulii
keulii ku kendall

kato ku mä näytän mallii
törkees takanojas ajan rallii
keula pystys kurvaan pihaan
sä tiedät miks oon täällä

mä tulin tänne keulii
keulii ku kendall

Keulii ku Kendall

contact & booking: christian@grasps.club

'Field of Dreams' monthly mix series on @hkcrlive

@agonyintl
@user-662985221

Releases with:
@eternal100000000
@wearetar
@sidechainsclub
@alldayfreeself
@00nekyia
@cvlt_records
@parkingstone

As I Draw Final Breath

Grasps_