Flawless

winter 2024-2025

video

watch the music video

deepweb

ouroboros

chi11

Fetva 🍂 “Blinding Lights” but you're waking up in a tent at the festival during fetva's morning set and went to have some water

@fetva

gather

Fetva 🍂 “Blinding Lights” but you're waking up in a tent at the festival during fetva's morning...

The way that you see yourself

Planisphere (Afterhours In Montreal Blend)

Amnesia Scanner & Freeka Tet - STROBE.RIP
Label: PAN
Cat.No.: PAN 139
Release Date: 16 June 2023
Purchase: PAN.lnk.to/STROBE.RIP

Amnesia Scanner’s third full-length album titled STROBE.RIP is a collaboration with the artist and musician Freeka Tet, who joins the album and associated live performances as a vocalist and creative collaborator.

Released by PAN records, STROBE.RIP is part of a broader series of live performances, installations, videos and physical products created by the group.

Since its inception in 2014, Ville Haimala and Martti Kalliala have continued to evolve and redefine Amnesia Scanner through experimentation across online and IRL realms. This album brings them a step closer to the latter.

With French-born, New York City-based Freeka Tet on board, STROBE.RIP acquires a new array of influences that draw from the multidisciplinary artist’s hacker mindset, shaping the sound into new forms. As a programmer and technologist, Freeka Tet’s work straddles commerce and art, combining intuitive and performative modes of expression with emergent technology and creative coding. Much like Amnesia Scanner, Tet draws from online vernacular and techno-magic to create satirical, uncanny work – artificially augmented, and highly engineered sounds, textures, images and ideas that translate memes and code into a more human and affective language.

Haimala and Kalliala say, “Amnesia Scanner is now living in the world it has built,” signaling a sincere commitment to the act. The human dimension in STROBE.RIP is chaotic: a reverse hero’s journey that merges deep-fried baroque with the quasi-angelic into a psychotic megamix of tropes, lyrics, genres, and sonic palettes that are both disorienting and deeply resonant.

The opening track Tongue Demons perfectly summarizes this, with blaring synth stabs and frenetic drum patterns paving the way for a broken melody arranged through a digital brass chord progression. Giggle and Bounds follow right after: two outstanding pieces of introspection signaling the melodic turn of the album, with the latter almost posing as a weirdo 2-step ballad filled with deep pads and pitched-up and down vocals.

The 160bpm, 4-to-4 pulsing kicks of Ledge and the palm-muted chords of Disperse serve as a perfect build-up to Ride, right in the middle of the tracklist: a summer hit from hell, a crooked saxophone-graced tune carried by a crusty, Balearic acoustic arpeggio. The alt acoustics continue with Damon, or at least before the track turns from Nirvana’s Unplugged to Slayer’s double kick drum pedals and becomes thrashtronica with Tet on screamo duties.

Things get softer with Clown, specifically in the chanted refrain, and even more aetherial in the almost trip-hop timbres of abandoned.club, where chopped-and-screwed vocals sing “I lost myself in the club.” Scorpions, Bats & Spiders is the abstract gem declaring the death of Deconstructed Club Music—a genre created by journalists and pioneered by the duo, among others. The words “deconstructed,” “club,” and “panel discussion” are spelled out in a vortex throughout the track as if they were to be carved on the genre’s imaginary gravestone. Closing the album, the saw bass of Cat serves Euro-electro à la Benny Benassi’s Satisfaction, while the doomed outro Merge closes the album in a triumphant aggregation of noise and pixelated drums that render the image of a crust-punk ensemble.

Written by Amnesia Scanner
Produced by Amnesia Scanner & Freeka Tet
Mastered by Enyang Urbiks

Amnesia Scanner & Freeka Tet - Scorpions, Bats & Spiders (PAN 139)

We are proud to present you "Biskra Edits" by @sdiamah 
2 remixes from the mysterious Algerian region, Biskra.

Ya Fatma Ya Fatma is a hit song by Lazhar Djallali, and from the start of the remix we recognize his voice, carried by the Algerian double reed instrument called zorna. The original arrangement and the remix are then built around the electric bass that drives the song. But the cyclical percussive rhythm of Lazhar Djallali is here replaced by techno kicks and surgical breakbeats, while S Diamah’s synths answer back to the zorna.

The 2 remixes are available on our bandcamp as pay what you can, all profits will be donated to la Ligue des Droits de l'Homme, a non-profit organization that fights for minority rights, against discrimination and police brutality !

ED011 Lazhar Djallali - Ya Fatma Ya Fatma (S Diamah Remix)

bambinodj - High As Ever Still Passin' Through (Remix)

✽ 𝒮𝒲𝐼𝒩𝐸 𝒫𝑅𝐸𝑀𝐼𝐸𝑅𝐸 ✽

"Solar Sail" is a single from the upcoming @azzrell album "Exstasis: Restored" released by @mizuha-cc. One out of 11 tracks, serving as "bookends" for this new release.

“Exstasis: Restored” is a reimagining of Azrel’s 2023 album, featuring remixes from genre-defining artists such as ‘Quit Life’ and ‘Sun Angels’, along with 2 new original songs to act as bookends. This new project recontextualizes the ideas of the original album through a cohesive and wide-ranging set of productions; moving from pure ambience to euphoric ecstasy as each artist breathes their own new life into the vapours of their respective tracks.

Read more here >> swinedaily.com/premiere-azrel-extasis-restored

✿︶︵ ︶❈

Exstasis: Restored

[Swine Premiere] Azrel - Solar Sail (Mizuha 罔象)

Samples


Estrela de neutrons - dj gh7

https://soundcloud.com/user-546736543/estrela-de-neutrons-dj-gh7

Young and beautiful- dj semitone 

https://soundcloud.com/djsemitone/young-and-beautiful

Dj Bboy - goku vs vegeta 

https://soundcloud.com/djbboytiamaria/dj-bboy-goku-vs-vegeta

yabstar..

Not sure what is the connection between these two Tawny Owls. During previous weeks, couple of young owls wandered into my country house garden from time to time and seemed to be playful. Maybe now they are trying to be more mature but still playing around with their voices? 
Anyway, this is a lovely-sounding duet as they happen to sing in harmony (minor third?).
25. July 2024, Peebu village, southern Estonia.

A little night music by Tawny Owls

Divine Timing

thank you for recording

@oklou93 'want to wanna come back' edit

@niko_demus1

wtwcb (w/ Niko Demus)

why can't you face me?

Buy/Download: https://grasps.bandcamp.com/track/face-me

Official Video

FACE ME

Reckoner - Radiohead Cover

两个春天

Rumination At The Abattoir

Ouroboros

Download

Loyalty XIX - Heartbits
[Dycentra-005]

Written and Produced by Loyalty XIX
Mix and Master by Diego Escriche
Artwork by Loyalty XIX

© 2025 Dycentra Records

Heartbits

Type: EP
Format: Digital
Releasedate: May 14th
Cat. number: SLA25
Artwork: Oliva Rawlings
Master: Norman Orro

If you listen to the breeze long enough, a song will emerge.
The air hangs on the cusp of rapture.
It will have you foraging in existential void, identity-gardening for a better future...
realworlding.

––––

Hiding in relative obscurity, Music For Your Plants – the sonic environment tended by Tallinn's Norman Orro – originated in late 2000s as a library-music-obsessed prog-rock collective in the dusty attics of the Estonian Academy of Arts. The project has since shed its initial kraut-informed sprawl, evolving through junglist, breakbeat hyperstitions toward a sort of post-anthropocene chamber music: densely layered, rhythmically unstable, and emotionally euphoric.

MFYP maintains a fascination with nonhuman perspectives and systems,
expressing this through forgotten esoteric plugins or operating 90’s hardware with the casual precision of someone peeling particularly stubborn fruit. Despite surface affinities with ambient or post-club sonics, Orro’s output eschews the genre’s more pristine tendencies. MFYP’s productions are texturally grainy, often abrasive in detail – the residue, perhaps, of early-digital workflows and a background in tape-saturated, longform rock improvisation.

Where Hassell sought hybrid utopias, MFYP’s trajectory leads deeper into what Orro has referred to as “Fifth World sonics,” creating a deliberate babel of "world musics" – sometimes deploying reflective detachment, elsewhere earnestly attempting to reconfigure music for an age where the concept of "world" is in crisis. This approach, crystallised on the 2013 Humanity EP, helped cohere the “eco grime” microgenre through holographic, deconstructed folktronics and mutations of UK bass DNA.

On Aeolian Software, we find bit-crushed fretwork and pop-leaning structures, if only briefly gasping for air. MFYP’s current phase appears concerned with breath and density, melodic cells surfacing through mist before dissolving again – as if uncertain whether to take root or vanish.
New Age textures creep in sideways, only to be clipped by loose 2-step scaffolding, while vocal trance fragments pockmark the air like overheard dreams. Somewhere between the PS2 boot sequence and a pan-global spiritual, it's panglossia for the post-everything listener.

Music for your Plants — 'Breath Of God'

Subliminal Burn

hael0 - hyolyn tweak

Heart EP

Womb

Lucas Luck
Justin Bieber
DJ RISH on drums

Do It Like You Do (Receipts Riddim)

@bewareilive

BODIES UNITED VOL. 6

This will be the final release/effort from Bodies United in Love + Dance,

-BUILD

BUILD RECONTRUCTIONS VOL. 6

FREE D/L

ANIMA - atw

Eera/Cedric Madden- Fuck High School

https://www.youtube.com/watch?v=vVV9EcnIYEQ

Drama (Cotton Mouth Edit)

Twine Bread & Old Spells

Swoyd Garden - Forever The New One

contact & booking: christian@grasps.club

'Field of Dreams' monthly mix series on @hkcrlive

@agonyintl
@user-662985221

Releases with:
@eternal100000000
@wearetar
@sidechainsclub
@alldayfreeself
@00nekyia
@cvlt_records
@parkingstone

FACE ME

Grasps_