Singles / Remixes

2018 - 2022

Artwork by Giusy Amoroso and Aaron Jablonski 

https://www.instagram.com/marigoldff/
https://www.instagram.com/exitsimulation/

Levitate

The newest release from 29 Speedway, UltraBody, is a compilation record featuring the music of Jake Muir, Pent & Dylan Kerr, Nexcyia & mu tate, James K, Flora Yin-Wong, Ex Wiish & Dorothy Carlos, Kamran Sadeghi, Tati au Miel, James Hoff, Eric Frye, qwqwqwqwa & sop.io, Muein, & Maxwell Sterling. The record is emblematic of the artists who have performed at 29 Speedway shows in New York and Europe during the past two years, and is the third in a series released by the label.

The record investigates how the self, spirituality, and language are intertwined with the intervention of subjectivity by new technologies. With increasingly sophisticated tech, and the supposed ability to remake the world and ourselves, what differentiates our individual discretion from the will imposed upon us by software? Quoting Walter Chaw, “Decades of rampant, unregulated and ill-considered technological leaps have begun to evolve, to mutate, humans at a biological level”. This haphazard acceleration towards a techno-utopic transformation of humanity has faulted, and as William Gibson put it, is leading us to live in a “half assed singularity”. In this reality, artistic processes are influenced by excessive access to computational tools and assistance, but not utterly controlled.

This in-between state of dominion is explored on UltraBody. “Incoherences” samples the utterances of Dylan Kerr’s voice processed between Pent’s percolated glazes, muddying the gulf between vaporous ambient and reflexive sound design. The voice on James Hoff’s “A... ...Cha.... A... I feel l” was created by trying to get voice cloning technology to sing a gps data stream, the music an extrapolation from an earworm he got stuck in his head while shopping in Kyoto. On “Plogue Chain”, Eric Frye’s most speculative sci-fi observations spiral into a glazed pool of digital cacophony, while Kamran Sadeghi’s “Formula Fiction” is an experiment in (un)controlled generativity. Incorporating minimal pings from a 3D simulation scene based on gravitational interaction, cello bits evolve on “Assimilation”, a collaboration between Ex Wiish & Dorothy Carlos.

On UltraBody, sound has no separate existence from space.

James Hoff - A... ...Cha.... A... I Feel Like A Ghost Uh

bandcamp

chaser

GARGANTUAN COLLAPSE - MODERN GRIEF 
(DAWN021)
50 limited copies
CD
ft @vinakonda
@gargantuan-collapse
Produced by @modern-collapse & @gargantuang
Mastered by @lastrackqlf
Photos by Melchior Tersen
Dawn 2024

Modern Grief

Cirrhose Direct (feat. Vina Konda)

need you around - 
Live from Varispeed No.3 with Paramax 
Reforesters Laboratory 
March 30, 2025.

need you around (Argo Mix - LIVE from varispeed no.3)

https://soundcloud.com/ole123456 for @eliasqz & @jassintio

www.retreatradio.net/event-horizon

Listen 24/7 at www.retreatradio.net

Event Horizon #5 w/ olé (16/04/25)

Type: EP
Format: Digital
Releasedate: May 14th
Cat. number: SLA25
Artwork: Oliva Rawlings
Master: Norman Orro

If you listen to the breeze long enough, a song will emerge.
The air hangs on the cusp of rapture.
It will have you foraging in existential void, identity-gardening for a better future...
realworlding.

––––

Hiding in relative obscurity, Music For Your Plants – the sonic environment tended by Tallinn's Norman Orro – originated in late 2000s as a library-music-obsessed prog-rock collective in the dusty attics of the Estonian Academy of Arts. The project has since shed its initial kraut-informed sprawl, evolving through junglist, breakbeat hyperstitions toward a sort of post-anthropocene chamber music: densely layered, rhythmically unstable, and emotionally euphoric.

MFYP maintains a fascination with nonhuman perspectives and systems,
expressing this through forgotten esoteric plugins or operating 90’s hardware with the casual precision of someone peeling particularly stubborn fruit. Despite surface affinities with ambient or post-club sonics, Orro’s output eschews the genre’s more pristine tendencies. MFYP’s productions are texturally grainy, often abrasive in detail – the residue, perhaps, of early-digital workflows and a background in tape-saturated, longform rock improvisation.

Where Hassell sought hybrid utopias, MFYP’s trajectory leads deeper into what Orro has referred to as “Fifth World sonics,” creating a deliberate babel of "world musics" – sometimes deploying reflective detachment, elsewhere earnestly attempting to reconfigure music for an age where the concept of "world" is in crisis. This approach, crystallised on the 2013 Humanity EP, helped cohere the “eco grime” microgenre through holographic, deconstructed folktronics and mutations of UK bass DNA.

On Aeolian Software, we find bit-crushed fretwork and pop-leaning structures, if only briefly gasping for air. MFYP’s current phase appears concerned with breath and density, melodic cells surfacing through mist before dissolving again – as if uncertain whether to take root or vanish.
New Age textures creep in sideways, only to be clipped by loose 2-step scaffolding, while vocal trance fragments pockmark the air like overheard dreams. Somewhere between the PS2 boot sequence and a pan-global spiritual, it's panglossia for the post-everything listener.

Download

Music for your Plants — 'Soft Age'

Fourth and final premiere "Ciphercut“ by @genus-aix is out now. In "Ciphercut", Genus Aix reveals a new facet of his sound, leaning into a bass-heavy, raw, and darker sound aesthetic. The track adds a post-dubstep-tinged edge to the compilation, evoking the feel of a slow-motion moshpit.
—
Artwork: Alexander Turovsky (www.instagram.com/alexanderturovsky)
Mastering: Christoff Riedel (www.instagram.com/christoff.riedel)
Catalogue Number: cime010
Release Date: June 16th, 2025

Genus Aix - Ciphercut

YCHIA

You Can Have It All (feat. Organ Tapes) (Guitar Mix)

Kwia 12.06.25 (Guitar set)

PRAYING WAITING
w/ @ptwiggs & @wa-ste222

Artwork by WA?STE

https://twitter.com/wa_ste222
https://www.facebook.com/wa.ste222
https://www.instagram.com/idle92/

https://www.facebook.com/ptwiggsmusic/

PRESS:
http://www.purplesneakers.com.au/2017/08/listen-grasps-ptwiggs-waste-praying-waiting/
http://stoneyroads.com/2017/08/grasps_-ptwiggs-and-waste-drops-heavy-hitting-track-praying-waiting

Spotify

PRAYING WAITING (w/ PTWIGGS & WA?STE)

A homage to @wwwings

Vocals: @embaci (taken from 'ANGEL CALLING EMBACI')
Mastered: @ptwiggs

Contact me: christian@grasps.club

Merch soon via. www.grasps.bigcartel.com

Thank you for listening.

WWWINGS - EVEN ANGELS CRY (GRASPS REMIX)

I dropped my bones in the dirt, beckoning toward the sky.

artwork: @wa-ste222

ON MY KNEES

Full stream of @born-in-flamez and @grasps' affecting, bass-heavy cut "Binary Beast," from their forthcoming EP on @infinite-machine.

More info: https://www.xlr8r.com/news/premiere-hear-an-emotive-bass-heavy-cut-from-born-in-flamez

Impossible Love

More info

Premiere: Born In Flamez & Grasps - Binary Beast

Taken from the upcoming HYMN compilation out on January 5 📡 
🔴 facebook.com/00.nekyia 

@grasps (Christian W) is an experimental electronic music producer based in Sydney, Australia; exploring the darker realms of post-club & ambient soundscapes. His music emanates raw power, emotion and vulnerability in the context of feelings of loss and hopelessness. Grasps has released two EP's via. the LA imprint @wearetar, as well as a number of releases through Sydney labels @sidechainsclub and @eternal100000000.

imagery from Afonso De Matos 
instagram.com/eletrico.verde

Grasps - Divine Providence

@wa-ste222 & @grasps - h1bernat1on

Artwork by @felix-idle

download

Wa?ste & Grasps_ - h1bernat1on [ICSOO2]

contact & booking: christian@grasps.club

'Field of Dreams' monthly mix series on @hkcrlive

@agonyintl
@user-662985221

Releases with:
@eternal100000000
@wearetar
@sidechainsclub
@alldayfreeself
@00nekyia
@cvlt_records
@parkingstone

WWWINGS - EVEN ANGELS CRY (GRASPS REMIX)

Grasps_

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