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Magnetic Revival is the new artistic chapter from Wrocław-based producer and DJ, Michał Radziwanowski. Presented as a clean slate, the project channels the raw energy of the 90s and early 2000s underground house scene, drawing deep inspiration from legendary acts like The Prodigy, Kraftwerk, and Faithless.

Introduced to DJing by his father at the age of 8, Michał’s journey has been one of deep-rooted passion and self-taught dedication. Now, under the Magnetic Revival moniker, he merges that classic heritage with a modern arsenal of contemporary analog gear and production tools.

The result is a distinctive and powerful sound, defined by bass-heavy subs, potent kicks, and intricate synth polyrhythms—a sound that is both a tribute to the past and a bold step into the future of electronic music.
https://linktr.ee/magnetic_revival


Contact : michal@magnetic-revival.com

www.thegrasshopperunderground.com
www.facebook.com/thegrasshopperunderground

Detroit bred dj who commands a residency at TV Lounge (and has for years.)  'Nuff said.

How To Kill Records (Detroit)
WéMè Records(Belgium)
Sly Fox Records(Detroit)
A&R Edits (England)


Upcoming:

March 2nd: my "Feel The Same EP" is released via Country Club Disco

March 21st: DJ Set @ Grasshopper  w/ Max Graef

March 22nd: DJ Set @ TV Bar, Detroit

April 18th: DJ Set @ Grasshopper w/ Homework

Jay Biggs emerged from a mysterious ancient egg found in the Himalayan mountains over 100 years ago. After Many Years In a hidden Dojo just outside of China; Eluding Space and time, Jay transcended onto the streets of Detroit enlightening his consciousness and unblocking his Chakras through underground electronic music. Jay started djing House and Techno at The Works in Detroit and is now known as a Dj throughout the city. He has opened for multiple world class dj's and has played at countless parties,bars and several events in and out of Detroit. Jay is currently a resident dj at The Grasshopper Underground.

Bookings: peter@minttalentgroup.com
313-513-6677 

https://biglink.to/GolfClapDet

Label: https://soundcloud.com/country-club-disco
Facebook Group: https://www.facebook.com/groups/CountryClubDisco
Weekly Radio Show: https://soundcloud.com/countryclubdiscoradio
Promos: golfclappromos@gmail.com


Detroit has long been a hub for electronic beat lovers and speaker freakers, but Golf Clap’s Hugh Cleal aims to lead a new generation. For nearly a decade, he’s hustled the project and its Country Club Disco label to the forefront of house music’s funkiest dimensions. The project (formerly a duo with Bryan Jones), works tirelessly to conjure a palpable energy, one fans can feel at every gig, be it a hot-and-heavy club set or an energetic takeover of a festival stage. Golf Clap feeds off the crowd, spinning the hottest songs of the moment while breaking new records - and this isn’t any press play, hands in the air fair. You're likely to hear a lot of cutting up between facefulls of funk and bass. 

Fueled by a relentless passion, when Cleal isn’t behind the decks, he’s likely pulling all-nighters in the studio. Bodies dancing in real-time is an addiction, but when it comes to original productions or high-profile remixes, Golf Clap wants to create something for every moment. Recent singles “Freak It Out” [Country Club Disco] “Mystery Scene” [mau5trap/Insomniac] and “Gravitate” [Toolroom] showcase their deft and dark grooves, while 2018 EPs  Vices  and  Machines  showcase club-ready attitudes. High-profile remixes for Zeds Dead and Illenium, Zhu and Tame Impala, Louis The Child, and Hotel Garuda give the music makers a chance to showcase stylistic variety. 

While 2020 has been a year of great change, Cleal has never stopped working. With loads of new tunes in the wings and a dedication to the Country Club community, Golf Clap is and always will be, in his own words, “about creating a community.”

Sutter wasnt born with headphones, or knew he was destined to make people dance at age 3, or any other lame cliches to make a bio sound cool. He did take over his mom’s crate of records filled with Michael, Janet, Stevie, and Whitney pretty young. Big love for hip-hop and R&B as a teenager, but once he discovered underground house music, he turned the radio off and never really looked back. 

Detroits underground music scene, iconic Motor Lounge and the first Detroit Electronic Music Festival were the driving forces behind crafting his own parties back in Flint around 2003. He never really set out to be a DJ, but when you find yourself surrounded by DJ’s, you kinda just learn to DJ. Sutter got booked for gigs before he could even mix. His track selection is what kept him in rotation until his hands stopped shaking every time he put a needle on a record in front of people.	By teaming up with the Disfresh event label, and after countless weekends of non-stop music and years of curating events with the crew, he learned to tighten up his mix. He quickly carved out a name in the underground as a go-to house head. His next big move came in 2010 by co-founding their current creative home base [something clever]; with forever homies Jeremy Poling & Nesto. Sutter’s played just about every spot from Detroit to Grand Rapids on lineups with major players like Mark Farina, Colette, Miguel Migs, Fred Everything, DJ Heather, and Justin Martin to drop a few favorites, but the list goes on. He’s worked to bring new and edgy artists to Detroit for thier first time appearances like Lovebirds, Sonny Fodera, Benoit & Sergio, and Eats Everything. Holding residencies at Detroit’s Oslo, Whiskey Disco, and Northern Lights Lounge and playing on festival lineups like Tec-troit, City Lights Music Festival, and Land Of NOD, with national bookings in Chicago, LA, Miami, and Buffalo, Sutter has secured his position as a seasoned vet of the game. 

His sound lives in the pocket between deep and disco to jackin’ party pumpers, and soulful panty-droppers—all bridged by vocal-heavy edits and throwback samples. With a rooted love for old school hip-hop and R&B, his fan favorite annual OG House mix series features classics from his youth reworked into house edits. This influence comes through his sets while guided by one rule—Rule #1: Make the girls dance. Those who know Sutter can recognize his sound within the first few tracks—deep, vibey, unapologetically soulful, and built to quickly fill a dance floor. 

Sutter’s name is synonymous with unforgettable parties—from legendary loft weekend ragers (yes, the turntables really hung from the ceiling) to iconic pajama jam house parties, monthly club series, NYE blowouts, and Movement weekend gatherings that are now part of Detroit’s underground lore. For over a decade, Prelude has signaled the unofficial kickoff to Movement weekend—a guaranteed vibe, expertly curated by the [something clever] trio and Infiltr8:Celebr8’s own Atnarko.

Sutter’s a DJ first, but he’s shadowed John Johr and Hugh Cleal in the studio, and has since built a respectable discography. (Eric) Sutter’s early production has dropped on labels like D-Records, Coyote Cuts, Open Bar, and Deep Hype Sounds. His recent cuts can be found on House Global Alliance (and HGA Deep), World Sound Trax, Stay Up, Evolve, Twists of Time and 4E&A Records tuned up with remixes by heavy hitters Andrew Emil, Henry Navarro, Andrew Macari and more.

These days, you’re just as likely to find Sutter on a boat as behind the decks—but always ready to show up when his name is called, Henny in hand. 

Booking: sutter.detroit@gmail.com
soundcloud.com/sutter
beatport.com/artist/eric-sutter/167135
traxsource.com/artist/42509/eric-sutter

DJ, producer and co-founder of seminal label Life and Death. Mellow trip maker and torch bearer for the cathartic effects of collective body shaking. Your new best friend.

Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

Terrence Parker is a Music Producer/DJ from Detroit. Booking Inquiries: adrien@clubkids.agency

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