**Coin Ripple Gazetteer** is a field guide to impossible places. Each entry is a waypoint where reality behaves like water—nudge it and concentric worlds spread outward. The “coin” is your portable compass; the “ripples” are choices made visible; the “gazetteer” is the record of everywhere those choices can lead. Across the album the landscape keeps its cobalt-and-teal night, rim-lit in warm amber, but the terrain morphs: salt-glass corridors, hex-tiled basins, bioluminescent mushroom halls, and lattice bridges that hum like quiet equations.

The journey opens with **Coin of Light Cartography**, where a hovering sigil maps the desert by shining through it, then slips into **Atlas of the Shifting Threshold**, a border that redraws itself the moment you cross. **Blueprint of the Void Orchard** finds a grove that grows diagrams instead of fruit; branches etch directions directly onto your intent. **Mycelial Usher Mandate** grants passage under braided caps and teal gills, a soft bureaucracy of spores that stamps your movement as lawful. Each piece is an entry in the index—corridor, bridge, basin, court—stitched by recurring motifs: prism stairs, spore-glass breath, peyote hex-ripples, and the ever-present coin.

The mood is lucid and cinematic rather than dream-blurry. Space feels fully built: surfaces read as metal, glass, salt, and obsidian; light behaves like physics; particles hang in volumetric shafts. Motion is steady, purposeful—tunnel energy without claustrophobia—so you can travel long distances inside a single scene. Instead of big narrative speeches, the album speaks in small, precise gestures: a snowflake that falls in slow time, a door that folds into a spiral, a river that remembers you and adjusts its current.

Taken together, **Coin Ripple Gazetteer** is less storybook and more instrument panel for exploration. You can run it end-to-end as a continuous transit or open to any page and step through. Wherever you enter, the coin meets you mid-decision, throws a light into the basin, and the world quietly rearranges to fit your answer.

Atlas of the Shifting Threshold

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Need change - going harder.

Techno, Trance, Psytech, Psytrance, and other liquid psychedelic music is where I'm the happiest but I do love a lot of Latin, Tribal, Lofi, Chillhop so occasionally I'll release something off-beat.

------ Past-Tense Shenanigans ------

Born in the dust-filled vibes of a ‘90s apartment, Grass Patch Bum started spinning records back when vinyl was king and internet cafes were revolutionary. Armed with a crate of vinyl, Grass Patch Bum dived headfirst into underground raves and sweaty house parties, learning the art of blending beats on turntables and (eventually) the "futuristic" CDJs. But the journey didn't stop there.

After taking a hiatus to dive into the world of FL Studio and dissect the mechanics of production, Grass Patch Bum came back stronger, with a repertoire of original sounds and the technical chops to match. Fast forward, and they've turned dancefloors upside down from Thailand to Vietnam, Bali to the heart of Europe. Now, powered by Ableton Live and a creative arsenal that refuses to stay in one genre, Grass Patch Bum weaves sonic journeys that blend groove, grit, and just a sprinkle of nostalgia for the good ol' days.

Catch him live for a taste of nostalgia, modern beats, Latin grooves, electronic melodies, and a wide range of liquid sounds. Whether it's a tropical beach in Thailand or an underground club in Berlin, Grass Patch Bum brings thems booty movements like no other.