Hard techno warehouse energy—drop in now and ride the storm.
Peak‑time kicks, industrial grit—enter the tunnel.
Acid‑laced hard techno for the 4AM warehouse.
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Stream / download / buy ➜
Merch Shop : https://grass-patch-bum-shop.fourthwall.com
https://open.spotify.com/artist/3q0KcTUD3hmRdi1SUWd6VL
https://music.apple.com/us/artist/grass-patch-bum/1596136340
https://soundcloud.com/grasspatchbum
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Neo rave sci‑fi visuals with ruthless hard techno drive.
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Helix of the Bioluminal Oracle
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Keep in touch with latest releases:
https://www.youtube.com/@grasspatchbum
https://grasspatchbum.bandcamp.com/
https://grasspatchbum.com/
Trippy Music Video : https://youtu.be/dv56pNhrA-c
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Support the tunes:
https://paypal.me/grasspatchbum
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The Story
The plain was made of black salt, a horizon of matte crystals that swallowed reflections instead of returning them. Above it hung a sky the color of cooled iron. Nothing moved, not the thin grasses fossilized in place, not the distant ribs of petrified cactus, not the oval shadows that pooled where there should have been light. The air felt thick—like a held note, like a thought someone forgot to finish.

Out of that heldness, a figure stepped.

They were not armored or robed. They carried no tools, only a glass seed cupped in both hands, small enough to hide in a fist, heavy enough to pull the shoulders down. The seed was not luminous, but light noticed it; beams bent when it passed. The traveler steadied their breath until it matched the inaudible pulse threading through the ground. When they looked up, the horizon turned by a fraction, just enough to show that all horizons here were part of a wheel.

The wheel’s center was nowhere and everywhere, but its rim—the path—ran straight ahead. The traveler started walking.

Out past the fifth step, the salt exhaled spores that did not rise or fall. They hung, counting each other, arranging themselves into a body: a lank, cathedral-shouldered mushroom being with gills inscribed in teal. Its shadow formed before its cap; then its stem curled up from the shadow’s edge, a reversed sprout. The gills flexed, and stenciled onto the air between them appeared a silent string of equations shaped like vines.

The traveler paused without fear. The equations were invitations.

The mushroom lifted its arm. Halfway through the gesture, the arm became a cactus rib, green lacquer with glints of trapped suns. The rib arched overhead and, with a soft click of geometry, multiplied into a corridor: rib upon rib, an arcade of living anatomy, each curve fitted to the next by joints that whispered when they turned. Salt slipped out of salt, forming steps that did not look like steps until the traveler placed a foot on them and the ground agreed.

A corridor of ribs and spores opened toward a darkness that was not night, and the traveler crossed the threshold.

Beneath the ribs, the air acquired weight. Droplets formed on the cactus skin and beaded, each bead holding a world full of tiny weather. Where the beads grazed one another, prisms were born—micro-faceted insects that hummed without sound and flew in quivering constellations. Columnar forms extruded from the salt like glass trees, branches interlocking in a scaffold of perfect errors. Between branches, filaments stretched into a lattice, a graph of choices the traveler hadn’t made yet.

In the prisms, the traveler’s reflection wore a dozen futures. In some, the seed had already been planted; in others, the seed was a piercing and the sky was stitched to their skin. In one, there was no traveler at all, only the seed rolling like a planet where the ribs met the plain.

Continues on the website:
https://grasspatchbum.com/2025/08/18/mercury-river-protocol/

#techno #technomusic #hardtechno  #neorave  #industrialtechno  #warehouserave  #peaktime  #acidtechno  #undergroundtechno  #4kvisuals

Mercury River Protocol - Psy Visuals on YouTube

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

Red-I

We're not just a music producer. Red-I Productions is a multi-platform brand, involved in artist management, production, and event support. We work with artists, platforms, and labels, offering a broad range of services. It's a dynamic setup that goes beyond just producing music.

morered1997@gmail.com
for collabs and business inquiries

I've been collecting records from record shops in the UK London and elsewhere and Discogs, I have a huge record collection tape packs, and CDs. I love music, collecting tracks, and DJing. Influences include all garage crews from the 90s onwards and grime crews and dubstep crews from 2001 onwards sidewinder tape packs and pirate radio. Rinse FM kiss 1xtra and radio 1 I also like music influences from around the world drum n bass electronic house techno,from the us gangster rap and hip hop and love experimenting with new things check out my mix tapes on here mainly grime and dubstep as DJ s.k.y.n.e.t I'm also MC virusT big shout out to dj shotz,MC grime suspect MC sox,MC nightmare, MC outrage,MC UFO and DJ the Don 

Frequenz for Life
Thank you all for the Likes and Reposts. You are the BEST :-))

SoundCloud is straight selling you lies.

LilNatureBoyX is an emerging music artist known for blending hip-hop, R&B, and experimental electronic sounds. His discography includes projects like Portal II: Forces of a Higher Nature, Here Angels Follow, and Violet Eagle, which showcase his evolving style and thematic depth. His music is available on platforms like Spotify and Amazon Music .

Spotify: https://open.spotify.com/artist/2ZWY21GRl34eoI6b2rmWbx?si=5H-KRjQaSKCf0Orfkeu2OA

Apple Music:
https://music.apple.com/us/artist/lilnatureboyx/1621589619

donate to Voice Of the Martyrs

www.persecution.com

Dig the tunes? Check out the music videos YouTube: https://www.youtube.com/@grasspatchbum

Website or Instagram for booking.

Need change - going harder.

Techno, Trance, Psytech, Psytrance, and other liquid psychedelic music is where I'm the happiest but I do love a lot of Latin, Tribal, Lofi, Chillhop so occasionally I'll release something off-beat.

------ Past-Tense Shenanigans ------

Born in the dust-filled vibes of a ‘90s apartment, Grass Patch Bum started spinning records back when vinyl was king and internet cafes were revolutionary. Armed with a crate of vinyl, Grass Patch Bum dived headfirst into underground raves and sweaty house parties, learning the art of blending beats on turntables and (eventually) the "futuristic" CDJs. But the journey didn't stop there.

After taking a hiatus to dive into the world of FL Studio and dissect the mechanics of production, Grass Patch Bum came back stronger, with a repertoire of original sounds and the technical chops to match. Fast forward, and they've turned dancefloors upside down from Thailand to Vietnam, Bali to the heart of Europe. Now, powered by Ableton Live and a creative arsenal that refuses to stay in one genre, Grass Patch Bum weaves sonic journeys that blend groove, grit, and just a sprinkle of nostalgia for the good ol' days.

Catch him live for a taste of nostalgia, modern beats, Latin grooves, electronic melodies, and a wide range of liquid sounds. Whether it's a tropical beach in Thailand or an underground club in Berlin, Grass Patch Bum brings thems booty movements like no other.

i paint pictures with sound.. bringing fresh vibes that blend [EDM / Progressive Trance / Future rave / Electronic house & Techno]. My sound is all about good energy and fresh blends that break the rules, each track is a new experience, a journey made to keep you dancing and feeling alive. SoundCloud is where I share. I’m here to connect with listeners and artists who love good music. Hit play, drop a comment, and let’s grow together.