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Lyrics:

We march towards the end

No flowers, no grace just life erased
No sign of respect, they left no trace

Devoid of life

This is what we have become
Bottom of the barrel scum
No second chances
No use in taking stances
They dance in synchronicity
Enacting the extraction of your being

You are all disgraced
Putrid piles of human waste
Manipulation of mortality and sin
Let the final ritual begin

The sacred chant entices the weak once again
It inherits their minds like an acute pathogen
We all speak in unison with dagger like tongues
By the semblance of obscurity you’ll all be succumbed

Thou hath spoketh to the new born children of scorn

Bring them forth

No flowers, no grace, just life erased
No sign of respect, they left no trace

There’s nothing left to love
Nothing left to embrace
They took everything from us
We are a disgrace

Thou hath spoketh to the new born children of scorn
Ripped and torn bring them forth

Dies Iræ, Dies Illa

Dies Iræ, Dies Illa Solvet Sæclum in favilla

The sacred chant entices the weak once again
It inherits their minds like an acute pathogen
We all speak in unison with dagger like tongues
By the semblance of obscurity you’ll all be succumbed

Dies Iræ, Dies Illa
Solvet Sæclum in favilla

Thou hath spoketh to the new born children of scorn

Ripped and Torn
Bring them forth
Ripped and Torn
Bring them forth

Bring them forth
Bring them forth
Bring them forth
Bring them forth

Devoid

Opvs Contra Natvram

Neo-Spartacus

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Thousand Leagues

IOTUNN "Twilight" from the album "Kinship"

IOTUNN "Twilight"

"Shadows of Fury" represents another evolution in my AI-powered instrumental journey, featuring an unexpected but powerful combination - electric guitar and 6-string electric violin working together to create something truly cinematic. Rather than competing against each other, these instruments form a dramatic alliance where each brings its own strengths to build an emotional arc over nearly five minutes.

The track unfolds like a film score, with the guitar providing the structural foundation and rhythmic power while the violin serves as the emotional voice soaring above. From the atmospheric intro where clean guitar arpeggios set the mood and the violin enters with haunting sustained notes, the piece builds through distinct phases - sometimes the guitar dominates with palm-muted chugging and aggressive riffs, other times the violin takes center stage with tremolo runs, glissandi, and those screaming high notes that cut through the mix like a metal vocalist.
What makes this track special is how the instruments complement rather than compete. The guitar grounds everything with power chords and rhythmic drive, while the 6-string electric violin explores the full emotional spectrum - from lyrical melodic passages to frantic rapid-fire bowing that matches the guitar's intensity. The violin's extended range allows it to harmonize with the guitar in the lower registers while still reaching those soaring heights that define the track's most dramatic moments.

The climactic sections showcase both instruments at peak intensity, creating massive walls of sound where the violin's sustained vibrato rides over the guitar's relentless assault. By the outro, the violin carries the final emotional weight with haunting sustains while the guitar resolves to clean tones, ending the journey where it began - in atmospheric shadows.

Working with AI to orchestrate this blend was incredible because I could layer these contrasting textures exactly as I heard them - the percussive attack of the guitar balanced by the violin's expressive sustain, creating something that feels both heavy and cinematic. "Shadows of Fury" proves that metal instrumentals can be about emotional storytelling, not just technical showmanship.

03 Somnarium

GraveDancer