Cheesin' @TheCollxtion

Bookings:
Wilcox@warpathgroup.com

Mgmt: MGMT@tyrmusic.com

Send Me Tunes! TYR@tyrmusic.com

Official #OnSoundcloud Premiere Partner

I've unfortunately had to remove all unofficial remixes from this Soundcloud. Follow my Yungcloud (https://www.hive.co/l/tyrmusic) where I will be re-uploading some of them! This is still primary account for all music. So stay tuned! Also check out my collective @TheCollxtion where I will be releasing a lot of my new music!

TYR pronounced tire (Rhymes with Fire) (Old Norse: Týr [tyːr]) is the god of single combat, victory and heroic glory in Norse mythology.

     Without the constraints of genre, most would crumble under the pressure of needing to please a widespread audience, but with the assistance of blogs and media distributors, TYR has become a household name as a solid producer and live electronic act.

     From tracks supported by Moby to virally popular remixes spreading far and wide on the EDM blogosphere, the foundation of TYR's fan base is incredibly strong. As his presence grows nationally and internationally, the crowds are ranting and raving about his high energy and diverse live set.

     Expect the best from this producer in 2015/16 as the 21 year old is just getting started. Driven by a deep passion for music and a need to play out as much as possible, few connect with a crowd like he does. TYR is one of the most progressive and eclectic producers and live performers in music today. 

THOHT (Georg Bermuda):
Singer of the german Reggae-Crossover Band BERMOODA!!
Solo Artist and Producer in various Genres. Here you find some Audios through the last 12 years of his work.

Independent Record Label & Multimedia Company. DreamingOutLoud.

An online music curation platform centered around reposting amazing music.
DM us for promotion!

Twenty-seven years. Four bandmates. Two brothers. One album. Let It Lie, the debut release from Canadian roots-rockers the Bros. Landreth, is proof that there's strength in numbers.

Anchored by the bluesy wail of electric guitars, the swell of B3 organ, and the harmonized swoon of two voices that were born to mesh. At first listen, you might call it Americana. Dig deeper, though, and you'll hear the nuances that separate The Bros. Landreth — whose members didn't grow up in the American south, but rather the isolated prairie city of Winnipeg, Manitoba — from their folksy friends in the Lower 48. Where does the sound come from? Maybe it's in their blood. After all, long before they made music together, siblings David and Joey Landreth attended their father's bar gigs as babies. "Mom would take us in the basinet and stick us under the bar tables, and we'd fall asleep," says David. "Dad was a working musician who backed up people like Amos Garrett, but his love was always songwriting. He'd play three or four sets at those bars, so we'd be at the gigs all night." 

"We were always around music," adds Joey, the group's frontman and chief songwriter. "We had no choice! We were baptized into it." As the boys got older, they began paying attention to the records their parents would play in the small, WWII-era shack that doubled as the family's home. Bonnie Raitt, Ry Cooder and Little Feat all received plenty of airtime, with John Hiatt's Bring the Family and Lyle Lovett's Pontiac standing out as family favorites. The siblings absorbed those records, which spun tales of love, life and lust in the Bible Belt. Years later — after Joey and David had given up their gigs as sidemen to form their own group, with drummer Ryan Voth — the Bros. Landreth began drawing on that familiar sound, mixing the rootsy swirl of Americana with the bandmates' own experiences up north.

Let It Lie was recorded in a straw bale house in southern Manitoba, during one of the coldest winters in recent memory. Working with producer Murray Pulver, the Bros. Landreth found warmth in the songs that Joey and David had written at home, brewing up an earthy, earnest sound that has since drawn comparisons to the Eagles, the Allman Brothers and Jackson Browne. Eager to tip their hat to the man who gave the Landreth siblings their very first instruments, the band also recorded a version of "I am the Fool," a song originally written by the boys' father, renowned Winnipeg musician Wally Landreth. Wally even stopped by the studio to sing a verse on "Runaway Train," a scuzzy, fuzzy rock song that mixes boogie-woogie guitars with two generations of bluesy, booming Landreth vocals. "He slayed it," says Joey, who laughs at the memory of duetting with his father in the recording studio. "It was fun, for the first time in my life, to get to tell my Dad what to do."

Album highlights like "Our Love," "Firecracker" and Nothing" were all inspired by a string of rocky relationships, but Lie It Lie is more than a breakup album. Filled with mid-tempo rockers, butter-smooth ballads and cowboy lullabies, it's the sort of album that finds inspiration not only in the landscape of the human heart, but also the windswept prairies that stretch for hours on every side of Winnipeg's city limits. The music is steeped in the history and heritage of the band's hometown, and if it sounds wintry at times, that doesn't mean it's not downright lovely.

That hometown was quick to embrace the Bros. Landreth, with the Winnipeg Free Press applauding the band's "blues rock [songs] resplendent with soulful harmonies as golden and warm as the late evening sun." Meanwhile, the band began hitting the road in 2013, traveling the heartlands and highways that helped inspire their songs in the first place. They didn't limit their focus to Canada, either. During the summer of 2014, the Bros. Landreth signed a deal with Slate Creek Records, an American label whose roster includes singer/songwriter Brandy Clark and Pistol Annies member Angaleena Presley.

"I remember the moment Dave and I started singing together," Joey remembers, "and I realized how similar we sounded. It was a bit of an 'a-ha' moment for us. We were both pretty burnt out from our sideman jobs and wanted to make some music together, just for fun. The band built itself after that. I was just standing there, watching the walls go up."

"Joey taught me how to sing," David adds. "Prior to the band getting started, there were 3 or 4 years where we really didn't spend much time together, because we were touring with other groups. We'd always been really close as teenagers. With the Bros. Landreth, I feel like it's almost a divine interception. We were supposed to come back together and make this music."

Wojciech Staroniewicz – postać znana polskiej publiczności od ponad 20 lat. Saksofonista i kompozytor zaskakujący wciąż nowymi autorskimi projektami muzycznymi, o szerokim spektrum stylistycznym, zarejestrowanymi na albumach: „Karambola”, „Quiet City”, „Hand made”, „Conversession”, „Alternations”, „A'freak-an Project”. Znakomity sideman, chętnie zapraszany przez innych muzyków, żeby wymienić chociażby wieloletnią współpracę z norweską grupą „Loud Jazz Band” czy sekstetem Włodzimierza Nahornego.
W ostatnich latach koncertuje jako solista z Polską Filharmonią Kameralną Sopot Wojciecha Rajskiego. Także jako solista, wykonuje solowe improwizacje w musicalach „Porgy and Bess” i „The Witness” w reżyserii Ryszarda Ronczewskiego. W jego karierze artystycznej przewinęło się wiele wspaniałych nazwisk: Andrzej Jagodziński, Włodek Pawlik, Cezary Konrad, Adam Cegielski, Nippy Noya, Helge Lien, Erik Johannessen, Brian Melvin oraz praktycznie cała czołówka jazzowa Trójmiasta.
Wojciech Staroniewicz, jako jedyny wśród polskich saksofonistów jazzowych, został zakwalifikowany do półfinału Międzynarodowego Konkursu Improwizacji Jazzowej w Waszyngtonie w 1991 roku, gdzie znalazł się w gronie 21 saksofonistów wybranych z całego świata. Oprócz tego zdobył pierwszą nagrodę zespołową oraz indywidualną, za najlepszą kompozycję na festiwalu „Jazz Juniors”. Rok później, wraz z zespołem „Set-Off”, zdobył pierwszą nagrodę – „Złoty klucz do kariery” – na „Pomorskiej Jesieni Jazzowej” oraz drugą nagrodę na „International Contest for Youth Orchestras in Hoeilaart” – Belgia.
Jest także laureatem prestiżowej nagrody Prezydenta Miasta Sopotu „Sopocka Muza 2009” 
w dziedzinie kultury i sztuki.
Staroniewicz koncertował prawie we wszystkich krajach europejskich a nawet w dalekim Szanghaju. Grał na głównych scenach większości polskich festiwali jazzowych, m.in. na: Jazz Jamboree, Jazz nad Odrą, Warsaw Summer Jazz Days, Gdynia Summer Jazz Days, Jazz na Starówce (Warszawa), Lotos Jazz Festival Bielska Zadymka Jazzowa i in., poprzedzając koncerty m.in.: Kenny Garett’a, Chick’a Corei, Davida Sancheza, Jamesa Cartera, Yellow Jackets.
Wybrana dyskografia: Set-Off - PSJ 206/1987; On The Other Side – JAM 1989; Loud Jazz Band – Live „Akwarium” Jazz Club; Loud Jazz Band – "4 Ever 2 U" Merkury 1995 (nominowana do nagrody „Fryderyk”); The Beginner – Koch 1996; Quiet City – Polonia Records 1995; Karambola – Allegro/B52 1999 (nominowana do nagrody „Fryderyk”); Fantazja Polska Nahorny Chopin – Polskie Radio S.A., Warszawa 2000; Hand-made – Allegro 2002; Fantazja Polska Nahorny Karłowicz – Polskie Radio S.A., Warszawa 2002 (nominowana do nagrody „Fryderyk”); Follow the Soul – Allegro 2003; Loud Jazz Band „Don’t Stop The Train” – Allegro 2004; The Best Of Polish Jazz 2005 – Chazz Records USA, Compilation Polish Jazz Network; Loud Jazz Band – „The Way to Salina” (norwegian edition) Allegro 2005; „Dominik Bukowski & Projektor” Allegro 2005; Staroniewicz / Melvin / Lemańczyk – „Conversession – live” Allegro Records 2006; Loud Jazz Band „Passing” – LJB Music Records 2007; Loud Jazz Band „Living Windows” – LJB Music Records 2008; „Alternations” – Allegro Records 2008; “Silence” LJB Music Records 2010; “Nahorny sekstet Chopin Genius Loci” Confiteor 2010; „A'freak-an Project” – Allegro Records 2011; "Tranquillo" - Allegro Records 2012.

https://soundcloud.com/ian-melvin/audiobiography-ian-melvin

All the songs on this cloud are original compositions of mine.  Sometimes in collaboration with other SoundClouders.

Music is a kind of kaleidoscope, although it manifests itself on an incomparably higher level of ideality. Music produces beautiful forms and colours in ever more elaborate diversity, gently overflowing, sharply contrasted, always coherent and yet always new, self-contained and self-fulfilled. Eduard Hanslick 1854

I am a married father of two, grandfather of four, fine arts graduate and polymath.

I had been asked to commit my songs to recording for the benefit of my offspring, and also I guess before I go completely deaf (Yes. I am one of the 1 in 7 severely deaf people in the UK) so begins this project. 

However, as I have gotten into it I realize that I have a lot of new stuff bursting out all the time, much of it inspired by you good people on Sound Cloud. 

Collaborating has been a revelation and I want to do more and as much as I can, so if you hear anything of mine you like and/or have any ideas about production etc just drop me a line anytime.

My collaborative name is Eight Zeros and can be found here: http://soundcloud.com/eight-zeros and on Facebook here: https://www.facebook.com/eight8zeros

I would at some point like to work with someone to develop my own and hopefully your songs as an acoustic vocal duo so if you are geographically near and interested please get in touch.

Recordings were made first on a Boss Micro BR, then on an iMac running Garageband'11, inputting through a Behringer 1204 USB mixer and using a Rode NT2A for voice (Behringer C1 condenser mic for voice up to April 2013) and an AKG1000S for guitars. From January 2013 I have upgraded software to Logic pro 9. My weapon of choice is a Martin 00015M, with Martin SP Light's mostly recorded open though sometimes via Fishman Rare Earth Blend. 

All Material is Copyright © 2012,2013, 2014, 2015, 2016.

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