A veteran of Leonard Cohen's bands, and the alt-roots Divine Horsemen in the LA post-punk scene, Julie Christensen has also sung with many other fine artists including Lou Reed, John Doe, Steve Wynn, and Van Dyke Parks.
Julie Christensen’s story is woven into decades of the fabric of underground and roots rock ’n’ roll. Julie tells her stories, conveying the beauty of suffering with a subtlety that has become her signature,  no matter what the genre they are sung in. "One of the truer singers you’ll ever hear — straight up, no mannerisms, perfect taste; recognize how she could sing with both Leonard Cohen and Chris D." LA WEEKLY

Julie  co-fronted post-punk rockers Divine Horsemen, and is a veteran of Leonard Cohen's bands and the documentary "Leonard Cohen-I'm Your Man".   “A Sad Clown,” is her seventh record; an acoustic yet gritty offering of her own music and a few gems by fellow East Nashville friends Tim Easton and Darrin Bradbury; and a stunning interpretation of Tom Waits’ Hold On that only Julie can deliver. “A Sad Clown” held the number one spot on Alternate Root, and is her second album with Stone Cupid  -  regulars Sergio Webb, Chris Tench, and Steve Latanation - and Jeff Turmes (Mavis Staples) returning on the bass. She also spent time as a jazz chanteuse, tours, has performed and recorded in the studio with Steve Wynn, Van Dyke Parks, John Doe, Exene Cervenka, Alejandro Escovedo.  In September 2018, Julie was inducted into the Iowa Rock ’n’ Roll Hall of Fame in the “Women Who Rock” category, an honor she will share with 2015 inductee Wanda Jackson. Divine Horsemen are rebooting and  releasing a single July 10, 2020, and have an album in the can for release later in the year.
"Her swagger is true to her rebellious punk-rock roots, and refined through working with the likes of Cohen, Iggy Pop, Public Image Limited..." Christensen has worn coats of many different colors, and this one's red.” No Depression 

“With a background that includes gothic cowpunks Divine Horsemen and two tours as Leonard Cohen’s backing singer, Christensen has no problems bending musical boundaries. Here there’s East Nashville back porch country, tattooed barroom rock (Honey Let’s Go To Town): a lovely, Blue Valentine-esque ballad (Like Nothing Hurts), as well as a fine cover of Tom Waits’ Hold On. - Sylvie Simmons, MOJO

"Julie Christensen is a singer who paints the moon every time she gets near a microphone. Maybe that's because songs run through her veins, whether she writes them or chooses them. It's not hard to discover today who's up there on the tightrope risking their lives to stay in the music business, because for them there is no other way to live. This lady has been singing a long time, but on A SAD CLOWN Christensen sounds as new as tomorrow. Her heart is pounding, her ears are glowing and her voice remains a miracle. And she'll take you there too." - Bill Bentley, author/writer/A&R 

"You have wrought another thing of beauty and guts and all the good stuff of which you are made! Really wonderful— (A Sad Clown) the songs, the vocals, the band vibe. You are on a roll, my dear.”    Joe Woodard (Rolling Stone, LA Times)
 
“Julie Christensen is a Nordic Zephyr. Get her!” Van Dyke Parks

“Julie is gold. Solid. Gold.”  Chuck Prophet

"It was her ability to sing with conviction in a variety of approaches that made her extraordinary to me." Todd Rundgren

“Julie Christensen’s music is deep and wide and speaks of experience. Her voice has amazing range, her own songs are little gems and her choice in material is assured. Wherever she is taking you, you’ll want to go.”  Jeff Turmes (Mavis Staples Band)

What the hell kind of church service is this?” the LA Weekly once asked of an Evangenitals live performance. 

The Avant-Americana 9 piece sound more like they hail from a rural Appalachian psychedelic dream than Los Angeles, which can be credited to in part to Juli Crockett’s vocals and Zappa-esque sensibility. Unburdened by genres, the band was founded in 2003 by playwright/director Crockett and opera, jazz and gospel singer Lisa Dee, originally as a joke, but they were too damn good to not take seriously.

“The harmonies between Juli Crockett and Lisa Dee are like the Andrews Sisters re-imagined as tragic mermaids,” said LA Record. 

The Alt-Country band have recorded 4 albums, including Moby Dick: or, The Album (Fluff and Gravy 2014), which No Depression described as “manic, diverse, unusual and creative songwriting and delivery at its best.”

They’ve played all over the world, including the Edinburgh Fringe Festival, Lightning In A Bottle and The Melissa Etheridge Cruise. 

Joining Crockett on guitar is her husband, Michael Feldman (Cousin Junebug), on keys, Joey Maramba (John Cale) on bass, Andrea Baker (The Moth Mainstage) on fiddle, Cody Farwell (Goodnight Cody) on guitar/lap steel, Danny Graziani (DoSomething) on viola, electric mandolin and harmonica, and Rob Shaffer (Ninja Academy) and Nick Stone (Pixarmonic Orchestra) on drums and percussion.

Followers of Gray Palmer