would play some games with this as background

Dark Electronica I Found

Fading is not just a song—it’s a transmission from the in-between. Born over several years marked by illness and constrained resources, it carries the raw imprint of fragility, patience, and perseverance. Slow-moving but emotionally charged, Fading unfolds like a deep breath in slow motion. Layers of ghostly ambience, crumbling textures, and fractured rhythms form a sonic landscape that feels both intimate and cinematic.

Each element seems to dissolve and reform, as if memory itself were trying to reconstruct something lost. There’s no urgency here—just gravity, atmosphere, and a kind of beautiful inertia. It’s a track that doesn’t demand attention but rewards surrender, pulling listeners into its weightless orbit.

In the current landscape of experimental electronic music, Fading stands as a deeply personal and quietly defiant statement—not made in noise, but in nuance.

(Genre: Ambient Electronica / Deep Glitch Chillwave / Experimental Electronic)

🎧 Listen & Download: https://bodobifroest.fanlink.tv/fading
🌐 Socials & Link Hub: https://ffm.bio/bodobifroest
🛒 Support: https://bodobifroest.bandcamp.com
☕ Donate: https://ko-fi.com/bodobifroest

(23.03.2025; V22.8)

DOWNLOAD / STREAM

Fading

Created with Dolby On

Behind the scenes of “Insert.ive” by Deejay Bliss

“Insert.ive” is the fifth track in this experimental ambient sequence. Captured live and processed entirely using Dolby On, this piece preserves the raw spontaneity of the moment while adding clarity and warmth through Dolby’s smart audio enhancement.

I used Dolby On on mobile to record the original take in one session, letting intuition guide the flow without over-editing. The result is a lo-fi but immersive sound environment that blends subtle synth pulses, background textures, and evolving motifs—all with minimal post-production. This track stands as a moment of creative immediacy, where the imperfections are part of the design.

Listen, support, and share — “Insert.ive” is now on SoundCloud!

Insert.ive

Tempus - Zachary Kyle
Released on November 22, 2022

"Tempus" is the sophomore album by electronic artist Zachary Kyle, exploring a fusion of atmospheric soundscapes and deep, driving rhythms. With each track, Kyle captures the essence of time, blending elements of drum and bass, ambient, and experimental styles. This 11-track collection offers a journey through evolving sonic textures, making it a must-listen for fans of immersive, forward-thinking electronic music.

🎧 Stream the full album:

Spotify: https://open.spotify.com/album/4jjCp4nUH1BOTZ2WQLoKes

SoundCloud: https://soundcloud.com/realzacharykyle/tempus

Apple Music: https://music.apple.com/album/tempus/1642370621

Amazon Music: https://www.amazon.com/Tempus/dp/B0BKRGF945

📺 Watch the official promo:

YouTube: https://www.youtube.com/watch?v=nGD45i7jdyI

Follow Zachary Kyle:

Instagram: https://www.instagram.com/realzacharykyle/

SoundCloud: https://soundcloud.com/realzacharykyle/

YouTube: https://www.youtube.com/channel/UCn8kouil1zWxYOs0asRZbVQ

TikTok: https://www.tiktok.com/@zachary_kyle

Potentia

DONT FLINCH ( INTERFERENCE MIX ) [ MASTERED BY SPACE CAT ]

A Doubt of Eternity

short melodic techno track that speaks without words about speechlessness.

nowords

City

Mentapharm

Vengeance

SuSe_it_to_th_Ma_2GREAT_mastered_band_aud

Mustard Chocolate

submission for Weekly Note Composing Jam #32 hosted by emscottish for Itch.IO September 2025  just kept this really short with a secondary nod to the obscure arcade game The Cliffhanger Edward Randy (1992) the voice intro is my brief performance and not poached digitized voice from the game.

Nice Guts! submission for WNCJ #32 (WWE Entrance) hosted by emscottish September 2025

Assembly Opcode March submission for Tiny Music Jam #2 hosted by Aurora595 for Itch.IO September 2025

"Assembly Opcode March" x86 opcodes (like how MOV=1011 binary as high/low) for a simple loop, played as binary tones. 

As the basis of my tune i used the x86 assembly code for a simple infinite loop. It performs a futile operation: adding 1 to the EAX register and then immediately subtracting 1, resulting in no net change, before jumping back to repeat indefinitely. Basically it's performative of computer science concepts like wasted cycles, undecidability in halting, or inefficient code in low-level programming history (nodding to early assembly optimization challenges). Decoding the binary tone sequence back to hex opcodes reveals a "pointless eternal march," symbolizing programs that run forever without progress.

loop:

    add eax, 1      ; 83 C0 01  (add 1 to EAX)

    sub eax, 1      ; 83 E8 01  (subtract 1 from EAX)

    jmp loop        ; EB F8     (short jump back to 'loop' label; disp8 = -8)

This is a decent assortment of opcodes: 83 (modR/M for ADD/SUB with immediate)

C0 (modR/M byte for ADD to EAX)

01 (immediate value 1)

E8 (modR/M byte for SUB from EAX)

EB (opcode for short JMP)

F8 (displacement for JMP, -8 in two's complement)

These cover common categories: arithmetic (ADD, SUB), control flow (JMP), and operand encoding (modR/M, immediates). 

The full machine code in hex is: 83 C0 01 83 E8 01 EB F8.

Detailed Melody Notation

Notes are listed in order, grouped by byte for readability (8 tones per group). 

Each tone is a 16th note. Played monophonically on the synth with Step-Recording.
I say that liberally, they -were- 16th notes before compression to 20seconds

Byte 1 (83 hex = 10000011): G4, C4, C4, C4, C4, C4, G4, G4

Byte 2 (C0 hex = 11000000): G4, G4, C4, C4, C4, C4, C4, C4

Byte 3 (01 hex = 00000001): C4, C4, C4, C4, C4, C4, C4, G4

Byte 4 (83 hex = 10000011): G4, C4, C4, C4, C4, C4, G4, G4

Byte 5 (E8 hex = 11101000): G4, G4, G4, C4, G4, C4, C4, C4

Byte 6 (01 hex = 00000001): C4, C4, C4, C4, C4, C4, C4, G4

Byte 7 (EB hex = 11101011): G4, G4, G4, C4, G4, C4, G4, G4

Byte 8 (F8 hex = 11111000): G4, G4, G4, G4, G4, C4, C4, C4

For Pass 2, I replaced C4 with C5 (523 Hz) and G4 with G5 (784 Hz) throughout the same sequence.

Assembly OpCodes March (60sec)

siphonic - out of my mind

zonedout - WEBCORE TRACK 608 (prod. phntmzn bR)

Dance in Fire

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Green Hologhost https://linktr.ee/GREENHOLOGHOST

Green Hologhost is a Spanish  multigenre producter influenced by Cyberpunk, Dark Techno, Synthwave, Darksynth ,  Midtempo , Industrial Bass and Darkclubbing  styles 
He started in 2010 working as DJ at local clubs playing EBM, Dark Electro and Dark Electronics , in 2020 he started his own career as Cyberpunk, Techno and Electro producer. 

Flickering in the shadows between genres like Cyberpunk, Midtempo, Darksynth or even EBM , songs are retaining a melodic edge that hook the listener in . Green Hologhost has been featured on New Retro Wave and other popular releases including "The invention of the devil"  a throbbing ball of enery flambeed in 80's music  or "Beyond The Stars" that has been featured on many popular Cyberpunk playlist

His latest album " The invention of the devil" was released in 2023 , to much acclaim

Nowadays he is focused on Cyberpunk, DarkSynth, Industrial Bass and Midtempo music

 INQUIRIES: greenhologhost@gmail.com

Mentapharm

𝐆𝐫𝐞𝐞𝐧 𝐇𝐨𝐥𝐨𝐠𝐡𝐨𝐬𝐭

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