Helena Hauff! Du rufst an, ich leg auf.
Booking:
chloe at annexagency.co.uk
The Americas:
cara at liaisonartists.com

Member of Black Sites
Member of Hypnobeat
Member of children of leir

This is my official soundcloud page every other entry on any social networking site purporting to be me is either a fan page or somebody else pretending to be me!

Piquet: experimentele pop met transoceanische vocalen. Ingetogen wanneer het (echt) moet, maar ook niet vies van punk en oosterse psychedelica. De band rond Lien Moris is op zijn minst apart te noemen. Haar stem heeft iets hypnotisch, haar vocals iets vervreemdend. Tegendraads, koppig en doelbewust zal Piquet je achterlaten met je onderlip ter hoogte van je navel.

Driven by his idol Richie Hawtin & inspired by various artists and labels in the dark minimal scene, this young talent definitely earned his spot.

Massaar, born in Kortrijk, bought his first turntables at the age of 20.
Soon he started playing at the Londenbeat Café & events such as Borderline, Rotection & Click System and the infamous Lab.105dB parties at Club Basic.

His gigs are always refreshing as he spends hours searching for new music & sounds to please ears & mind. He creates his own style by mixing with the Model 1 and adding extra sounds with the Roland TR-8S. With his controllers he combines minimal techno with minimalistic clickery beats, loop based waves & deep, dark baselines.

His breakthrough came in the summer of 2010, after sending a demo to one of the creators of ‘Feestgedruis’ who immediately saw his potential.
This has lead to some very interesting & memorable bookings…starting with a warm up for Barem at the former Make Up Club and gigs at Rhakti Deï, Forest Festival, Tribes Gathering and City Parade, just to name a few of his summer highlights.

By now Massaar has played at some of Belgium’s finest clubs and festivals; Fuse, Decadance, Cafe d’Anvers, Kompass Klub , Extrema Outdoor, Tomorrowland, …and has also been invited a few times abroad by ‘Der Hut’ & ‘Moin Moin’ in Fundbureau Hamburg.

In 2018 Massaar decided to take over the Feestgedruis concept ‘Donnerwetter’, together with his good friend and partner in crime, Ode Maen. Both well-known for their extended B2B performances. 
Recently he also started experimenting with Ableton, determined to create his own sound, so keep an eye out!

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Greg Ecuock is following