Lottie Sadd (she/her) is an interdisciplinary composer-performer making immersive sonic performances and installations. Informed by ideas of ritual, her holistic practice is broadly concerned with exposing the processes of creation. Sadd experiments primarily with long-form and improvised sound works, moving image, and text, inviting audiences to step outside an object-centric art experience and into these dynamic processes. She is particularly interested in smallnesses, exploding the minutiae of things and ‘writing a lot about a little’. Recently, she has been developing her embodied practice involving vocal (non-verbal and verbal) and bodily performance, responding to feminist mythologies of ‘monstrous’ women, and re-imagining corporeal and empathetic approaches to communication.

Composer/sound artist. In 2015 he obtained a degree in Composition with Electroacustic Media at National University of Quilmes (Bs As, Arg.). He is currently completing the Master in Sound Art at National University of Quilmes.
His works range from acoustic, mixed media, acousmatic, opera music, soundscapes and field recordings.  His compositions have been performed in different festivals such as Sonorities 2022 (Queen´s University Belfast), 17th Visiones Sonoras 2021 (Mexico), 20th International Image Festival 2021 (Colombia), Festival Escuta Aqui! 2021 (Brazil), La Illusion-Sound Art Festival 2020 (Colombia), Transversal Sonora 2020 (Colombia), Nanópera 2019/2020 artistic residence (Argentina), Nordic Saxophone Festival 2019 (Denmark). 
At the same time, he develops as a composer and an interpreter of the Ensamble Rondon Crowell (contemporary/experimental music). They have edited three record productions and an opera.

Eduard Zatriqi received a BMus with first class honours (2009), and an MA and PhD in Music Composition (2010 and 2015, respectively) from Queen's University Belfast. His two chamber operas, Van Helsing: The Opera Exclamation Mark (2009) and The Monster In The Dark (2012), received their Belfast premieres by Spark Opera. He was selected as a winner of the West Cork Chamber Music Festival Composition Competition in 2011 for his Piano Trio. Eduard also won the 2016 Peter Rosser Award for his composition War Games, which received a subsequent performance by Hard Rain SoloistEnsemble live on BBC Radio Three in September 2017. In 2018, he won the Hibernian Orchestra Composition Competition for his orchestral work Human Machine and was also awarded a commission by HRSE to write a new composition (Balkan Spectres), with funding provided by the PRS foundation. As part of the project Towards a New Symphonic Tradition, New Horizons Music commissioned Eduard (with funding from ACNI Lottery Project) to compose his most recent work Pierrot's Splendiferous Symphonic Dances.

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Music composer. Studied contemporary music composition at the Academy of Performing Arts in Bratislava.

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